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Accolades and Awards from Animation Day in Cannes

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Bilal                                 Ayman Jamal Best inspiring Movie

Song of the Sea                 Tomm Moore    Winner at European Film Awards Prize remitted by Marion Doeing and Jurgen Bissinger (EFA 

Le Repas Dominical            Céline Devaux Winner at Cesar and Clermont Ferrand

 


Conclusion and Award Winners of the Stuttgart Festival of Animated Film

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Films Painting a Portrait of our World

 
Stuttgart, May 1, 2016 – The 23rd Stuttgart Festival of Animated Film (ITFS) ended with an awards ceremony on Sunday. This year, the programme has been even more extensive than in previous years, And while the number of festival partners has increased, the festival has remained true to its initial concept: to present a multifaceted programme of top-class animated films to guests from the international animation industry – and, above all, to the Stuttgart audience. This year's motto ”Animation for Grown-Ups” pointed out that animated films cover a broad spectrum of content. “The decisions made by the jury of the International Competition confirm the tendency in the world of international animation to produce films with socially relevant content”, says Ulrich Wegenast, the festival's artistic director.

The roughly 80,000 visitors of the 23rd Stuttgart Festival of Animated Film again filled the seven cinema halls and the Open Air cinema on Schlossplatz. On the “warm” days, almost 10,000 people filled the Schlossplatz. But even on Wednesday, a day of record-breaking cold, an audience of about 1,000 persevered in front of the Open Air screen to watch “The Little Prince”. However, cinema attendance benefited from the low temperatures. “At times, we registered an increase in cinema attendance at Innenstadtkinos of up to 20%”, Dittmar Lumpp, commercial director of the festival, sums up. 5,000 additional people watched the festival live stream (Opening and Animated Com Award).

A new addition in 2016 was the Amazon Audience Award; the winner was selected by internet users. The Local Heroes Games Award was also presented for the first time, for the best and most innovative computer game from Baden-Württemberg. Another premiere in 2016 was a special co-production together with the Stuttgart Opera (see the end of this text). Moreover, the festival has never had such a strong presence in the city before, thanks to the activities offered in the Animation Lounge at Das Gerber, the Arab Animation Forum at Stiftung Geißstraße, and especially the world's largest animation canvas “Wall of Animation” at Breuninger Modehaus on Markplatz, where a colourful world of animation stars was created over the course of eight days of live painting.

So the festival ends on Sunday? No, because a bonus day has been added for the audience in Stuttgart: A live transmission of the opera “Rigoletto” in cooperation with the Stuttgart Opera will once more attract crowes to the Stuttgart Schlossplatz on Monday, May 2 from 07:30 pm. As a warm-up, young and old can enjoy the short film programme “Animation Opera” on the huge LED screen.


Below the Award Winners of the Stuttgart Festival of Animated Film (ITFS):
The Winners of the 23rd Stuttgart Festival of Animated Film
 
International Competition
 
Grand Prix
15,000 EUR, donated by the State of Baden-Württemberg and the City of Stuttgart

Kaputt (Broken)
Germany 2015, 7:00 min.
Directors: Alexander Lahl, Volker Schlecht
Production: Die Kulturingenieure
 
The jury statement: The winner of this year's Grand Award is a powerful record of the strength and cruelty of human nature. With raw and haunting images, the film examines a part of history which should not be forgotten.
 
Lotte Reiniger Promotion Award for Animated Film
10,000 EUR, sponsored by  MFG Film Funding Baden-Württemberg

Afternoon Class
Republic of Korea 2015, 3:50 min.
Director: Seoro Oh
 
The jury statement: The film winning the Lotte Reiniger Award this year is a highly imaginative story straight out of life, with confident direction, excellent timing, great animation, a very good sense of humour, and powerful imagery. It fills its format perfectly. This film holds high promise for the director's future.
 
 
SWR Audience Award
6,000 EUR

Paniek!
Directors: Joost Lieuwma, Daan Velsink
Production: il Luster Films
 
 
TELE 5 “Leider geil!” Special Award
2,500 EUR
 
Ivan’s Need
Switzerland 2015, 6:20 min
Directors: Veronica L. Montaño, Manuela Leuenberger, Lukas Suter
Production: Hochschule Luzern – Design &  Kunst


The jury statement: This daringly shy, tenderly sexual, provokingly robust, and passionately horny film was the perfect suitor for the Tele 5 LEIDER GEIL Award.

Amazon Audience Award
5,000 EUR

Chateau de Sable
France 2015, 5:43 min.
Directors: Quentin Deleau, Lucie Foncelle,Maxime Goudal, Julien Paris, Sylvain Robert
Production: École Supérieure des Métiers Artistiques (ESMA)

Young Animation – Award for the Best Student Film
2,500 EUR, sponsored by the Landesanstalt für Kommunikation Baden-Württemberg (LfK) and MFG Film Funding Baden-Württemberg

Pro Mamu (About a Mother)
Russia 2015, 8:00 min.
Director: Dina Velikovskaya
Production: School Studio “Shar”
 
The jury statement: We award the main prize for the best student film to a masterpiece that convinced us with its wonderful animation and perfect narration.
The film tells a universal story of love, caring, and self-sacrifice. It allows us to look at society with hope, in a remarkably positive and life-affirming way.

FANtastisc Award
1,000 EUR,donated by the Animation Family, the most faithful fans of the Stuttgart Festival of Animated Film

Toutes Nuancées (All their shades)
Belgium 2015, 5:46 min.
Director: Chloé Alliez
Production: Ecole national supérieur des arts visuels de la Cambre
 
The jury statement: With simple technical means, our winning film achieves maximum impact. It highlights the many aspects of human existence – it's impossible to turn it off. With subtle irony and without a moralising undertone, the film celebrates stereotypes. In the end, we even had a burst of lucidity – and now us FANs can bask in the award-winner's glamour.
 
 
Tricks for Kids – Award for the Best Animated Children's Short Film
4,000 EUR, sponsored by Studio 100 Media GmbH
 
Alike
Spain 2015, 8:01 min.
Directors: Daniel Martínez Lara, Nicolás Matji
Production: La Fiesta PC
 
The statement of the children's jury: We have chosen “Alike” because....
…this film is more serious than others. (Joel)
…it is nicer when there are several different paths to take in the world. (Sofia)
…the film could make the world a little better. (Leonie)
…not every film needs to be funny to be a good film. (Stella).
…I liked the way people were portrayed in colours or in grey! (Tim)
…the film doesn't need any language! (Nik)

Tricks for Kids – Award for the Best Children's Animated Series

National:
Petzi: Schildkröteninsel
Germany 2015, 11:00 min.
Directors: Michael Bohnenstingl, Paul Cichon, Johannes Weiland
Production: Studio Soi GmbH&Co KG
 
International:
The long Long Holiday: The Secret
France 2015, 26:14 min.
Director: Paul Leluc
Production: Les Armateurs, Blue Spirit Studio
 
AniMovie – Award for the Best Full-Length Animated Film
 
Psiconautas, los niños olvidados (Psychonauts, the forgotten children)
Spain 2015, 75 min.
Directors: Pedro Rivero, Alberto Vázquez
Production: Basque Films, ZircoZine Animation, Abrakam Estudio, La Competencia
 
The jury statement: In an animated film, you can go wherever you like and talk about everything. Animals can speak and mountains can hike. The things of the world are condensed into precise visual metaphors. Such as in our favourite film.
On an island, in the aftermath of a catastrophe, a girl and boy are living in dark and hopeless times. Their only chance to find a future for themselves is solidarity.
With wonderfully creative ideas, the directors made a film with a captivating abundance of styles. They take us along on a journey between heaven and hell, they deeply move us emotionally. And: the film has a great sense of subversive humour.
 
German Animation Screenplay Award
2,500 EUR, sponsored by Telepool GmbH

Die Olchis – der Film
Writer: John Chambers
 
 
German Voice Actor Award
Kostja Ullmann for the role of Sam in the film “Sam O’Cool – Ein schräger Vogel hebt ab”.
 
 
Crazy Horse Session – The 48 H Animation Jam
In cooperation with M.A.R.K. 13, supported by the Landesanstalt für Kommunikation (LFK)
Team Lebanon: Lea Azar, Marylin Haddad
 
 
Local Heroes Games Award
5,000 EUR, donated by MFG Baden-Württemberg

The Inner World
by Tobias Frisch
Production: Studio Fizbin
Publisher: Headup Games GmbH & Co KG

The next Stuttgart Festival of Animated Film takes place
from May 2 to May 7, 2017.


Press Contact: Jessica Lammer, 0711-92546-102, lammer@festival-gmbh.de
 
 

 

 
 
 
 

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The Internationale Trickfilm-Festival Stuttgart – Festival of Animated Film (ITFS), April 26 – May 1, 2016 was founded in 1982 and is one of the largest and most important festivals of animated film worldwide. More than 60,000 EUR in prize money are awarded in nine competition categories. The festival collaborates closely with its new partner spotlight-Festival für Bewegtbildkommunikation as well as with the FMX. As Europe's most influential specialist conference on animation, effects, games and transmedia, FMX organises the business platform Animation Production Day together with the Stuttgart Festival of Animated Film.
 


 

 
 
 
 
 

 

ATOM Awards (Australia’s leading film and media awards)

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AUDIENCE CHOICE WINNERS ANNOUNCED!

We are proud to announce the winners from this year’s audience choice voting in selected 2015 ATOM Awards categories.

The ATOM Awards are Australia’s leading film and media awards for the education and industry sectors, with thirty-eight diverse screen content categories spanning film, television, games and educational resources, including websites, apps and ebooks.

The audience choice awards offer students, teachers and other interested individuals from all over the world a chance to view and vote for their favourite finalist productions in selected student categories from last year’s awards.

This year’s audience choice winners are:

Best Primary School Animation:
Orange Juice– Libero Piffaretti, Filmbites Youth Film School, WA

Best Primary School Film Production:
Villains to the Rescue– Mia, Liam, Ryan, Yves-Monique, Jack, Kianhi, Tim and Kham,
Filmbites Youth Film School, WA

Best Middle School (Years 7–10) Animation:
on country– Year 8 Students, Ntaria School, NT

Best Middle School (Years 7–10) Film Production:
I’m Marcus– Austin Rosier and Maddie Green, Kellyville High School, NSW

Best Senior Secondary Animation:
Silver– Nadia Berry, Huntingtower School, Vic.

Best Senior Secondary Documentary:
Acting in Adelaide– Rachel Black, Glenunga International High School, SA

Best Senior Secondary Fiction:
Blackened Heart– Lucas Worcester, Huntingtower School, Vic.

Best Senior Secondary Music Video:
From White to Black– Jas Dudgeon, Narrabundah College, ACT

ATOM congratulates the winners, who will each receive a DVD.

ENTRIES CLOSE IN TWO WEEKS!

The 2016 SAE ATOM Awards recognise film and media excellence across thirty-eight diverse categories, including eleven categories specifically for primary and secondary students. If you know of anyone who might be interested in entering, now is the time! Entries are currently open and will close at midday AEST on Friday 3 June. Click here for more information on this year’s categories.

Entries for the 2016 SAE ATOM Awards close in just two weeks time: midday AEST,
Friday 3 June. Click here to enter!

To learn more about the 2016 SAE ATOM Awards, please visit atomawards.org.

