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Zurich Film Festival to honour Andrew Garfield with Golden Eye Award

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Résultat d’images pour Andrew Garfield BREATHE

BREATHE to screen as Gala Premiere with director Andy Serkis also in attendance

 

Academy Award®-nominated actor Andrew Garfield has been announced today as the recipient of the Zurich Film Festival’s (ZFF) prestigious Golden Eye Award.

 

Garfield will be in Zurich to present BREATHE alongside acclaimed actor Andy Serkis, who is making his directorial debut, and producer Jonathan Cavendish, whose parents’ story the film is based on. BREATHE will have its Gala Premiere on Friday, October 6th. Evening Partner is UPC.

 

“Following on from his masterful performances in HACKSAW RIDGE and SILENCE, Andrew Garfield’s powerful and enthralling turn in BREATHE reinforces him as one of the true stars of his generation” stated ZFF Co-Directors Nadja Schildknecht and Karl Spoerri.  “We are delighted to welcome him to Zurich and present him with our Golden Eye award at this year’s Festival.”

 

Andrew Garfield

 

In 2016, Garfield appeared on the big screen in Mel Gibson’s Academy Award®-nominated World War II epic, HACKSAW RIDGE. Garfield’s critically acclaimed performance earned him lead actor nominations at the Academy Awards®, Golden Globe Awards®, Screen Actors Guild Awards and BAFTA Awards. That year Garfield also starred in Martin Scorsese’s adaptation of the literary classic SILENCE alongside Liam Neeson and Adam Driver.

 

Garfield’s additional film credits include: Marc Webb’s THE AMAZING SPIDER-MAN and THE AMAZING SPIDER-MAN 2, which combined grossed over 1.5 billion at the box-office; Ramin Bahrani’s 99 HOMES opposite Michael Shannon and Laura Dern; David Fincher’s THE SOCIAL NETWORK, for which he was nominated for a Golden Globe® for Best Supporting Actor; Mark Romanek’s NEVER LET ME GO opposite Keira Knightley and Carey Mulligan; Terry Gilliam’s THE IMAGINARIUM OF DR. PARNASSUS; Spike Jonze’s robot love story I’M HERE; Robert Redford’s LIONS FOR LAMBS; Julian Jarrold’s RED RIDING TRILOGY - 1974; and John Crowley’s BOY A, for which he earned BAFTA’s Best Actor Award in 2008.

 

Garfield will soon be seen in A24’s modern noir crime thriller UNDER THE SILVER LAKE, written and directed by David Robert Mitchell.

 

Garfield could last be seen on stage in the UK in the National Theatre’s acclaimed production of Tony Kushner’s ‘Angels in America’ directed by Tony Award®-winning Marianne Elliott. Garfield made his Broadway debut in 2012 in the revival of Arthur Miller’s Pulitzer Prize-winning play ‘Death of a Salesman’, opposite Phillip Seymour-Hoffman and directed by Mike Nichols. His portrayal of Biff Loman earned him a Tony® nomination for Best Featured Actor in a Play.

 

BREATHE

 

Based on the true story of Robin Cavendish, BREATHE is a heart-warming and highly emotional celebration of bravery and human possibility, a love story about living every breath as though it’s your last. The film stars Andrew Garfield (HACKSAW RIDGE) as Cavendish and Claire Foy (THE CROWN) as his wife Diana.

 

From a script by twice Academy Award-nominated screenwriter William Nicholson (EVEREST, LES MISÉRABLES and GLADIATOR), Andy Serkis (globally known for his performances including, WAR FOR THE PLANET OF THE APES, STAR WARS: THE FORCE AWAKENS) delivers a hugely impressive directorial debut with this inspirational true story of love without limits.

 

Adventurous and charismatic, Robin Cavendish has his whole life ahead of him when he is paralysed by polio whilst in Africa and given just months to live. Against all advice, Robin’s wife Diana brings him home from hospital where her devotion and witty determination inspire him to lead a long and fulfilled life. Together they refuse to be limited by expectations, dazzling others with their humour, courage and lust for life. 

