Final Cut in Venice is a workshop initiative to support the post-production of films from Africa, Iraq, Jordan, Lebanon, Palestine, and Syria.
The partners of the third edition of Final Cut in Venice (72nd Venice International Film Festival) have decided to give their support to the following films in post-productions:
- ZAINEB HATES THE SNOW / ZAINEB TAKRAHOU ETHELJ by Kaouther Ben Hania (Tunisia)
Has been supported by:
- Abu Dhabi’s Film Fund SANAD is giving € 10,000 for post-production costs
- Sub-Ti Ltd. (London) is giving up to € 6,000 for the production of a DCP master and Italian or English subtitles,
- Rai Cinema is giving € 5,000 for the purchase of two-year broadcasting rights
- Amiens International Film Festival is giving a participation in the production costs of a DCP
- Fribourg International Film Festival is giving a participation in the production costs of a DCP
ALI, THE GOAT, AND IBRAHIM / ALI MEA’ZA WE IBRAHIM by Sherif Elbendary (Egypt)
Has been supported by:
- CNC – Centre National du Cinéma et de l’Image Animée (Paris) is giving € 10,000 to be spent on post-production in France
- Knightworks is giving up to € 10,000 for visual effects and special effects
- Titra TVS (Paris) is giving up to € 10,000 for digital colour correction, for the production of a DCP master and French or English subtitles
HOUSE IN THE FIELDS / TIGMI NIGREN by Tala Hadid (Morocco)
Has been supported by:
- Laser Film (Rome) is giving € 15,000 for the colour correction, for up to 50 hours of work (technician included)
- Mactari Mixing Auditorium (Paris) is giving a discount of € 15,000 for the sound mixing
- SEPARATION / HAVIBON by Hakar Abdulqadir (Iraq)
Has been supported by:
- MAD Solutions is giving a participation in the marketing, publicity and distribution in the Arab World to the film