 

 

 

 

 

Guards at the Taj Wins Best New American Play at 2016 OBIE Awards

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By: Maria Esteves – May 26, 2016

The 61st Annual 2016 OBIE Awards honoring Off-Broadway and Off-Off-Broadway theater exceptional achievements of 2015-2016, by two-time OBIE host and OBIE winning actress Lea Delaria (1998 OBIE recipient, On The Town) was held at the historic Webster Hall ballroom, New York, Monday, May 23, 7:00 pm. This year’s award presenters were Kate Burton, Colman Domingo, Tovah Feldshuh, Savion Glover, Danai Gurira, Natasha Katz, Lisa Kron, Norm Lewis, William Ivey Long, Elizabeth Marvel, Carrie Preston, Marlo Thomas, and Maura Tierney. The ceremony included the OBIE Awards memoriam tribute honoring the recently deceased with a live performance by Leslie Odom, Jr., Without You; and a special birthday celebration to OBIE host Lea Delaria.

The OBIE Awards founded in 1955 by theater editor Jerry Tallmer, Village Voice newsweekly, acknowledge the best of Off-Broadway and Off-Off Broadway productions. The name OBIE derives from the abbreviation for Off-Broadway (O.B.). Past recipients include Al Pacino, Meryl Streep, Morgan Freeman, Denzel Washington, Felicity Huffman, Viola Davis, Kevin Kline, Nathan Lane, Alec Baldwin, Kathy Bates, James Earl Jones, Edward Norton, and Sigourney Weaver. The judges may vote multiple OBIES in any category where outstanding achievement deserves recognition.

2016 OBIE Awards co-produced by The Village Voice and the American Theatre Wing were judged by:
Michael Feingold – OBIE Judge Chairman, columnist, The Village Voice
Quincy Tyler Bernstine – Actress, 2009 OBIE Award recipient in Ruined
Oliver Butler – Theater director, 2014 OBIE Award recipient for The Open House
Clint Ramos – Designer, 2013 OBIE Award recipient for Sustained Excellence in costume design
Juliet Rylance – Actress, 2010 OBIE Award recipient in Rosalind
Michael Sommers – Freelance theatre critic
Marilyn Stasio – Senior critic, Variety

This year’s OBIES included 37 awards within 10 categories. The following are the various awards and their winners:

Best New American Play

GUARDS AT THE TAJ, playwright by Rajiv Joseph - $1,000

Performance

CHRIS DAVIS in The Royale, (Lincoln Center Theater/Newhouse)

EMILY DONAHOE in The Christians, (Playwritghts Horizons)

GEORGIA ENGEL in John, (Signature Theater)

PASCALE ARMAND, AKOSUA BUSIA, ZAINAB JAH, LUPITA NYONG’O and SAYCON SENGBLOH ensemble of Eclipsed, (Public Theater)

JAYNE HOUDYSHELL in The Humans, (Roundabout/Laura Pels)

OMAR METWALLY and ARIAN MOAYED in Guards at the Taj, (Atlantic Theater)

BEN PLATT in Dear Evan Hansen, (Second Stage)

LUCAS CALEB ROONEY in Red Speedo, (NYTW)

TAMARA TUNIE in Familiar, (Playwrights Horizons)

Directing 

RACHEL CHAVKIN for The Royale, (Lincoln Center Theater/Newhouse)

MICHAEL LEIBENLUFT for I’ll Never Love Again, (Bushwick Starr)

Lifetime Achievement Award

CARMEN DE LAVALLADE, actress, choreographer and dancer

A.R. GURNEY, playwright

Playwriting

LUCAS HNATH for The Christians (Playwrights Horizons) and Red Speedo (NYTW)

STEPHEN KARAM for The Humans, (Roundabout/Laura Pels)

Best Design

RACHEL HAUCK for sustained excellence of set design

JASON LYONS for sustained excellence of lighting design

JAMES ORTIZ in The Woodsman (New World Stages)

BRAY POOR for sustained excellence of sound design

KAYE VOYCE for sustained excellence of costume design

Special Citations

ANNIE BAKER (playwright), SAM GOLD (director), MARK BARTON, ÁSTA BENNIEHOSTETTER, MIMI LIEN, NOAH MEASE and BRAY POOR (design team) in John

DOMINIQUE MORISSEAU and RUBEN SANTIAGO-HUDSON in Skeleton Crew

Obie Grants

BEDLAM THEATRE– $4,000
NOOR THEATRE– $4,000
PROSPECT THEATER COMPANY– $4,000

The Ross Wetzsteon Award

NAATCO/NATIONAL ASIAN AMERICAN THEATRE COMPANY - $3,000

Musical Theatre

STEVEN LEVENSON, BENJ PASEK and JUSTIN PAUL in Dear Evan Hansen, (Second Stage)

Award Ceremony at the 16th Nippon Connection Film Festival

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Comedy about aging yakuza, family drama, and documentary awarded

After six days with over 100 films from Japan and a rich variety of other cultural events, the 16th Japanese Film Festival Nippon Connection in Frankfurt am Main ended on May 29. With far more than 16,000 visitors, a new record was set, and many of the film screenings, concerts, and workshops were quickly sold out – thanks also to around 60 guests. Directors, actors, producers, and artists from Japan and from all over the world had come to present their work to the audience. The festival closed with the award ceremony at Künstlerhaus Mousonturm.

This year's Nippon Cinema Award, an audience award, went to Ryuzo and the Seven Henchmen by Takeshi Kitano. In his feature film about an old-school yakuza, the director returns to his roots in comedy and takes an ironic glimpse at Japan’s ageing society. The award, endowed with 2,000 Euros, sponsored by Bankhaus Metzler from Frankfurt am Main, was presented for the twelfth time. Gerhard Wiesheu of Bankhaus Metzler handed the award to producer Shozo Ichiyama from Office Kitano.

The Nippon Visions Audience Award was given toUnder the Cherry Tree by Kei Tanaka. The documentary film convinced as a sensitive portrait of the elderly residents of a public housing complex. The filmmaker received the award in person. This audience award is endowed with 1,000 Euros and was sponsored for the third time by the Japanese Cultural Center Frankfurt.

Takeo Kikuchi is the winner of the Nippon Visions Jury Award. In his family drama Dear Deer, filled with impressive acting performances, the young director tells the story of a troubled relationship between siblings while also dealing with the stagnation in small Japanese towns. As the jury members pointed out, they were especially impressed by the director's light-footed approach and the performance of the leading actress. The three members of the jury were German filmmaker Gunter Deller, Shozo Ichiyama, producer from Office Kitano and program director at FILMeX Festival, and film critic Yuka Kimbara. The award winner will receive a subtitling for the director's next project, sponsored by the Japan Visualmedia Translation Academy (JVTA) from Tokyo.

Two more films from the Nippon Visions section received an special mention. The documentary Under the Cherry Treeby Kei Tanaka was not only chosen as the audience's favorite, but it was also regarded as an outstanding achievement by the jury. The Man Who Was Eaten, a science fiction comedy by director Keisuke Kondo, was praised as an original social satire. The award ceremony was followed by the screening of the closing film Pieta in the Toilet, in attendance of director Daishi Matsunaga.

The date for next year's Nippon Connection festival is already set: from May 23 to 28, 2017, Künstlerhaus Mousonturm and Theater Willy Praml in der Naxoshalle will once more become a center of Japanese cinema.

The organizers
The Japanese Film Festival Nippon Connection is organized on a voluntary basis by the more than 70 members of the Nippon Connection registered association. The festival is realized under the patronage of Peter Feldmann, Mayor of the city of Frankfurt am Main, and Takeshi Kamiyama, Consul General of Japan in Frankfurt am Main. 
 

THE RIO DE JANEIRO URANIUM FILM FESTIVAL AWARD WINNERS 2016

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Films from Australia, Brazil, Denmark, Italy, Spain and Switzerland winning the Yellow Einstein Award of the 6th International Uranium Film Festival in Rio de Janeiro

June 1st, 2016  -  Rio de Janeiro’s 6th International Uranium Film Festival awarded  films from 8 countries: Australia, Brazil, Denmark, Germany, Italy, Spain, Switzerland and the Netherlands. Six films received the Yellow Einstein Award and 4 films the festival’s Special Recognition. In total the festival screened in the cinematheque of Rio de Janeiro’s Modern Art Museum (MAM) 49 films from all over the world about atomic power, uranium, nuclear security and radioactive risks. 13 filmmakers and producers were present in Rio. The best and most important films were awarded by the festival’s international jury. 

„Since the beginning of time radiation is part of human mankind. There is natural radiation coming from space and from the rocks under our feet. And because of the discovering and use of the powerful element uranium we have in addition the „man-made“ radiation coming from the contamination of our planet - for example - through mining and by more than 2000 atomic bombs that were blown up in the Atmosphere just by the five A-Bomb states USA, Russia, France, United Kingdom and China“, says festival director Norbert G. Suchanek. 

Radioactivity is invisible, has no smell no taste.  „It’s a huge challenge to film something that you cannot see, but something that still can hurt or even kill you“, says Suchanek.  „For that the making of nuclear films is sometimes a risky business. And the Uranium Film Festival has the duty to honor and to award these filmmakers and their work.“

The Uranium Film Festival trophy  is a piece of art produced by Brazilian waste-material-artist Getúlio Damado, who lives and works in the famous artist quarter Santa Teresa in Rio de Janeiro where the first International Uranium Film Festival was held in May 2011. Getúlio creates the Uranium Film Festival Award from waste material, that he finds in the streets of Santa Teresa. He uses also old watches to remember the first atomic bomb dropped over Hiroshima. Watches in Hiroshima stopped exactly at 8:15 in the morning when the A-bomb exploded on August 6th, 1945. „For the last six years our Award had the nickname Yellow Oscar. But this year in April the Academy of Motion Picture Arts and Sciences in Hollywood prohibited us the use of the name Oscar. For that we had to find a new name. For that from now on the Uranium Film Festival Award is called the Yellow Einstein“, explains festival director Norbert G. Suchanek

 

YELLOW EINSTEIN AWARD

BEST DOCUDRAMA

THE MAN WHO SAVED THE WORLD(link is external)

Denmark, 2014,  Director Peter Anthony, Producer Jakob Staberg, Statement Film, Co-production: WG Film, Doc-Fiction with Kevin Costner, Robert De Niro, Matt Damon, Stanislav Petrov, Sergey Shnyryov, u.a., Docudrama, 105 min. www.themanwhosavedtheworldmovie.com(link is external)

1983. The Cold War is seconds from exploding. The world holds its breath as the superpowers USA and Russia are arming themselves against each other with thousands of nuclear missiles. On the 26th of September, Russian radars intercept five nuclear missiles on their way to Russia. Stanislav Petrov is commander-in-chief. The decision that would start World War III rests on his shoulders. Should Russia fire nuclear missiles at the United States in defence? 'The Man Who Saved the World' is an epic Cold War thriller that sends shivers down your spine, while also being a gripping story about the man who actually saved the world, and his struggle to get his life back on track before it is too late.   “I often get the chance to play a hero. But Stanislav is a true real-life hero.” Kevin Costner 

BEST DOCUMENTARY SERIES

URANIUM – TWISTING THE DRAGON’S TAIL(link is external)

Australia, 2015, Director Wain Fimeri, Producer Sonya Pemberton and Genepool Productions for SBS Australia, PBS America & ZDF/Arte. Documentary in 3 parts, 51 min each.  www.genepoolproductions.com(link is external)

The untold story of the most wondrous and terrifying rock on Earth. Legends say there’s a world beneath this one where a dragon lies sleeping. They say be careful how you wake the dragon. The year 2015 marks the seventieth anniversary of the most profound change in the history of human enterprise on Earth: the unleashing of the elemental force within uranium, the explosion of an atomic bomb, the unleashing of the dragon. Come on an epic journey with physicist and YouTube phenomenon Dr Derek Muller to discover the untold story of the most wondrous and terrifying rock on Earth. Love it or loathe it, whatever your views on uranium, this series will challenge them.