 

The film’s supporting cast members include Hugh Bonneville (PADDINGTON) and Tom Hollander (THE NIGHT MANAGER) as Robin’s devoted, long-time friends. Stephen Mangan (RUSH) and acting legend Dame Diana Rigg (GAME OF THRONES, the original THE AVENGERS) complete the cast, with a soundtrack by the acclaimed composer Nitin Sawhney. The film is produced for The Imaginarium Studios by Jonathan Cavendish (BRIDGET JONES’S DIARY). Financing is from Silver Reel, BBC Films and the BFI, brokered by Embankment Films.

 

BREATHE will be released in Switzerland by Ascot Elite.

 

The full ZFF programme will be unveiled at the Festival press conference on Thursday 14 September.

 

For further information:

Zurich Film Festival Press Office

International Publicity: PREMIER

ZFFIntlPress@premiercomms.com


Golden Lion for Lifetime Achievement to Jane Fonda and Robert Redford Awards Ceremony

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Jane Fonda and Robert Redford are the recipients of the Golden Lions for Lifetime Achievement of the 74th Venice Film Festival 2017. The decision was made by the Board of Directors of the Biennale di Venezia chaired by Paolo Baratta, upon recommendation of the Director of the Venice Film Festival, Alberto Barbera.

The ceremony to award the Golden Lions for Lifetime Achievement will take place on Friday September 1st in the Sala Grande of the Palazzo del Cinema (Lido di Venezia) before the Out of Competition screening of the Netflix original film, Our Souls at Night by Ritesh Batra, starring Jane Fonda and Robert Redford. Our Souls at Night is produced by Mr. Redford and his company Wildwood Enterprises, Inc., by Finola Dwyer of Wildgaze Films, and by Erin Simms - Producer. Based on the novel written by Kent Haruf and adapted for the screen by Scott Neustadter and Michael H. Weber (The Fault in Our Stars), the Netflix original film, Our Souls at Night is set in Colorado and begins when Addie Moore (Jane Fonda) pays an unexpected visit to a neighbor, Louis Waters (Robert Redford). Her husband died years ago, as did his wife, and in such a small town they’d been neighbors for decades, but had little contact. The film will launch globally on Netflix later this year.

Commenting on these acknowledgments, Director Alberto Barbera stated: “Few Hollywood legends have demonstrated such determination and courage over the course of their professional career as Jane Fonda. Her life has been marked by intense passion in her pursuit of freedom from every type of conformism, with a touching and vulnerable generosity. At times a political and social activist, a sex symbol, a writer, a feminist icon, a producer, and a prophet of physical fitness, but above all an extraordinarily successful and talented actress, Jane Fonda is one of the great protagonists of contemporary International cinema. This Golden Lion for Lifetime Achievement is a due tribute to the personal commitment and brilliant qualities of an actress who has brought unforgettable, controversial, and heterogeneous characters to life, demonstrating an unceasing ability to reinvent herself, all the while remaining true to herself, to her values, and to her indisputable artistic talent.”

Says Festival Director Alberto Barbera: “Actor, director, producer, environmentalist, founder and soul of that brilliant experiment in film called Sundance - whether in front or behind the camera, advocating for the cause of independent cinema or the cause of our planet, Robert Redford has led us through almost five decades of compelling filmmaking and advocacy with a combination of rigor, intelligence and grace that is virtually unsurpassed. A slightly reluctant star, since very early in his career Redford has used his onscreen talent and success to make films about issues he cared about and to pave the way for other independent filmmakers like him. A thoughtful, instinctive actor with a keen sense of detail, as an Academy Award-winning director and producer, Redford has proven himself a masterful storyteller. His commitment to characters and story match his commitment and passion for the complex beauty and values of our ever evolving world.”

JANE FONDA

Jane Fonda was born in New York City in 1937, the daughter of Henry Fonda and Frances Seymour Fonda. She attended the Emma Willard School in Troy, New York, and Vassar College. In her early twenties, Fonda studied with renowned acting coach Lee Strasberg and became a member of the Actors Studio in New York.

Fonda, is a two-time Academy Award® winner (Best Actress in 1971 for Klute and in 1978 for Coming Home), a three-time Golden Globe® winner, and was the 2014 recipient of the AFI Life Achievement Award. Along with starring roles in dozens of highly acclaimed productions, Fonda also took on responsibilities as a film and television producer. Her credits include Coming Home, The China Syndrome, Nine to Five, Rollover, On Golden Pond, The Morning After and The Dollmaker.

