TIFF 13 Best Canadian Feature Film goes to Alan Zweig’s When Jews Were Funny.

The jury remarked: “For its deeply moving exploration of memory, identity and community and for its coherent and profoundly humourous representation of the personal as universal, the Award for Best Canadian Feature Film goes to Alan Zweig's documentary When Jews Were Funny.” This award is made possible thanks to the City of Toronto and Canada Goose and comes with a cash prize of $30,000.

“For three generations of extraordinary, honest and courageous performances in Peter Stebbing's Empire of Dirt, the jury presents aspecial citation to Jennifer Podemski, Cara Gee and Shay Eyre.”

Acclaimed documentary maker Alan Zweig's When Jews Were Funny begins with a question: Why were so many of the comedians Zweig watched on television in the 1950s and 1960s Jewish? From the Borscht Belt scene through to present day, Zweig presents a casual, first-person history of Jewish stand-up, unearthing some amazing archival footage (there's a phenomenal bit by the legendary Jackie Mason) and interviewing some of America's most successful and influential comics, including Shelley Berman, Jack Carter, Shecky Greene, David Steinberg, and Super Dave Osborne. (Really, who knew?) The conversations are at times hilariously combative, most notably the stuff with Bob Einstein (a.k.a. Super Dave) where Zweig as interviewer plays semi-reluctant straight man. Along the way, the film tackles several key themes: Did Jewish comics essentially create modern American humour? What was the link between the comics and the average Jewish immigrant? Is there still an element of the Eastern European experience in Jewish comedy today?

The answers are surprising. Veterans of the 1940s and 1950s, an age when assimilation was a goal, deny, sometimes vehemently, that their comedy reflected anything of Jewish culture. For several of the younger comics, their biggest influences are family members, fathers, aunts, yentas. Many bemoan the loss of Yiddish, while arguing about the quintessential Jewish joke.

As Zweig and his subjects shuttle from the universal to the particular and back again, the movie's real subject isn't so much comedy but what it means to be Jewish. It's an impossible question to answer, of course. But it's also one well worth exploring, especially in a movie as funny and heartfelt as this one.