BEST DOCUMENTARY FEATURE

FUKUSHIMA: A NUCLEAR STORY(link is external)

Italy, 2015, Director Matteo Gagliard, Production Christine Reinhold, Teatro Primo Studio – Film Beyond. Documentary, 84 min, http://www.nuclearstory.com/(link is external)

A powerful documentary – shot from March 11th, 2011 through March 2015 – that sheds some light on what really happened at the Fukushima nuclear power plant after the 2011 earthquake and the tsunami that followed. An exclusive journey of four years inside the triple tragedy which hit Japan on March 11, 2011, following Italian Sky News reporter Pio d’Emilia who has lived in Japan for more than thirty years. 

BEST BRAZILIAN SHORT FICTION

DEVIL’S WORK(link is external)

Brazil/USA, 2015, Director Miguel Silveira, Producer J.Charles Banks, Scott Riehs, Hugo Kenzo, Dp John Wakayama Carey, Missy Hernandez. Fiction, 19 min,  

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A troubled 14-years-old boy grows increasingly isolated as he obsesses over the circumstances surrounding his father death his descent puts him on a dismal and potentially violent course that will lead to major truths and even greater questions. His father was a Soldier at the Golf War. He died because he was contaminated with Depleted Uranium.  

"The first ever made Brazilian/US movie about the use of Depleted Uranium Weapons."

BEST ANIMATED FILM 

LUCENS(link is external)

Switzerland, 2015, Director Marcel Barelli, Producer Nicolas Burlet, Nadasdy film, Coproduced by RSI Radiotelevisione svizzera. Animation, 7 min.http://lucensfilm.blogspot.com.br(link is external) - Trailer: 

class="ext" style="width: 10px; height: 10px; padding-right: 12px; background: url("extlink_s.png") 2px 50% no-repeat;">(link is external)

The story of the first nuclear power plant 100 per cent in Switzerland ... but also the last. 

BEST SHORT FICTION 

GRAFFITI(link is external)

Spain, 2015, Director Lluis Quilez, Producer Lluis Quilez, Ester Velasco, Cristian Guijarro. Fiction, 30 min, www.graffitishortfilm.com(link is external)

An apocalyptic world. A devastated city. One last survivor. Edgar has learned to survive on his own avoiding contaminated areas by the "incident" that destroyed life as we knew it. But Edgar's routine is suddenly disrupted by the discovery of a wall with a graffiti by his bed. Just one word reveals the presence of another survivor: „Anna."

 

SPECIAL RECOGNITION

AWARE(link is external)

The Netherlands, 2014, Director and Producer Tineke van Veen, Documentary, 14 min, http://www.tinekevanveen.nl(link is external)
 
The film-installation elaborates on the cleaning of the landscape, people who clean the landscape and the landscape itself. Landscape conceived as a space, both natural and cultivated, dynamic and cultural, an environment in which we “stay”, move, develop and exist, where social- and power relations play an important role. Landscape as a reflection, as a form of exchange and identification. How do we relate to this traumatized landscape? The evacuees are not only confronted with loss of their native soil, there is also the problem of no return because of nuclear radiation. These effects are much more severe, if not unsolvable. Both areas, hit by the tsunami and the devastated Daiichi power plant, has to be cleaned. The interviews deal with the persons who clean these areas, voluntary or paid, his motivation and his traumatic relationship with the affected and ruined landscape. The Japanese cultivated landscape has a centuries-old tradition and a special relationship with its residents. Old Japanese gardens are slowly overgrown by new nature. Meanwhile residents will be given permission to return to the ‘clean’ landscape.

BEHIND THE URALS – THE NIGHTMARE BEFORE CHERNOBYL(link is external)

Italy, 2015, Director Alessandro Tesei, Photography Pierpaolo Mittica, Production Mondo in Cammino Productions. Documentary, 64 min.http://www.alessandrotesei.com(link is external)

More than 60 years have passed since the Nuclear Power Plant of Mayak, in the pre Siberian Russia, behind the Urals, began his work of massive contamination in the area. Three catastrophic accidents have taken place from 1949 to 1967, without anyone's knowledge.The unsuspecting inhabitants have been studied for decades and used as laboratory animals, in order to obtain data about radioactive irradiation. 

Broken Arrow. Nuclear Accident in Palomares (Operación Flecha Rota. Accidente Nuclear en Palomares)(link is external)

Spain, 2007, Director Jose Herrera Plaza, Production Antonio Sánchez Picón. Documentary, 96 min.http://palomaresmemoria.blogspot.es/tags/operacion-flecha-rota/(link is external)

Cold War. In January 1966 two American airplanes collided over Palomares (Almería-Spain) and as a consequence, four H-bombs fell to hearth. Two of them explode their conventional charge and due to the strong wind radioactive material is scattered over the region. An intensive search is started to find the fourth bomb...  Director's statement: „2016 marks the 50th anniversary of the nuclear accident in Palomares (Almeria, Spain). For half a century, 1500 human beings have lived misled surrounded by several kgs of plutonium scattered by wind and rain in the Mediterranean and around. This is the story of a lie born during the Cold War, the Franco dictatorship and the genesis of the nuclear industry in Spain. A still alive, open story, in demand for a final solution. " 

RANGA YOGESHWAR IN FUKUSHIMA. JAPAN’S FIGHT AGAINST RADIOACTIVITY(link is external)

Germany, 2014, Directors: Reinhart  Brüning, Ranga Yogeshwar, Thomas Hallet, Wolfgang Lemme, Production WDR, Documentary,  43 min.http://www.reportage.wdr.de/Fukushima (link is external)

In this documentary a WDR-television crew and science journalist Ranga Yogeshwar gains access to the area of the atomic plant Fukushima Daiichi and got the opportunity to take samples of radiation and to shoot a film for a couple of hours in this polluted area. Science journalist Ranga Yogeshwar has gained extensive access to Japan's battered Fukushima power plant. He speaks to DW about exploring radiation-contaminated zones, and how the cleanup has progressed so far. 

FILMMAKERS PRESENT IN RIO

Alessandro Tesei, José Herrera Plaza, Marcus Schwenzel, Miguel Silveira, Missy Hernandez, Peter Anthony, Petrus Pires, Rainer Ludwigs, Reinhart Brüning, Roberto Fernández, Tetyana Cherniavska, Tineke van Veen, Wain Fimeri.

ABOUT THE FESTIVAL 

About one year before the Fukushima reactor exploded, the International Uranium Film Festival (IUFF) was founded in 2010 in Santa Teresa, the famous artist quarter in the heart of Rio de Janeiro.  It is the first festival of its kind that addresses all nuclear and radioactive issues. The aim is to inform about nuclear power, uranium mining, nuclear weapons and the risks of radioactivity. Independent documentaries and movies are the best tool to bring that information to a diverse international public. And a festival is the best way to bring the films to the people! The horror of atomic bombs and those who suffered from them, and nuclear accidents like Three Mile Island and Chernobyl should never be forgotten - nor repeated. Then the nuclear accident in Fukushima happened just two months before the first edition of the International Uranium Film Festival in May 2011 in Rio de Janeiro.

Uranium mining, fracking, nuclear accidents, atomic bomb factories, nuclear waste:  No matter if you are in favour or against the use of nuclear power, all people should be informed about the risks. The International Uranium Film Festivals creates a neutral space to throw light on all nuclear issues. It stimulates new productions, supports "nuclear" filmmaking and the discussion about the nuclear question in Brazil and worldwide. 

FESTIVAL JURY 2016

Alphonse Kelecom - Professor for radio-biologogy at the Instituto de Geociências of the Universidade Federal Fluminense (UFF) in the state of Rio de Janeiro, Brazil. He was born in Belgium and is living in Rio de Janeiro.
Leo Ribeiro - He is award winning Filmmaker & Professor for animated film, born in Minas Gerais, living in Rio de Janeiro.http://leoribeiroanima.blogspot.com(link is external)
Damacio Lopez - Founder of the International Depleted Uranium Study Team, USA, New Mexico.
Hernani Heffner - Curador Adjunto e Conservador-Chefe da Cinemateca do Museu de Arte Moderna do Rio de Janeiro. Professor for Cinema at the University PUC-Rio.
João Luiz Leocádio - Nuclear Engineer and Professor of the Department of Cinema & Video at the Federal Fluminense University (UFF) in the state of Rio de Janeiro.
Uwe Bünker - Director of the Casting Agency"www.buenker-casting.de(link is external)" in Berlin, Germany

FESTIVAL DIRECTORS

Marcia Gomes de Oliveira - Executive Director, Social Scientist, Documentary Filmmaker, born in Rio de Janeiro.
Norbert G. Suchanek - General Director, Germany, Journalist, Author, Filmmaker and Correspondent in Rio de Janeiro
 

FESTIVAL SUPPORTERS  2016

The festival thanks our longterm local partners & supporters Modern Art Museum Cinematheque, Armazém São Thiago, Esquina de Santa, Bar do Mineiro, Cachaça Magnífica and also Caffè Teichner and Villa Laurinda. Special thanks to the supporters Friedrich Ebert Stiftung Brazil, Goethe Institut Rio de Janeiro, the Suiss Consulate in Rio and FAETEC.

The Uranium Film Festival is only made possible with financial support from individual donors and sponsors. The legal organizer of the Festival is the non-profit arts and cultural organization  “Arquivo Amarelo“, based in Rio de Janeiro and registered as Brazilian charity.

We welcome any contribution. Thank you!
 
Donation via Bank transfer to
Name: Arquivo Amarelo  /  CNPJ 14.798.860/0001-27
Bank: Banco Bradesco / Agência Fátima - RJ / Brazil
SWIFT: BBDEBRSPRJO
IBAN BR36 6074 6948 0280 3000 0120 600C 1

 

FESTIVAL OFFICE AND FILM ENTRY ADDRESS
International Uranium Film Festival
Rua Monte Alegre 356 / 301
Santa Teresa /  Rio de Janeiro / RJ
CEP 20240-190   /  Brazil
(link sends e-mail)
 

 

Footage Award Winners Honoured at FOCAL's 13th Annual Gala Awards

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The 13th annual FOCAL International Awards in association with AP Archive took place last Thursday night before a full house at The Lancaster London Hotel. Now well into their second decade and going strong, The FOCAL International Awards celebrate the best use of footage in all variety of genres, across all media platforms, with the 2016 event showing strength from around the global production community.

HOST KATE ADIE.

 

 

 

The 13th annual FOCAL International Awards in association with AP Archive took place last Thursday night at The Lancaster London Hotel, honouring producers, filmmakers and other creative professionals who have used library footage in a documentary, feature film or any other form of production released in 2015. The BBC's Kate Adie hosted the gala ceremony, which also served as an occasion to bid farewell to event organizer Julie Lewis, who is retiring from FOCAL this year. Under Lewis's leadership, the FOCAL Awards have evolved over the last decade into a major event in the archival production community.

  

JULIE LEWIS

JULIE LEWIS

"The success of the awards over the last thirteen years has been due in large part to the energy, drive and commitment of Julie Lewis," said Sue Malden, Chair of FOCAL International. "It is both a highly polished event and a major annual destination among the global production community. Her contribution to the event and to FOCAL itself has been indispensable and will be greatly missed."