In 2007 Fonda received an Honorary Palme d’Or from the Cannes Film Festival, one of only three people ever to be granted this honor until then. In 2009 she received a Tony Award nomination for her role in Moisés Kaufman’s 33 Variations, on Broadway. 

Fonda revolutionized the fitness industry with the release of Jane Fonda’s Workout in 1982.  She followed with the production of 23 home exercise videos, 13 audio recordings, and seven bestselling books – selling 17 million copies altogether. The original Jane Fonda’s Workout video remains the top grossing home video of all time.

In 2011, Fonda appeared in Et si on vivait tous ensemble, a French comedy, followed by Peace, Love & Misunderstanding, co-starring Catherine Keener. She appeared as Nancy Reagan in Lee Daniels’s The Butler in 2013, and with Olivia Wilde and Sam Rockwell in Better Living Through Chemistry. In 2014, she starred in director Shawn Levy’s This is Where I Leave You, with Tina Fey and Jason Bateman.

For three seasons Fonda appeared as media mogul Leona Lansing in an Emmy nominated performance in Aaron Sorkin’s The Newsroom, on HBO. Most recently, she appeared in Youth, written and directed by Paolo Sorrentino (director and co-writer of Italy's Academy Award® winning Best Foreign Language Film The Great Beauty). She received a Golden Globe nomination for her performance.

Fonda also stars in Netflix’s hit series, Grace and Frankie, which premiered its third season in March 2017.

ROBERT REDFORD

Robert Redford is an ardent conservationist and environmentalist, a man who stands for social responsibility and political involvement, and an artist and businessman who is a staunch supporter of uncompromised creative expression.

Redford landed his first Broadway starring role in Sunday in New York, followed by Little Moon of Alban and Neil Simon’s Barefoot in the Park, directed by Mike Nichols. His first movie role was in War Hunt. He reprised the role of Paul Bratter in the film version of Barefoot in the Park, for which he received praise from critics and audiences. In 1969, Redford and Paul Newman teamed to star in Butch Cassidy and the Sundance Kid. Directed by George Roy Hill, the film became an instant classic and firmly established Redford as one of the industry’s top leading men. He, Newman and Hill later reunited for The Sting, which won seven Oscars®, including Best Picture, and brought Redford his Best Actor nomination.

He has since built a distinguished acting career, starring in such notable films as Jeremiah Johnson, The Way We Were, The Great Gatsby, Three Days of the Condor, The Great Waldo Pepper, Brubaker, A Bridge Too Far, The Natural, Out of Africa, Legal Eagles, Sneakers, Indecent Proposal, Up Close and Personal, Spy Game, The Last Castle, The Clearing, An Unfinished Life, All is Lost, A Walk in the Woods, Truth and Disney’s Pete’s Dragon. Redford can currently be seen in the romantic sci-fi film The Discovery, where he co-stars alongside Jason Segal and Rooney Mara. He will soon be seen again in Netflix’s Our Souls at Night, where he reunites with co-star Jane Fonda, slated to release later this year. He is currently in production for The Old Man and the Gun, alongside Sissy Spacek, Danny Glover and Casey Affleck.

Redford has starred in several films produced by his own Wildwood Enterprises, including Downhill Racer, The Candidate, The Electric Horseman and All the President’s Men, which earned seven Oscar® nominations including Best Picture.

Redford won a Directors Guild of America Award, a Golden Globe Award and the Academy Award® for Best Director for his feature film directorial debut Ordinary People. He went on to direct and produce The Milagro Beanfield War and A River Runs Through It, for which he received a Best Director Golden Globe nomination; and earned dual Oscar® nominations for Best Picture and Best Director and a Golden Globe nomination for Best Director for Quiz Show. He earned two Golden Globe nominations (Best Picture and Best Director) for The Horse Whisperer. Other films as director and producer include The Legend of Bagger Vance, Lions for Lambs, The Conspirator and The Company You Keep.