  

Awards in sixteen categories, including Lifetime Achievement, were handed out and several high-profile documentaries took home top honours. Academy Award Winner Amy, about the life of Amy Winehouse, won the Award for Best Use of Footage in both the Music Production and Cinema Release categories, edging out Cobain: Montage of Heck in both categories. Archive Producer Paul Bell was there to collect both awards and spoke of the 'importance of giving creative people the space they need to find the stories that already exist in the archive'.

  

PAUL BELL

 

The Black Panthers: Vanguard of the Revolution directed by Stanley Nelson won for Best Use of Footage in a Factual Production. Accepting the award in a pre-recorded video, Nelson said, 'Archival footage is a real part of what we do - I look at it as another character in the film, so to win an award for its usage is amazing.'

  

Best of Enemies featuring the acerbic public debates between Gore Vidal and William F. Buckley Jr, which was short listed twice, prevailed in the Entertainment category. The BBC's Imagine strand saw off Arena: Night and Day, celebrating 40 years of the their longest running Arts series, with The Ecstasy of Wilko Johnson directed by Julien Temple. Ray Davies, formerly of the Kinks, was there to hand over the award as Patron of London's Screen Archives.

  

Twenty-five European films were shortlisted for this year's FOCAL International Awards. Among them, Every Face Has a Name, from Swedish production company Auto Images, won for the Best Use of Footage in a History Production, beating A German Youth from Local Films (France) and Red Gold from Vivement Lundi (France) whilst the Award for Best use of Sports Footage was collected by Yuzu Productions (France) for Free To Run.

 

ROBERT GITT

  

The FOCAL Awards also honour the work of archival researchers, footage archivists and film preservationists, with this year's Lifetime achievement award going to legendary film preservationist Robert Gitt. In a career spanning more than fifty years, Robert Gitt has gained an international reputation as one of the foremost experts in the preservation and restoration of motion pictures.

  

JESSICA BERMAN-BOGDAN.

And while Cobain: Montage of Heck and the team at End of Movie LLC went home empty handed, Jessica Berman-Bogdan snagged the Jane Mercer Footage Researcher of the Year Award, primarily for her outstanding work on that film.

  

In an emotional speech, Berman-Bogdan said, 'I've been a Researcher for 35 plus years. I've worked on a lot of amazing films which have won a lot of awards, but this is the first time that I, personally, have ever won an award for my achievements, so I want to thank FOCAL for recognising Researchers and all that Archives do.'

  

 

 

Historic Films won the Library of the Year Award, and Tim Emblem-English formerly of BBC Studios and Post Production won for Footage Employee of the Year.

  

The Best Archive Restoration/Preservation Award went to The Memory of Justice and was collected by The Film Foundation's, Margaret Bodde.

  

Julie Lewis thanked her colleagues, the sponsors, competitors and the 80 plus jurors who had worked so hard to deliver the results and for bringing the event to where it is today.

 

Please see below for a full list of all 2016 FOCAL International Awards winners.

 

FOLLOW THE LINKS: 

 

WINNER PHOTOS, ACCEPTANCE VIDEOS AND SYNOPSES

PHOTO GALLERY OF GUESTS

 

Best Use of Footage in a History Production - Sponsored by Getty Images / BBC Motion Gallery
* Every Face Has a Name - Auto Images (Sweden)

 

Best Use of Footage in a Current Affairs Production - Sponsored by Bloomberg Content Service
* The Queen of Ireland - Blinder Films (Ireland)

 

Best Use of Footage in a Factual Production - Sponsored by Bridgeman Footage
* The Black Panthers: Vanguard of the Revolution - Firelight Films, Inc (USA)

 

Best Use of Footage in an Entertainment Production - Sponsored by FremantleMedia Archive
* Best of Enemies - Tremolo Productions / Magnolia Pictures (USA)

 

Best Use of Footage in an Arts Production - Sponsored by Film London & London's Screen Archives
* Imagine: The Ecstasy of Wilko Johnson - Essential Arts Entertainment/Nitrate Film//BBC (UK)


Best Use of Footage in a Music Production

- Sponsored by Shutterstock
* Amy - On The Corner (UK)

 

Best Use of Sports Footage - Sponsored by ITV Sport Archive
* Free to Run - Yuzu Productions (France) Point Prod (Switzerland) and Eklektik Productions (Belgium)

 

Best Use of Footage in an Advert or Short Production - Sponsored by Broadcast Tech
* Lenor 'Odes to Clothes: Marvellous Scarf' - The Director Studio for Grey Düsseldorf (UK/Germany)

 

Best use of Footage about the Natural World - Sponsored by Global ImageWorks
* The Nature of Things: Jellyfish Rule! - CBC (Canada)

 

Best Use of Footage on non-Television Platforms - Sponsored by Visual Data
* The Beatles 1+ Video Collection - Apple Corps Limited (UK)

 

Best Use of Footage in a Cinema Release - Sponsored by British Pathé
* Amy - On The Corner (UK)


Best Archive Restoration / Preservation Project or Title

- Sponsored by Prasad Corp
* The Memory of Justice - The Film Foundation / Academy Film Archive (USA)

 

The Jane Mercer Footage Researcher of the Year Award - Sponsored by AP Archive
* Jessica Berman-Bogdan (USA) for Cobain: Montage of Heck and Narcos

 

Footage Employee of the Year- Sponsored by Creative Skillset
* Tim Emblem English (BBC Studios and Post Production)


Footage Library of the Year

- Sponsored by Bonded Services
* Historic Films Archive

 

Lifetime Achievement Award - A gift of the FOCAL International Executive
* Robert Gitt

 

 

- ENDS -  

 

ABOUT FOCAL INTERNATIONAL
The Federation of Commercial Audiovisual Libraries International is a professional not-for-profit trade association formed in 1985. It is fully established as one of the leading voices in the industry, with a membership of over 300 international companies and individuals. Its purpose is to facilitate the use of library footage, images, stills and audio in all forms of media production; promote its members - libraries selling content plus those whose serve the industry; provide a platform for members to promote themselves and their interests; encourage good practise in the research, licensing, copyright clearance and use of footage; support, promote and educate on the need to preserve and restore footage and content; act as an information resource for the footage and content industry; offer training in key skills and in the broader appreciation of the footage and content industry.

 

 www.focalint.org

FOCAL International

79 College Road, Harrow, Middx, HA1 1BD, UK

info@focalint.org +44 (0)20 3178 3535

 

Green-Go Short Film Competition

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Green-Go 2016

Are you worried not to provide healthy food to your children anymore? Are you working on the development of circular economy as a designer or an entrepreneur? Do you want to act against that once blooming nature is on its way to become a distant memory?

WE WANT TO HEAR YOUR VOICE - SHOOT A SHORT FILM AND MAKE A CHANGE!

 

1.      Small is beautiful - Why should we change to small scale and forget about intensive agriculture?

John was a farmer of few hectares providing his community with healthy and fresh food. Then, next door land was purchased by a large farmer using pesticide and planting only wheat on thousands of hectares. The results became devastating. Water and vegetables turned bad, bees and birds disappeared, the food was not healthy anymore. John could not provide good food to locals anymore.

Almost 400 billion EUR (40% of the total EU budget) goes to agricultural support, but not in a sustainable way. Small scale farmers are hardly supported, while health, nature and quality food are not in focus anymore. Do you have a good example of sustainable farming? Do you want to show that we need a change?

2.      Round’n’round - The answer to our planet’s resource challenge, the circular economy

 

Instead of the ’throw-away economy’ we need a circular economy, which better serves the people and does not destroy the planet. Industrial symbiosis, resource recovery, lifetime expansion or urban mining are few way, which can help to achieve the absolute reduction in resource use. Do you have a brilliant idea or working example about circular economy? Do you have a similar idea or a working example about circular economy? Show it to the world!

3.      Act naturally - Raise your voice for European nature!

The majestic Iberian lynx only counts around 100 adults. Monk seals, once abundant in the waters of Greece, have less than 500 individuals. The playful European mink is now critically endangered. These and other 1200 species’ only stronghold is the largest network of protected areas in the world, the Natura 2000 network. These areas are all around you! Go out, experience Europe’s natural wonders and show it to the world that it is worth protecting nature! For us, for our children!

 

We help you to reach with your short films hundreds of thousands of people including key European decision makers, who can make a lasting change for future generations! Share your messages with us!

 

APPLICATION REQUIREMENTS

COMPLETELY fill out the online application form

www.greengofest.eu/apply

 

•        Maximum duration: 4 minutes. Preferred  duration: 60-90 seconds.

•        Films can be of any genre (cartoon, animation, puppet film, documentary, etc.)

•        Send the original film file (in any film format) via the below detailed file transfer websites in high resolution (at least 720 px wide)

•        Besides the film file, send us also the following files via wetransfer (up to 2GB file size – www.wetransfer.com) or via My Air Bridge (up to 5GB file size –  https://www.myairbridge.com/):

✓     time-coded subtitle file in English (.srt format). A separate time-coded subtitle file must be attached also to films without dialogues but with floating titles/texts. Only English subtitles are accepted!

✓     3 screenshots from the short film (.jpg format)

•        Deadline: 31 October 2016 CET 24:00

•        One applicant can only submit a maximum of three films (separate online application should be filled out for each).

 

Please be aware that if any of the above mentioned criteria is not met, we will not accept the application!

 

The received short films will be selected based on:

▪          creativity,

▪          originality,

▪          strength of social, environmental and conservation messages,

▪          potential impact on citizens and decision makers and

▪          professionalism.

 

The films will be evaluated by a jury consisting of film professionals and NGO members. In EACH CATEGORY, the jury will announce ONE winner on 17 November 2016.

Besides, the jury will choose the best videos that will be uploaded to the website of the film contest www.greengofest.eu by 8 November 2016. That way, the visitors will be able to view the films and vote online for the best one between 13:00 CET 8 November 2016 and 13:00 CET 16 November 2016.

Only one public award, out of the total number of videos of all categories, will be dedicated to the film with the largest number of votes and will be announced after the public voting ends.


AWARDS

- Category winners: gift voucher worth 700 EUR in an acclaimed online store

- One public award for the film collecting the most votes on the Green-Go website: gift voucher worth 400 EUR in an acclaimed online store

 

Winners will be notified by e-mail and the related information will also be available on greengofest.eu on 17 November 2016 after closing the public award voting.

 

 

APPLICATION REQUIREMENTS

 

COMPLETELY fill out the online application form for testimonies

www.greengofest.eu/apply

 

•        Send us the original film file (in any film format) via the below detailed file transfer websites via wetransfer (up to 2GB file size – www.wetransfer.com) or via My Air Bridge (up to 5GB file size –  https://www.myairbridge.com/):

•        Deadline: 31 October 2016 CET 24:00

 

We wish you all a creative film shooting!

 

Terms and conditions

The applicants of this short film contest confirm that the organisers, namely CEEweb for Biodiversity and their international affiliates, can freely use the videos of the applicants for non-commercial use, if they accepted this condition at the application. The applicants are requested to indicate whether they wish to participate in the public award contest thus granting the organisers with an exclusive license. The organisers therefore should be granted with a permission for such video to be posted and viewed by third parties on the Green-Go’s and the organisers’ website. The applicants thus approve that the organisers can use, screen and publicize the videos and their parts freely, free of charge and without any restrictions. The organisers cannot broadcast the films for profit-gaining reason. The applicant cannot pursue any charges or demands in relation to the copyright. In case the applicant doesn’t want to grant an exclusive license for the organiser, the organiser still may contact the applicant for permissions in terms of screening in a later stage. The organisers cannot make any relevant changes without the permission of the makers of the videos. If the videos are broadcasted by the organisers or their affiliates, the organisers are always obliged to indicate the title, and the name of the producer/director of the videos. The organisers are not responsible for any copyright violating entries. The organisers reserve the right to exclude any videos from the contest if ethical or legal concerns arise in relation to copyrights and during the voting.