A large part of Redford's life is his Sundance Institute, which he founded in 1981, and is dedicated to the support and development of emerging screenwriters and directors of vision, and to the national and international exhibition of new independent cinema. He has received the Screen Actors Guild's Lifetime Achievement Award, an Honorary Academy Award®, the Kennedy Center Honors, the Legion d’honneur medal (France’s highest recognition), and was given the Presidential Medal of Freedom by President Barack Obama, the highest award given to a civilian in the United States. Robert Redford has been a noted environmentalist and activist since the early 1970s and has served for 40 years as a Trustee for the Natural Resources Defense Council.

 

Carreer Award to Stephen Frears

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Stephen Frears has been awarded the prize at a ceremony  held on Sunday 3rd September at 10:00 pm in the Sala Grande (Palazzo del Cinema), before the Out of Competition screening of his new film Victoria & Abdul, receiving its world premiere screening in Venice.

The film is set in 1887, when Abdul travels from India to present a ceremonial medal as part of the Queen’s Golden Jubilee but surprisingly finds favor with the elderly Queen. The unprecedented and unlikely relationship causes a battle royale within the royal household, pitting the Queen against court and family. Victoria & Abdul humorously explores questions of race, religion, power, and the farce of Empire through the prism of a highly unusual and deeply moving friendship.

 

The Director of the Venice Film Festival, Alberto Barbera, made the following statement about the award: "Prolific and unpredictable, eclectic and provocative, Stephen Frears seems to challenge the very idea of a monolithic definition of his cinema. Along with Ken Loach and Mike Leigh, he is one of the most vibrant and representative exponents of contemporary British cinema. As opposed to many other directors, he is not afraid of seeming self-contradictory: he nonchalantly passes from the social realism of the 1980s to biographies, from comedies to historical dramas, alternating British and American movies, low-budget and high-budget productions, cinema and television, and each time he is at ease. This evident contrast might be the most interesting aspect of his work, along with his universally recognized qualities: an uncommon sensitivity in the way he directs his actors; the ability to get the most out of his relationship with famous authors (Alan Bennet, Christopher Hampton, Hanif Kureishi, Nick Hornby); his apparent modesty, which consists in subordinating style to the demands of the material. A great narrator of stories with recurring topics, such as his attention to oppressed and marginalized characters, in his best movies Frears has the rare gift of creating a portrait of British society: sharp, caustic, unconventional, and simultaneously disturbing and amusing."

TIFFxInstagram Shorts Festival Winners

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TIFF is thrilled to announce the winners of the TIFFxInstagram Shorts Festival, an international, digital festival. The TIFFxInstagram Shorts Festival, which showcases 60-second micro-shorts, had no shortage of diversity and creativity in submissions this year. Entries received were from countries all over the world, including Colombia, Norway, Lebanon and the United States. The TIFFxInstagram Shorts Festival is presented by UNIQLO.
 
“This year’s festival attracted an impressively diverse and comprehensive group of entries, including 40 percent from female filmmakers,” said Piers Handling, Director and CEO of TIFF. “We are so glad the TIFFxInstagram Shorts Festival is able to provide a unique and inclusive platform for emerging filmmakers from around the world to create and showcase their work.”
 
This year’s esteemed jury, including actor Isabelle Huppert, actor Ashton Sanders, music video visionary Director X, actor and director Lake Bell, director and producer Karan Johar and Fast Retailing’s President and Head of Global Creative John C. Jay have deliberated and selected their favourite film of the finalists. Natalia Gurkina’s Confession will be awarded the Jury’s Choice Award. Additionally, Justin Wu’s Overtime has been selected as the winner of the Fan Favourite Award by the public, who voted via Instagram likes throughout the festival.
 
Both winners will be celebrated at the TIFFxInstagram Shorts Festival Awards Reception during the Toronto International Film Festival. Hosted by UNIQLO, the reception will be held at TIFF’s Varda Filmmakers Lounge Presented by Amazon Video Direct and will offer a chance for special guests, media, and influencers to celebrate and honour the competition’s winners and their work. The recipients of the prizes will also receive a trip to Toronto to attend the Toronto International Film Festival and associated industry events and film premieres.
 
The winner of the Jury’s Choice Award Presented by UNIQLO is:
 
Confession, dir. Natalia Gurkina @madhatterzero
Russia
A love story within a love story, a nod to Russian melodrama and a film within a film shot on iPhone. 
 