The applicants are free to use the copyright of the video and screen, publicize, use, sell, etc. their productions in relation to any other contest or entities besides this contest.

The applicants confirm that all persons appearing on the videos have given their permission for the use of their images, and their dignity and human rights are respected in the making of the film.

The award winner prizes’ vouchers cannot be redeemed for cash or other prizes. The vouchers will be valid in acclaimed online stores also operating in the award-winner applicant’s countries. The award winners will be requested to sign and send via regular mail a declaration form on receiving the vouchers.

We reserve the right to put only those short films on the website, which was approved by the staff or jury members. If any ethical concerns or the suspect of cheating in the mode of voting arise, we reserve the right to exclude the applicant from the contest without any further notice.

 

The short film contest is realised with the assistance of the European Union.  The contents of this call are the sole responsibility of CEEweb, and the contents of the films are the sole responsibility of the film makers and can in no way be taken to reflect the views of the European Union.Green-Go 2016

 


Winning script announced!!!

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Mr. Bassi has chosen a winning script from the top 10:

"Having read all the top ten screenplays I chose 'The Invention' as the winner.

All the selected screenplays offered some beautiful moments. They also offered some challenges for a director to sink his/her teeth into.

For me, 'The Invention' felt more well-rounded in its approach to storytelling. Though the narrative is dialogue heavy, I feel it has the potential to be leaner and allow for a visual short film. 'The Invention' is not as stylised as some of the other screenplays.

Its story has the structure other scripts lacked. Hence allowing for character development and tightening of the plot. Apart from the challenges in the story and plot, I do see challenges to the shooting of the film. Challenges such as some CGI elements and some old school special effects.

Being a screenwriter myself I know we want our screenplays realised. To that end we often write in a way that would make it easy and cheap to shoot but only a few stories lend themselves to that. In the end, we are visual storytellers and our stories cannot do without some visual elements.

I am grateful for the opportunity to read the work of so many writers and learn new things."

Congratulations to Dennis Hennessey, the author of 'The Invention'!

Writers and Filmmaker's Winning Director Shekhar BassiDirector - Shekhar Bassi

Witers and Filmmaker's Winning Screenwriter Dennis HennesseyScreenwriter - Dennis Hennessey

Deeply inspired by early Spielberg movies and the Twilight Zone at a young age, Dennis Hennessey began writing short stories when he was 11. He later wrote his first screenplay, a supernatural thriller, in High School for an AV class film. From that point forward, he knew this is what he was meant to do. He eventually would transfer to Emerson College where he majored in Communications with a concentration in Film. While there, his screenplays and short stories received considerable praise and attention.

Unable to break into the film industry, Hennessey put writing on the back burner as he turned his focus to starting a family and operating an independent record label. All the while, he continued to feel the pull of writing. Then, upon receiving an unexpected handwritten letter from an old college classmate praising his screenplays, Hennessey became re-energized and began writing again.

He currently has 4 feature length screenplays, 4 shorts, and roughly 100 story ideas to his credit. Hennessey is now writing regularly and hopes to resume the pursuit of a career as a screenwriter.

Emotional address by Lord Glendonbrook during Iris Prize 10th anniversary reception

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150 guests attended a reception in the House of Lords last night (24 May 2016) to celebrate the 10th anniversary of the Iris Prize, Cardiff’s International LGBT short film prize. The well attended reception including representatives from Pinewood Studios, Gorilla Group, BFI, Cardiff University, Cineworld and Ffilm Cymru Wales was hosted by Iris Prize patron and sponsor Lord Glendonbrook. Ed Vaisey, the Minister for Culture Communications and the Creative Industries joined Festival Chair Andrew Pierce in congratulating Iris during his speech.

 

Festival Chair, Andrew Pierce, said:

 

“I’m delighted that so many people - former jury members, winning film makers, sponsors and funders and the festival team are here tonight. You’ve all contributed to the Iris Prize story and watched her become a world leader in producing and sharing lgbt stories.

 

“We’ve done this by working in partnership here in the UK and with 25 partner festivals in 19 countries. But let’s be honest one of the main reasons for the success of Iris is the generous £30,000 cash prize. And tonight of all nights, as we enjoy the hospitality of Lord Glendonbrook in this historic place, we should remember his continued support of the Iris Prize through The Michael Bishop Foundation. Trust me when I say Iris would be a very different prize without his generous support.”

 

Ed Vaisey Minister for Culture Communications and the Creative Industries addressing the audience said he was delighted to attend the event and congratulated Lord Glendonbrook and Andrew Pierce, for supporting the Iris Prize which he felt was making an important contribution towards diversity in film.

During an emotional address Lord Glendonbrook took advantage of the occasion to remind guests not to take the liberties we have secured, and enjoy today, for granted. He suggested that there was a feeling of co-ordinated challenge to our hard fought freedoms manifesting in many places near and far. A minority is always vulnerable in a World that can change without warning. He concluded by confirming that Iris had an important role to play in sharing and producing LGBT content to educate the world about being LGBT, and helping to improve tolerance.

 

The 10th Iris Prize Festival will take place in Cardiff opening on Wednesday 12 October. Further events are scheduled to place in Toronto, London, Bristol, Liverpool, Dublin, LA and Mumbai to celebrate 10th anniversary.

 

Cinemabiante Awards

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CINEMABIENTE 2016 | PALMARES

 

 

 

 

 

 

CONCORSO INTERNAZIONALE DOCUMENTARI

When Two Wolrds Collide, (Perù ,2016, 100 ‘) di Heidi Brandenburg, Mathew Orzel

 

 


PREMIO FOOD SMART CITIES

 Bugs (Danimarca, 2016, 76’) di Andreas Johnsen

 

 


PREMIO DEL PUBBLICO IREN

The Babushkas of Chernobyl (USA , 2015, 70') di Holly Morris, Anne Bogart

 

 


CONCORSO DOCUMENTARI ITALIANI

Attraverso le Alpi(Italia , 2016, 80') di Giancarlo Bertalero e Filippo Ciardi

 

 


CONCORSO INTERNAZIONALE ONE HOUR

La jeune fille et les typhons, (Francia, 2015, 52’) di Christoph Schwaiger

 

 


PREMIO AMBIENTE E SOCIETA' - GIURIA ARCOBALENO

La lunga strada gialla, (Italia, 2016 – 80’) di Christian Carmosino e Antonio Oliviero

 

 


MENZIONE SPECIALE LEGAMBIENTE

Devil Comes to Koko, (Italia, 2015 – 49’) di Alfie Nze

 

 


MOVIES SAVE THE PLANET AWARD

MOVIES SAVE THE PLANET AWARD a Jacques Perrin

 

2016 Obie Awards Photos

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By Maria Esteves – May 26, 2016
The 61st Annual 2016 OBIE Awards honoring Off-Broadway and Off-Off-Broadway theater exceptional achievements of 2015-2016, hosted by two-time OBIE host and OBIE winning actress Lea Delaria (1998 OBIE recipient, On The Town) was held at the historic Webster Hall ballroom, New York, Monday, May 23, 7:00 pm. GUARDS AT THE TAJ received two OBIES including Best New American Play, TAMARA TUNIE received an OBIE for her Performance in Familiar; and Lifetime Achievement awards went to CARMEN DE LAVALLADE and A.R. GURNEY.

2016 OBIE Awards: actress, choreographer and dancer
Carmen de Lavallade, Lifetime Achievement Award
winner.

2016 OBIE Awards: playwright A.G. Gurney, Lifetime
Achievement Award winner.

2016 OBIE Awards: OBIE host Lea Delaria, special birthday celebration.

2016 OBIE Awards: OBIE Judge Chairman Michael Feingold,
columnist, The Village Voice.

2016 OBIE Awards: Best Director OBIE winner MICHAEL
LEIBENLUFT for I’ll Never Love Again.

2016 OBIE Awards: TAMARA TUNIE, OBIE winner for her
Performance in Familiar.

2016 OBIE Awards: (L-R) ARIAN MOAYED and OMAR METWALLY, OBIE winners for their
Performance in Guards at the Taj.

2016 OBIE Awards: RACHEL HAUCK, OBIE winner for
sustained excellence.

2016 OBIE Awards: JASON LYONS, OBIE winner for
sustained excellence.

2016 OBIE Awards: BRAY POOR, OBIE winner for
sustained excellence.

2016 Brooklyn Film Festival WINNERS

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Through the resources of industry-related sponsors, the Brooklyn Film Festival awarded the winners with a total of $60,000 in prizes (products, services, and cash).

PRIZES SPONSORED BY: Panavision, Abelcine, Xeno Lights, Media Services, Blackmagic Design, Cinecall Soundtracks, Windmill Studios NYC, Brooklyn Drones Nyc, Noble Jewelry, Brooklyn Film Society


GRAND CHAMELEON AWARD
DELINQUENT by Kieran Valla

Best Narrative Feature
DELINQUENT by Kieran Valla

Best Documentary
FARMER/VETERAN by Alix Blair & Jeremy Lange

Best Short Documentary
MORIOM by Mark Olexa & Francesca Scalisi

Best Narrative Short
DREAMLANDS by Sara Dunlop

Best Animation
AMÉLIA & DUARTE by Alice Guimarães & Mónica Santos

Best Experimental
TOMORROW AFTER YESTERDAY by Behzad Moloud

Best New Director
EMBERS by Claire Carre

Brooklyn Pride Award
LIFE OF SIGNIFICANT SOIL by Michael Irish

Spirit Awards

Feature Narrative
Feature Documentary
Short Documentary
Short Narrative
Experimental
Animation

LAPACHHAPI by Vishal Furia
DEPROGRAMMED by Mia Donovan
OUSTAZ by Bentley Brown
FATA MORGANA by Amelie Wen
THE PUDDLE by Serdar Yilmaz
IN DEEP WATERS by Sarah Van Den Boom

 

Audience Awards

Feature Narrative
Feature Documentary
Short Documentary
Short Narrative
Experimental
Animation

CREEDMORIA by Alicia Slimmer
THE REBOUND by Shaina Allen
LAST SHIP by Daniele Ragusa
OFF TRACK BETTY by Clayton Dean Smith
FREEDOM-TO GO! by Ingrid Nachstern
BORROWED TIME by Lou Hamou-Lhadj & Andrew Coats

 

Certificates of Outstanding Achievement

Producer
Screenplay
Cinematography
Editing
Original Score
Actor Female
Actor Male

Art Jones, Raphael Duvernay, Corentin Vinçon, Joe Foley for FORBIDDEN CUBA
Patrick Daly & Joel Fendelman for REMITTANCE
Mohammad Fakouri for HELMSMAN
Aaron Lidell for CROOKED & NARROW
Altermutz for REVOLTOSO
Angela Barotia for REMITTANCE
Alex Shaffer for DELINQUENT

 

The Seattle International Film Festival Awards

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CAPTAIN FANTASTIC, GLEASONGIRL ASLEEP WIN TOP AWARDS AT THE 42ND
SEATTLE INTERNATIONAL FILM FESTIVAL

Captain Fantastic wins Golden Space Needle Audience Award for Best Film
Best Documentary goes to Gleason
Javier Ruiz Caldera of Spy Time wins Best Director
Vicky Hernandez (Between Sea and Land) wins Best Actress
Rolf Lassgård (A Man Called Ove) wins Best Actor
SIFF 2016 Grand Jury Prizes go to
Girl Asleep, You'll Never Be Alone, Sand StormDeath By a Thousand Cuts, and Middle Man

 

 

 

The Seattle International Film Festival, the largest and most highly attended film festival in the United States, today announced the winners of the 2016 Golden Space Needle Audience and Competition Awards. The awards were presented at a ceremony and breakfast held at the Space Needle. The 25-day festival, which began May 19, featured 421 films representing 85 countries, including 54 World premieres (29 features, 25 shorts), 56 North American premieres (42 features, 14 shorts), 27 US Premieres (15 features, 12 shorts), and 850 Festival screenings and events. Additionally, SIFF brought in more than 350 filmmakers, actors, and industry professionals as guests of the Festival.