Based in Moscow, Gurkina is a 26 year old filmmaker and comics writer. She studied filmmaking at Moscow Film School from 2014-2016. The idea for her short film Confession came to her completely spontaneously, and she shot it on an iPhone 5s days later.
 
The winner of the Fan Favourite Award Presented by UNIQLO is:
 
Overtime, dir. Justin Wu @justinwu
France
Overtime contrasts the tender love of a father with the brutal world in which he works.
 
Justin Wu got his start as an art & fashion photographer, and more recently began his career in filmmaking. His work varies greatly from TV commercials, gallery art installations, and international fashion editorials. His first experimental film, Coup de grâce, was exhibited and screened at the modern art museum, Centre Pompidou, in Paris last fall. Following that, his first narrative short, Le devoir, won the 2014 Grand Prize for Best Emerging Director at an Academy Award qualifying film festival last summer.

Finalists of BIFED 2017 International Competition and GAIA Student Award

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This year the submitted documentaries have brought a broad variety of themes to our attention. Wonderful films from all over the globe made the selection very hard on the pre-selection committee watching all the 330 documentaries from 70 countries carefully.  Finally, we are proud to present 21 documentaries for the International Competition and the 9 nominees for the GAIA Student Award.

 

 

BIFED 2017
Finalists for Gaia Student Award
Gaia Öğrenci Ödülü Finalistleri


Tourism! / Turizm!, Tonci Gacina, Croatia – Hırvatisan, 2016, 52’ 
The Last of the Wakhi Shepherdess / Vakhilerin Son Kadın Çobanı, Muhammad Zia Posh, Pakistan, 2016, 13’ 
Dusk Chorus – based on Fragments of Extinction / Alacakaranlık Korosu, Nika  Saravanja & Alessandro d’Emilia, Italy – İtalya, 2016, 62’
Stick to the Wind / Rüzgâra Bağlı Kal, Louise Legaye, France – Fransa, 2016, 45’
The Wildtuin / Wildtuin, Rebecca Panovka, USA – ABD, 2017, 31’
Atomka/Genpatsu, Lena Králiková Hashimoto, Slovakia/Japan – Slovakya/Japonya, 2016, 38’ 
Love is Over / Aşk Bitti, Mert Kaya, Turkey – Türkiye, 2016, 47’
Alternative / Başka, Nesime Karateke, Turkey – Türkiye, 2017, 22’

 

 

Jake Gyllenhaal to be presented with Zurich Film Festival’s Golden Eye Award

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Image may contain: 1 person, smiling, beard and closeup

STRONGER receives Gala Premiere

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The Zurich Film Festival (ZFF) is delighted to honour Academy Award®-nominated actor Jake Gyllenhaal with their prestigious Golden Eye Award at this year’s Festival.

 

Gyllenhaal will be in Zurich to present STRONGER as a Gala Premiere on Tuesday 3 October.  

 

ZFF Co-Directors Nadja Schildknecht and Karl Spoerri state “Jake Gyllenhaal has consistently proven himself to be one of the most exciting and versatile actors working today. We are thrilled to present him with the Golden Eye Award and present STRONGER as part of the festival.”

 

Jake Gyllenhaal

 

Jake Gyllenhaal has established himself as one of the finest actors of his generation, along the way working with some of Hollywood’s greatest filmmakers on both independent and studio films. For his role in Ang Lee’s BROKEBACK MOUNTAIN, Gyllenhaal received an Academy Award nomination and won a BAFTA for Best Supporting Actor. In 2014 Gyllenhaal starred in Dan Gilroy’s NIGHTCRAWLER (which he also produced) and received BAFTA, Golden Globe, SAG®, Critics’ Choice and Independent Spirit award nominations. NIGHTCRAWLER also screened at the Zurich Film Festival in 2014. He was also recognized with Best Actor citations from numerous critics’ groups.

 

Gyllenhaal starred in David Ayer’s END OF WATCH, which placed in several critics’ ‘Top 10 Films of 2012' lists including the National Board of Review’s. Most recently, he received a Golden Globe nomination for his performance in Ed Zwick’s LOVE & OTHER DRUGS, a BAFTA nomination for Tom Ford’s NOCTURNAL ANIMALS and was seen in Bong Joon-ho’s OKJA, which premiered at the 2017 Cannes International Film Festival.

 

Gyllenhaal recently wrapped production on Paul Dano’s directorial debut, WILDLIFE, starring opposite Carey Mulligan and is beginning production on Palme d’Or winner Jacques Audiard’s first English language feature, THE SISTERS BROTHERS. Other film credits include Daniel Espinosa’s LIFE, Jean-Marc Vallée’s DEMOLITION, Antoine Fuqua’s SOUTHPAW, Baltasar Kormákur’s EVEREST, Denis Villeneuve’s PRISONERS and ENEMY Richard Kelly’s DONNIE DARKO, Jim Sheridan’s BROTHERS, Duncan Jones’ SOURCE CODE, David Fincher’s ZODIAC, Sam Mendes’ JARHEAD.

 

With his new production company, Nine Stories, Gyllenhaal is also on his way to becoming a filmmaker of note. Nine Stories is in post-production on the aforementioned WILDLIFE and is in development on a number of titles, including THE SON, based on Jo Nesbø’s critically acclaimed novel, with Denis Villeneuve attached to direct; THE DIVISION, Stephen Gaghan’s adaptation of Ubisoft’s post-apocalyptic video game, in which Gyllenhaal will star; and an as-yet-untitled limited series for A&E that focuses on cults throughout history. Additional projects in development include Cary Fukunaga’s father/son bullying drama, JOE BELL; THE ANARCHISTS vs. ISIS, which will re-team Gyllenhaal with Life director Daniel Espinosa; and Alex Timbers’ THEATER OF WAR, based on an episode of ‘This American Life’.  Nine Stories executive-produced HONDROS, a documentary on war photographer Chris Hondros. The film premiered at this year’s Tribeca Film Festival and won the coveted Audience Award. 

 

In 2014 Gyllenhaal made his Broadway debut in Nick Payne’s ‘Constellations’ and his musical-theater debut in the Encores! production of ‘Little Shop of Horrors’. The actor made his New York stage debut in 2012 by starring in ‘If There Is I Haven’t Found It Yet’, for the Roundabout Theatre Company, which earned him nominations from the Drama League and Lucille Lortel Awards. It was his first stage performance since 2002, when he starred in Kenneth Lonergan’s revival of ‘This Is Our Youth’ at London’s West End, for which he won an Evening Standard Theatre Award for Outstanding Newcomer.   More recently, Gyllenhaal starred on Broadway in an acclaimed revival of Stephen Sondheim’s Pulitzer Prize-winning masterpiece ‘Sunday in the Park with George’, opposite Tony Award® winner Annaleigh Ashford.

 

STRONGER

 

STRONGER is the inspiring true story of Jeff Bauman, an ordinary man who captured the hearts of his city and the world to become the symbol of hope following the infamous 2013 Boston Marathon bombing. Jake Gyllenhaal stars as Jeff, a 27-year-old, working-class Boston man who was at the marathon to try and win back his ex-girlfriend Erin (Tatiana Maslany). Waiting for her at the finish line when the blast occurs, he loses both his legs in the attack.

 

After regaining consciousness in the hospital, Jeff is able to help law enforcement identify one of the bombers, but his own battle has just begun. He tackles months of physical and emotional rehabilitation with the unwavering support of Erin and his family.  It is Jeff’s deeply personal account of the heroic journey that tests a family’s bond, defines a community’s pride and inspires his inner courage to overcome devastating adversity.

 

Filled with raw emotion, humanity and humor, STRONGER is the inspirational real-life story of the man who became the living embodiment of “Boston Strong.” The film also stars Academy Award® nominee Miranda Richardson and is directed by David Gordon Green.

 

STRONGER will be released in Switzerland by Impuls.