Festival Director Carl Spence said, "The 42nd Seattle International Film Festival celebrated extraordinary cinema from 85 countries from around the world for a marathon 25 days. We are especially excited with the success of the films in our newly inaugurated Official Competition.  The coveted audience Golden Space Needle Awards for Best Film and Best Documentary went to films with ties to Washington state.  Captain Fantastic, shot on location here in the Pacific Northwest with the support of Washington Filmworks Film Incentive, won the Golden Space Needle for Best Film and Viggo Mortensen received the Festival's Outstanding Achievement Award in Acting with a special tribute retrospective.  He was also joined in Seattle by the film's writer and director Matt Ross.  Best Documentary went to our Centerpiece Gala feature Gleason, a moving documentary about New Orleans Saints player Steve Gleason, who played for Washington State University. SIFF screened more than 400 films over the entirety of the Festival, and audiences attended in record numbers illustrating the fact that Seattleites see more films per capita than any other American city!"

The Best of SIFF lineup will be announced on Monday, June 13 and SIFF's five cinema screens will resume daily cinema  service with Best of SIFF titles and other outstanding cinematic experiences beginning Friday, June 17.

 

SIFF 2016 GOLDEN SPACE NEEDLE AUDIENCE AWARDS

SIFF celebrates its films and filmmakers with the Golden Space Needle Audience Awards. Selected by Festival audiences, awards are given in five categories: Best Film, Best Documentary, Best Director, Best Actor, and Best Short Film. This year, over 90,000 ballots were submitted.
 

GOLDEN SPACE NEEDLE AWARD - BEST FILM
Captain Fantastic, directed by Matt Ross (USA 2016)

First runner-up: Hunt for the Wilderpeople, directed by Taika Waititi (New Zealand 2016)
Second runner-up: A Man Called Ove, directed by Hannes Holm (Sweden/Norway 2015)
Third runner-up: Truman, directed by Cesc Gay (Spain/Argentina 2015)
Fourth runner-up: The Olive Tree, directed by Icíar Bollaín (Spain/Germany 2016)

GOLDEN SPACE NEEDLE AWARD - BEST DOCUMENTARY
Gleason, directed by Clay Tweel (USA 2016)

First runner-up: Maya Angelou and Still I Rise, directed by Bob Hercules, Rita Coburn Whack (USA 2016)
Second runner-up: The IF Project, directed by Kathlyn Horan (USA 2016)
Third runner-up: The Queen of Ireland, directed by Conor Horgan (Ireland 2015)
Fourth runner-up: Life, Animated, directed by Roger Ross Williams (USA 2016)

GOLDEN SPACE NEEDLE AWARD - BEST DIRECTOR
Javier Ruiz Caldera, Spy Time (Spain 2015)

First runner-up: Icíar Bollaín, The Olive Tree (Spain/Argentina 2016) 
Second runner-up: Elite Zexer, Sand Storm (Israel 2016) 
Third runner-up: Megan Griffiths, The Night Stalker (USA 2016)
Fourth runner-up (TIE): Anne Fontaine, The Innocents (France/Poland 2016) / Rúnar Rúnarsson, Sparrows (Iceland/Denmark/Croatia 2015)

GOLDEN SPACE NEEDLE AWARD - BEST ACTOR
Rolf Lassgård, A Man Called Ove (Sweden/Norway 2015)

First runner-up: Ricardo Darín, Truman (Spain/Argentina 2015)
Second runner-up: Lou Diamond Phillips, The Night Stalker (USA 2016) 
Third runner-up: Manolo Cruz, Between Sea and Land (Colombia 2016)
Fourth runner-up: Christian Friedel, 13 Minutes (Germany 2016)
Special Mention: Jumpy the Dog, In A Valley of Violence (USA 2016)

GOLDEN SPACE NEEDLE AWARD - BEST ACTRESS
Vicky Hernandez, Between Sea and Land (Colombia 2016)

First runner-up: Yulia Peresild, Battle of Sevastopol (Ukraine/Russia 2015)
Second runner-up: Anna Castillo, The Olive Tree (Spain/Argentina 2016) 
Third runner-up: Royalty HIghtower, The Fits (USA 2015)
Fourth runner-up (TIE): Kate Beckinsale, Love & Friendship (Ireland/France/Netherlands 2016) / Lou de Laâge, The Innocents (France/Poland 2016)

GOLDEN SPACE NEEDLE AWARD - BEST SHORT FILM
Alive & Kicking: The Soccer Grannies of South Africa, directed by Lara-Ann de Wet (USA/South Africa 2016)

First runner-up: Taking Flight, directed by Brandon Oldenburg (USA 2015)
Second runner-up: These C*cksucking Tears, directed by Dan Taberski (USA 2016)
Third runner-up: Icebox, directed by Daniel Sawka (USA 2016)
Fourth runner-up: Hope, directed by Aïda Senna (Morocco 2015)

LENA SHARPE AWARD FOR PERSISTENCE OF VISION
The IF Project, directed by Kathlyn Horan (USA 2016)

This award is given to the female director's film that receives the most votes in public balloting at the Festival. Lena Sharpe was co-founder and managing director of Seattle's Festival of Films by Women Directors and a KCTS-TV associate who died in a plane crash while on assignment. As a tribute to her efforts in bringing the work of women filmmakers to prominence, SIFF created this special award and asked Women in Film Seattle to bestow it.

 

SIFF 2016 COMPETITION AWARDS

SIFF confers five juried competition awards: SIFF Official Competition, Ibero-American Competition, New Directors Competition, New American Cinema Competition (FIPRESCI Prize), and Documentary Competition. The winners in each juried competition receives $5,000 in cash.

SIFF 2016 OFFICIAL COMPETITION WINNER
GRAND JURY PRIZE
Girl Asleep (Australia 2016), directed by Rosemary Myers
JURY STATEMENT: The Jury would like to recognize an ambitious feature debut. Truly original, theatrical, and impeccably choreographed, this coming of age story woke us up. Stylish, quirky but substantive, and with every frame filled with evocative and hilarious detail, the Jury Prize for best film in the official competition of the 2016 Seattle International Film Festival goes to Girl Asleep by Rosemary Myers.

SPECIAL JURY MENTION
Moon in the 12th House (Israel 2016), directed by Dorit Hakim
JURY STATEMENT: This film takes what seems like an ordinary story and transcends into a beautiful expression of pure cinema. For its originality, confidence, strong performances, and elegant structure, we’re pleased to give an additional Special Jury Mention to Moon in the 12th House by Dorit Hakim.

SPECIAL JURY MENTION
Radio Dreams (Iran/USA 2016), directed by Babak Jalali
JURY STATEMENT: Whoever thought Metallica could be responsible for an existential crises? For its wit and humor, and for immersing us into the idiosyncratic world of a local radio station, we’re pleased to give a Special Jury Mention to Radio Dreams by Babak Jalali.

New in 2016, the SIFF Official Competition is juried by a team of international industry members. Nominated films, selected by SIFF programmers for their excellence, must be World, North American, or US premieres. The SIFF Official Competition Jury comprises Ania Trzebiatowska (Visit Films), Phillipp Englehorn (Cinereach), and Lindsey Bahr (Associated Press).

2016 Entries:
Battle of Sevastopol (d: Sergey Mokritskiy, Ukraine/Russia 2015, North American Premiere)
Burn Burn Burn (d: Chanya Button, United Kingdom 2015, US Premiere)
Creepy (d: Kiyoshi Kurosawa, Japan 2016, North American Premiere)
Eternal Summer (d: Andreas Öhman, Sweden 2015, North American Premiere)
Girl Asleep (d: Rosemary Myers, Australia 2016, North American Premiere)
Holding the Man (d: Neil Armfield, Australia 2015, North American Premiere)
Moon in the 12th House (d: Dorit Hakim, Israel 2016, World Premiere)
News From Planet Mars (d: Dominik Moll, France/Belgium 2016, US Premiere)
Radio Dreams (d: Babak Jalali, Iran/USA 2016)
The Scent of Mandarin (d: Gilles Legrand, France 2015, North American Premiere)
The Sound of Trees (d: François Péloquin, Canada (Québec) 2015, US Premiere)
Welcome To Norway! (d: Rune Denstad Langlo, Norway 2016, North American Premiere)

SIFF 2016 IBERO-AMERICAN COMPETITION WINNER
GRAND JURY PRIZE
You'll Never Be Alone (Chile 2016), directed by Alex Anwandter
JURY STATEMENT: The jury would like to award You'll Never Be Alone, the feature debut from Chilean writer-director Alex Anwandter. Anwandter's creative storytelling, nuanced characters, and social consciousness proves that he's a bright talent rising in Ibero-American cinema.

New in 2016, the SIFF Ibero-American Competition aims to highlight the increasing power, creativity, and influence of storytelling in the region. The Ibero-American Competition is for films having their US premiere during the Festival and without US distribution. The SIFF Ibero-American Competition Jury comprises Claudia Landsberger (BaseWorx For Film), Raymond Phathanavirangoon (Southeast Asia Fiction Film Lab), and Sam Lansky (Time Magazine).

2016 Entries:
Awaiting (d: Daniela Fejerman, Spain/Lithuania 2015, North American Premiere)
Deconstructing Dani García (d: Iñigo Ruiz, Alfonso Cortés-Cavanillas, Spain 2015, North American Premiere)
How Most Things Work (d: Fernando Salem, Argentina 2015, US Premiere)
Nueva Venecia (d: Emiliano Mazza de Luca, Uruguay/Colombia/ Mexico 2016, US Premiere)
The Pretty Ones (d: Melisa Liebenthal, Argentina 2016, North American Premiere)
Red Gringo (d: Miguel Ángel Vidaurre, Chile 2016, North American Premiere)
Warehoused (d: Jack Zagha, Mexico 2015, US Premiere)
You’ll Never Be Alone (d: Alex Anwandter, Chile 2016, US Premiere)

SIFF 2016 NEW DIRECTORS COMPETITION WINNER
GRAND JURY PRIZE
Sand Storm (Israel 2016), directed by Elite Zexer
JURY STATEMENT: This first-time director brings a sense of wonder and a surprising, sobering emotional maturity essential for those pursuing this endeavor.

SPECIAL JURY MENTION
Before the Streets (Canada (Québec) 2016), directed by Chloé Leriche
JURY STATEMENT: We were struck by the accomplishment of a first-time director going in and establishing an intimate tone, and being kind of fearless in her approach.

Festival programmers select 12 films remarkable for their original concept, striking style, and overall excellence. To be eligible, a film must be a director's first or second feature and without US distribution at the time of selection. The SIFF New Directors Jury comprises Patrick Brice (writer and director, The Overnight), Cameron Yates (Cinereach), and Bob Byington (director, 7 Chinese Brothers).

2016 Entries:
Antonia (d: Ferdinando Cito Filomarino, Italy/Greece 2015, North American Premiere)
Before the Streets (d: Chloé Leriche, Janis Ottawa, Canada (Québec) 2016, US Premiere)
Coconut Hero (d: Florian Cossen, Germany/Canada 2015, North American Premiere)
Family Film (d: Olmo Omerzu, Czech Republic/Germany/Slovenia/France/Slovakia 2015, North American Premiere)
The Lure (d: Agnieszka Smoczynska, Poland 2015)
Nakom (d: Kelly Daniela Norris, TW Pittman, Ghana/USA 2016)
The Paradise Suite (d: Joost van Ginkel, Netherlands/Sweden/ Bulgaria 2015)
Rara (d: Pepa San Martín, Chile/Argentina 2016, North American Premiere)
Sand Storm (d: Elite Zexer, Israel 2016)
Sparrows (d: Rúnar Rúnarsson, Iceland/Denmark/Croatia 2015, 99 min)
The Violators (d: Helen Walsh, United Kingdom 2015)
Where Have All the Good Men Gone (d: René Frelle Petersen, Denmark 2016, World Premiere)

SIFF 2016 NEW AMERICAN CINEMA COMPETITION WINNER
GRAND JURY PRIZE
Middle Man (USA 2016), directed by Ned Crowley
JURY STATEMENT: Middle Man's impressive script, terrific performances, and fresh, innovative approach to storytelling were inspirational. Its provocative and darkly comic nature gave it the feel of a fable and dared to let us guess what was real and what wasn't. Ned Crowley shows us that gruesome events are tragic, yes, but they can also be hysterically funny. Well done!

Festival programmers select 10 films without US distribution at the time of selection that are sure to delight audiences looking to explore the exciting vanguard of New American Cinema to compete for the FIPRESCI Award for Best New American Film. The SIFF New American Cinema Jury comprises Marco Lombardi (Cinematografo), Marietta Steinhart (Ray Filmmagazin), and Anne Brodie (Monsters and Critics).

2016 Entries:
11:55  (d: Ari Issler, Ben Snyder, USA 2016)
All the Birds Have Flown South (d: Joshua H. Miller, Miles B. Miller, USA 2016, World Premiere)
Americana (d: Zachary Shedd, USA 2016,  World Premiere)
The Architect (d: Jonathan Parker, USA 2016, World Premiere)
As You Are (d: Miles Joris-Peyrafitte, USA 2016)
Claire in Motion (d: Lisa Robinson, Annie J. Howell, USA 2016)
Free In Deed (d: Jake Mahaffy, USA/New Zealand 2015)
Middle Man (d: Ned Crowley, USA 2016, World Premiere)
The Night Stalker (d: Megan Griffiths, USA 2016, World Premiere)
Transpecos (d: Greg Kwedar, USA 2016)

SIFF 2016 DOCUMENTARY COMPETITION WINNER
GRAND JURY PRIZE
Death By a Thousand Cuts (Dominican Republic/Haiti/USA 2016), directed by Juan Mejia Botero and Jake Kheel
JURY STATEMENT: A haunting and heartbreaking work of investigative filmmaking that uses an unsolved murder-mystery as a window onto an important geopolitical turf war in which there are no easy heroes or villains.

SPECIAL JURY MENTION
The IF Project (USA 2016), directed by Kathlyn Horan
JURY STATEMENT: A deeply emotional and affecting portrait of an innovative rehab program whose participants transform their lives through the power of writing.

Unscripted and uncut, the world is a resource of unexpected, informative, and altogether exciting storytelling. Documentary filmmakers have for years brought untold stories to life and introduced us to a vast number of fascinating topics we may never have known existed. The SIFF Documentary Jury comprises Scott Foundas (Amazon Studios), Britta Erickson (Denver Film Society), and Kevin Polowy (Yahoo! Movies).

2016 Entries:
Action Comandante (d: Nadine Angel Cloete, South Africa/Lesotho 2016, World Premiere)
The 1,000 Eyes of Dr. Maddin (d: Yves Montmayeur, France 2015, US Premiere)
Finding Babel (d: David Novack, USA/Ukraine/ Russia/France 2015, World Premiere)
Mr. Gaga (d: Tomer Heymann c: , Israel/Sweden/Germany/Netherlands 2015, 100 min)
Death by Design (d: Sue Williams, China/Ireland 2016, World Premiere)
The IF Project (d: Kathlyn Horan, USA 2016, World Premiere)
Death By a Thousand Cuts (d: Juan Mejia Botero, Jake Kheel c: , Dominican Republic/Haiti/ USA 2016, US Premiere)
The Revolution Won’t Be Televised (d: Rama Thiaw, Senegal 2016, US Premiere)
Naledi: A Baby Elephant's Tale (d: Ben Bowie, Geoff Luck, USA/Botswana 2016, World Premiere)
Tsukiji Wonderland (d: Naotaro Endo, Japan 2016, World Premiere)
The Queen of Ireland (d: Conor Horgan, Ireland 2015, North American Premiere)
We the People 2.0 (d: Leila Conners, USA 2016, World Premiere)

 

SIFF 2016 FUTUREWAVE AND YOUTH JURY AWARDS

YOUTH JURY AWARD FOR BEST FUTUREWAVE FEATURE
Girl Asleep (Australia 2016), directed by Rosemary Myers
JURY STATEMENT: For its eccentric blurring of the lines between reality and fantasy and its captivatingly sweet weirdness.

YOUTH JURY AWARD FOR BEST FILMS4FAMILIES FEATURE
Oddball (Australia 2015), directed by Stuart McDonald
JURY STATEMENT: For its entertaining, emotional telling of an amazing true story that combines mystery, comedy, and adventure.

WAVEMAKER AWARD (GRAND PRIZE)
Sable Mire (USA 2015), directed by Bogui Adjorlolo and Isaac Pauls
JURY STATEMENT: For its ambitious portrait of familial relationships infused with dramatic tension, stylish cinematography, strong acting performances, and a provocative ending.

FUTUREWAVE AUDIENCE AWARD
The Archer Hadley Story (USA 2016), directed by Ben Root and Alex Treviño

PRODIGY CAMP SCHOLARSHIP
The winner will be awarded a full scholarship to the Prodigy Camp.
Children (Jordan 2015), directed by Marah Al Hassan

 

SIFF 2016 SHORT FILM JURY AWARDS

All short films shown at the Festival are eligible for both the Golden Space Needle Audience Award and Jury Award Shorts Competition. Jurors will choose winners in the Live Action, Animation, and Documentary categories. Each jury winner will receive $2,500 and winners in each of the three categories may also qualify to enter their respective films in the Short Film category of the Academy Awards®.

LIVE ACTION

GRAND JURY PRIZE
Killer (USA 2016), directed by Matt Kazman
JURY STATEMENT: The grand jury prize is awarded to Killer. Well conceived, masterfully executed and the perfect use of the short form, Killer captures the universally positive and negative aspects of adolescence. The filmmaker takes an uncomfortable moment and hilariously crafts a story that is innocent, memorable and authentic.

SPECIAL JURY MENTION
Bitchboy (Sweden 2016), directed by Måns Berthas
JURY STATEMENT: We would like to award a special jury prize to the film for its uniqueness of vision and to the filmmaker whose risk taking left an indelible impression. The film is an unforgettable visual orchestration of black metal, grandma and death, culminating in one badass short.

DOCUMENTARY

GRAND JURY PRIZE
These C*cksucking Tears (USA 2016), directed by Dan Taberski
JURY STATEMENT: We’re proud to present the Best Documentary Short Award to These C*cksucking Tears! We thought that Patrick Haggerty had such an amazing story, and was such a great character with such a huge passion for country music and the film really showcased that – as well as detailing his struggles with being shut out of Nashville just because he’s a gay man.

ANIMATION

GRAND JURY PRIZE
Carlo (Italy 2015), directed by Ago Panini
JURY STATEMENT: We’re proud to present the Best Animated Short Award to Carlo! We felt it was a whimsical but also profound look at a man in love. We liked the way it championed the “everyman” in pursuit of his dream date, and how it used a fantastical metaphor for love. In addition, we felt the animation really had a style that stood out.

SHORT FILM JURIES FOR SIFF 2016

LIVE ACTION: Mel Eslyn (producer, The One I Love, Lamb, The Intervention), Amy Lillard (Washington Filmworks), and Kathleen McInnis (See-Through Films, LLC).

DOCUMENTARY AND ANIMATION: John Anderson (Wall Street Journal, Time, Newsday, and America magazine), Daniel Hoyos (Seattle Shorts Film Festival), and Amie Simon (Three Imaginary Girls).

 

FESTIVAL HIGHLIGHTS

Actor Viggo Mortensen received SIFF’S Outstanding Achievement in Acting Award followed by an on-stage discussion of his career with moderator Dave Karger. The Festival screened the Northwest premiere of his most recent film, Matt Ross's Captain Fantastic, filmed in Washington, in addition to his other films A Walk on the Moon, Eastern Promises, and The Lord of the Rings: Return of the King. Actress Molly Shannon participated in “An Afternoon with Molly Shannon,” which included an on-stage interview with Variety’s Jenelle Riley. The Festival screened two of Shannon’s films: Other People and the World premiere of Miles. Writer-director and Seattle native Megan Griffiths and actor Lou Diamond Phillips attended the World premiere of the psychological thriller The Night Stalker.
 
SIFF 2016 presented popular recurring programs of films like African Pictures (made possible by a grant from the Academy of Motion Picture Arts and Sciences), Culinary Cinema, Face the Music, Northwest Connections, Catalyst, and ShortsFest. SIFF also launched a new section called SIFFX, a four-day festival-within-a-festival that included an unprecedented display of cutting-edge modes of storytelling using Virtual Reality, 360° video, immersive journalism, and Augmented Reality. The launch of the China Stars program brought five outstanding feature films to Seattle audiences with eleven guests in attendance.
 
Additional celebrities at SIFF this year included Academy Award-winning director Morgan Neville with his documentary The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble; award-winning writer and director James Schamus of Indignation; award-winning cinematographer Kirsten Johnson with her directorial debut Cameraperson; acclaimed actor Clea DuVall with her directorial debut The Intervention; directors Miles B. Miller and Joshua H. Miller, producer Kathryn Tucker, and actor Paul Sparks of All the Birds Have Flown South; actor Craig Robinson in Morris From America; director Jonathan Parker, producers Catherine di Napoli and Deborah Parker, and actor Eric McCormack with The Architect; Mike Birbiglia, director of Don’t Think Twice; YouTube sensation and documentary subject of Presenting Princess Shaw Samantha Montgomery, who performed at the Opening Night Gala; Irish drag queen and marriage equality advocate Panti Bliss, subject of the documentary The Queen of Ireland, as well as director Conor Horgan; director Martin Spirit and subject Spencer Haywood of Full Court: The Spencer Haywood Story; irector Ned Crowley and actor Jim O'Heir of Middle Man; director James Redford with his new documentary Resilience; Pearl Jam founding member and Gleason composer Mike McCready; actor Laura Carmichael and director Chanya Button with the US premiere of Burn Burn Burn; director Iwai Shunji of A Bride for Rip Van Winkle; Joshua Marston, director of Complete Unknown; actor Corentin Fila of Being 17; Andreas Öhman, director of Eternal Summer; Ti West, director of In A Valley of Violence; director Roger Ross Williams and subject Ron Suskind of Life, Animated; director Nathan Adloff, actor Tim Boardman and producers Stephen Israel and Ash Christian of Miles; director Linas Phillips and producer Ian Bugno of Rainbow Time; Richard Tanne, director of Southside With You; Jocelyn Moorhouse, director of The Dressmaker; Brent Hodge, director of The Pistol Shrimps.

 

 

 

About SIFF

Founded in 1976, SIFF creates experiences that bring people together to discover extraordinary films from around the world with the Seattle International Film Festival, SIFF Cinema, and SIFF Education. Recognized as one of the top film festivals in North America, the Seattle International Film Festival is the largest, most highly attended film festival in the United States, reaching more than 150,000 annually. The 25-day festival is renowned for its wide-ranging and eclectic programming, presenting over 450 features, short films, and documentaries from over 80 countries each year. SIFF Cinema exhibits premiere theatrical engagements, repertory, classic, and revival film showings 365 days a year on five screens at the SIFF Cinema Uptown, SIFF Cinema Egyptian, and SIFF Film Center, reaching more than 175,000 attendees annually. SIFF Education offers educational programs for all audiences serving more than 13,000 students and youth in the community with free programs each year. 

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Top 23 New Media Film Festival Award Winners announced

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AND THE WINNERS ARE:

Photo credits - Brian Leng

 
 

 

 
 
 

 

 
  

GRAND PRIZE WINNER

The Family Lamp - Pilot Category

Director: Jack Perez
Country: US
World premiere!

 

 

 
 
 

 

 

  

BEST DOCUMENTARY - Prince Lorenzo De Medici accepts on behalf of the Best Documentary

Pompei Eternal Emotion

Director: Pappi Corsicato
Country: Italy
US premiere!

 

 

 
 
 

 

 

  

BEST LGBT - Oscar Nominee Sally Kirkland & Director accept the Best LGBT for Wedlocked

Wedlocked

Director: Puppett
Country: US

 

 

 
 
 

 

 

  

BEST MACHINIMA

The Adventures of The Rocket Ace

Director: John Carstarphen
Country: US
World premiere!

 

 

 
 
 

 

 

  

BEST MADE ON MOBILE/TABLET

Dark Waves

Director: Sven D.Robot
Country: US
World premiere!

 

 

 
 
 

 

 

  

BEST NEW MEDIA SCRIPT

20 Beautiful Women (Book)

Written by: Saba Tekle
Country: US
L.A. premiere!

 

 

 
 
 

 

 

  

BEST PILOT

A Voice Louder Than Rock

Director: Valerie J Tucker
Country: US
World premiere!

 

 

 
 
 

 

 

  

AUDIENCE AWARD GOES TO: MISS BEVERLY HILLS GHOST!

The first Audience Award Winner for New Media Film Festival is:

Miss Beverly Hills Ghost.  Sponsored by P4STV

The Audience Award Sponsor, CEO John Fluke of P4STV is slam smack in the middle of these bevy of beauties from Audience Award Winner Miss Beverly Hills Ghost.

 

 

 
 
 

 

 
  

SAVE THE DATE!

8th Annual New Media Film Festival

June 6-8 2017 at The Landmark Theater LA CA

www.NewMediaFilmFestival.com

 

 

 
 
 

 

 

  

BEST 3D

We Built A Ship 3D

­­­Director: Stefan Sargent
Country: US
L.A. premiere!

 

 

 
 
 

 

 

  

BEST ANIMATION

Unsung Hero

Director: Lynton Levengood
Country: South Africa
World premiere!

 

 

 
 
 

 

 

  

BEST DIGITAL COMIC

Phallaina

Director: Marietta Ren
Country: France

 

 

 
 
 

 

 

  

BEST DRONE

Hello World

Director: Asa Hammond, Tarik Abdel-Gawad
Country: US

 

 

 
 
 

 

 

  

BEST FEATURE

Fragile Legacy

Director: David O. Brown
Narration: Ted Danson
L.A. premiere!

 

 

 
 
 

 

 

  

BEST MUSIC VIDEO

Fire Engine Red

Director: Jeff Coffman
Country: US
World premiere!

 

 

 
 
 

 

 

  

BEST NEW MEDIA

Criers of Medellín

Director: Ángela Carabalí and Thibault Durand
Country: Colombia
L.A. premiere!

 

 

 
 
 

 

 

  

BEST SHORT

Super Sex

Director: Matthew Modine
Country: US
L.A. premiere!

 

 

 
 
 

 

 

  

BEST SHOT ON RED

The Love To End All Love

Director: Konstantin Ferstl
Country: Germany  L.A. premiere!

 

 

 
 
 

 

 

  

BEST SNIPLER

#Feed Me

Director: Alberto Guglielmi
Country: US
World premiere!

 

 

 
 
 

 

 

  

BEST STEAM science-technology-engineering-art-math

Director: Brian Harrison
Country: USA, UK, Germany & Sweden
L.A. premiere!

 

 

 
 
 

 

 

  

BEST STUDENT

Themes & Variations

Director: Ziye Liu
Country: US
L.A. premiere!

 

 

 
 
 

 

 

  

BEST SRC - socially responsible content

The Trials of Spring - Bahrain: Our Oath

Director: Gini Reticker and Lauren Feeney
Country: US and Bahrain

 

 

 
 
 

 

 

  

BEST VIRTUAL REALITY

Nobel's Nightmare

Director: Chamsy Sarkis
Country: Syria
World premiere!

 

 

 
 
 

 

 

  

BEST TRAILER

Director: Rob Stewart
Country: Madagascar, Papua New Guinea, South Africa, Ecuador, US, Mexico, Canada, Denmark, Australia

 

 

 
 
 

 

 

  

BEST WEB SERIES

Spotlight California Ep 5

Director: Kohl Norville
Country: US
L.A. premiere!

 

 

 
 
 

 

COUNTRIESscreening in the festival this year: (Australia, Austria, Bahrain, Bangladesh, Brazil, Canada, China, Colombia, Cuba, Denmark, Ecuador, France, Germany, India, Israel, Italy, Laos, Lebanon, Madagascar, Mexico, Mongolia, Nepal, New Zealand, Papua New Guinea, Poland, Russia, Slovenia, South Africa, South Korea, Spain, Sweden, Syria, Thailand, UK, Ukraine, USA, Vietnam).

MISSION AND OBJECTIVE Honoring stories worth telling, New Media Film Festival brings the best in new media to the world. Learn What's New, What's Next... in all media that are innovative, imaginative and inspirational. Stories that can make you laugh, cry, think & go beyond the ordinary.

MORE ABOUT THE FESTIVAL The rationale behind the festival is clear. New media continues to show its lasting power and potential to evolve - there is scope for truly groundbreaking and compelling work in the world of storytelling. The festival is designed to both discover and cultivate highly creative work from emerging and seasoned content creators. www.NewMediaFilmFestival.com

 
 

Call for submissions for the 2016 IAAC Lit Fest!

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http://www.iaac.us/Literary-Festival2016/application-form.php

Les Espoirs de l'animation 2016 Award Winners announced June 16

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The 2016 winners of the contest for students in French animation schools to produce commissioned shorts will be announced at the Mifa.

47 short films were made by students from six animation schools in France (La Poudrière, l'EMCA, l'ESAAT, Émile Cohl, Rubika and Estienne) for "les Espoirs de l'animation".
"All for One Planet and One Planet for All" was the theme of the 15th edition of this contest organised by the 3 youth channels Gulli, CANAL J and TiJi, in partnership with the SPFA, CNC and SACD.
The 2016 winners will be announced during this conference. 
More information at www.lesespoirsdelanimation.fr (website in French only)

Speakers

 

When and where ?

  • < >Thursday 16 June 12:15 → 13:30 L'Impérial Palace Verdi A&B
     

 

Annecy 2016: The ten Special Prizes have been awarded

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Festivals Connexion Jury Distinction – Région Auvergne-Rhône-Alpes, in partnership with Lumières Numériques & Pilon Cinéma:
Moms on Fire, Joanna Rytel.

Festivals Connexion Award – Région Auvergne-Rhône-Alpes, in partnership with Lumières Numériques & Pilon Cinéma:
Decorado, Alberto Vázquez.

Junior Jury Award for a Graduation Film: 
The Alan Dimension, Jac Clinch.

Junior Jury Award for a Short Film: 
Blind Vaysha, Theodore Ushev.

FIPRESCI Award: 
How Long, Not Long, Michelle Kranot, Uri Kranot.

André-Martin Award for a 2015 French Feature Film: 
Adama, Simon Rouby.

André-Martin Award for a 2015 French Short Film: 
Peripheria, David Coquard-Dassault.

Gan Foundation Award for Distribution:
White Fang, Alexandre Espigares.

Best Original Music for a Short Film, sponsored by the SACEM: 
Beast!, Pieter Coudyzer.

"CANAL+ Creative Aid" Award for a Short Film: 
3/4 oz, Pieter Coudyzer.

 

Disney Art Chalenge Winner

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DISNEY ART CHALLENGE WINNERS

 

1st: Jules Bourgès - GOBELINS, l'école de l'image

 

 

Ma vie de Courgette wins Cristal and Audience Award at Annecy

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  Feature films   

  • Cristal for a Feature Film

    Ma vie de Courgette

    Ma vie de Courgette
  • Jury Distinction

    La Jeune Fille sans mains

    La Jeune Fille sans mains
  • Audience Award

    Ma vie de Courgette

    Ma vie de Courgette

  Short films   

  • Cristal for a Short Film

    Une tête disparaît

    Une tête disparaît
  • Jury Award

    Vaysha, l'aveugle

    Vaysha, l'aveugle
  • "Jean-Luc Xiberras" Award for a First Film

    'n Gewone blou Maandagoggend

    'n Gewone blou Maandagoggend
  • Jury Distinction

    Moms on Fire

    Moms on Fire
  • Audience Award

    Peripheria

    Peripheria
  • "Off-Limits" Award

    4min15 au révélateur

    4min15 au révélateur
  • Jury Distinction

    The Reflection of Power

    The Reflection of Power

  TV and commissioned films   

  • Cristal for a TV Production

    Stick Man

    Stick Man
  • Jury Award for a TV Special

    La Rentrée des classes

    La Rentrée des classes
  • Jury Award for a TV Series

    Lili "Lili Loves Food"

    Lili
  • Cristal for a Commissioned Film

    The New York Times "Modern Love - A Kiss, Deferred"

    The New York Times
  • Jury Award

    Awesome Beetle's Colors

    Awesome Beetle's Colors

  Graduation films   

  • Cristal for a Graduation Film

    Depart at 22

    Depart at 22
  • Jury Award

    Balkon

    Balkon
  • Jury Distinction

    Frankfurter Str. 99a

    Frankfurter Str. 99a

  Special Prizes   

  • André-Martin Award for a 2015 French Feature Film

    Adama

    Adama
  • FIPRESCI Award

    How Long, Not Long

    How Long, Not Long
  • Junior Jury Award for a Short Film

    Vaysha, l'aveugle

    Vaysha, l'aveugle
  • Festivals Connexion Jury Distinction – Région Auvergne-Rhône-Alpe s / In partnership with Lumières Numériques & Pilon Cinéma

    Moms on Fire

    Moms on Fire
  • André-Martin Award for a French Short Film

    Peripheria

    Peripheria
  • Junior Jury Award for a Graduation Film

    The Alan Dimension

    The Alan Dimension
  • "CANAL+ Creative Aid" Award for a Short Film

    3/4 oz

    3/4 oz
  • Best Original Music Award for a Short Film, sponsored by the SACEM

    Beast!

    Beast!
  • Festivals Connexion Award – Région Auvergne-Rhône-Alpes / In partnership wit h L umières Numériques & Pilon Cinéma

    Decorado

    Decorado
  • Gan Foundation Award for Distribution

    White Fang

  •  
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