Aki Kaurismäki to receive the Fipresci award for the second time

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Aki Kaurismäki wins the Critics' Grand Prix

FIPRESCI Grand Prix 2017 for "The Other Side of Hope" (Toivon tuolla puolen)

 

"The Other Side of Hope" (Toivon tuolla puolen) is the best film of the past year, according to the International Federation of Film Critics (FIPRESCI). Aki Kaurismäki will receive the »FIPRESCI Grand Prix 2017« during the opening ceremony of the San Sebastián International Film Festival on September 22, after hundreds of film critics and journalists from around the world picked his Berlinale entry (and winner of the Silver Bear for Best Director) out of all feature-length films premièred internationally since July 2016. The Finnish filmmaker had already taken home the Federation's most comprehensive award fifteen years ago, when "The Man Without a Past" (Mies vailla menneisyyttä) was awarded the Grand Prix 2002.

 

The poll, open to all FIPRESCI members, received responses from 576 voters. In the first phase, any full-length work, of any origin and nature, could be nominated. The three finalists to reach the final phase were "The Other Side of Hope", Oscar winner "Moonlight" by Barry Jenkins, and Berlinale Golden Bear "On Body and Soul" (Testrol és lélekrol) by Ildikó Enyedi.

 

The FIPRESCI Grand Prix exists since 1999, and is the Federation's most representative acknowledgement, as it is not chosen by a jury (like the »International Critics Prize« awarded to a film from a festival's program), but is elected by all members among, and is open to all feature-length productions of the previous twelve months. In the past, this special award has been bestowed upon Michael Haneke, Cristian Mungiu, Paul Thomas Anderson, Jean-Luc Godard, George Miller and Maren Ade, among others.

 

FIPRESCI – The International Federation of Film Critics

Pamela Biénzobas, pbienzobas@fipresci.org

www.fipresci.org

Venice Collateral Awards

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COLLATERAL AWARDS

 

Arca CinemaGiovani Award

Venezia 74 Best Film: FOXTROT by Samuel Maoz

Best Italian Film: BEAUTIFUL THINGS by Giorgio Ferrero

 

BNL People's Choice Award – Giornate degli Autori

GA’AGUA (LONGING) by Savi Gabizon

 

Brian Award

LES BIENHEUREUX by Sofia Djama

 

Circolo del Cinema di Verona Award – 32nd Venice International Film Critics’ Week

TEAM HURRICANE by Annika Berg

 

Civitas Vitae Award

IL COLORE NASCOSTO DELLE COSE by Silvio Soldini

 

Fair Play Cinema Award

EX LIBRIS - THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman         

Special Mention: HUMAN FLOW by Ai Weiwei    

 

Fedeora Award (Federazione dei Critici Europei e dei Paesi Mediterranei)

Best Film: EYE ON JULIET by Kim Nguyen

Best Director of a Debut Film: SARA FORESTIER for M

Best Actor: REDOUANNE HARJANE for M

 

FEDIC Award

LA VITA IN COMUNE by Edoardo Winspeare

Special Mention: NICO, 1988 by Susanna Nicchiarelli

Mention FEDIC – Il giornale del cibo: LE VISITE by Elio Di Pace

 

FIPRESCI Award

EX LIBRIS - THE NEW YORK PUBLIC LIBRARY by Frederick Wiseman         

Best Debut Film: LOS VERSOS DEL OLVIDO by Alireza Khatami

 

Fondazione Mimmo Rotella Award

GEORGE CLOONEY, MICHAEL CAINE and AI WEIWEI

 

Enrico Fulchignoni – CICT-UNESCO Award

HUMAN FLOW by Ai Weiwei

 

Future Film Festival Digital Award

THE SHAPE OF WATER by Guillermo del Toro

Special Mention: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone 

 

GdA Director’s Award - Giornate degli Autori

CANDELARIA by Jhonny Hendrix Hinestroza

 

Green Drop Award 

FIRST REFORMED by Paul Schrader  

 

HRNs Award – Special Prize for Human Rights

THE RAPE OF RACY TAYLOR by Nancy Buirski

Special Mention: L’ORDINE DELLE COSE by Andrea Segre

Special Mention: HUMAN FLOW by Ai Weiwei

 

Interfilm Award

LOS VERSOS DEL OLVIDO by Alireza Khatami

 

Label Europa Cinemas Award

M by Sara Forestier                                                                                                      

 

Lanterna Magica Award (CGS)

L'EQUILIBRIO by Vincenzo Marra

 

La Pellicola d’Oro Award

Best Production Manager in an Italian Film: DANIELE SPINOZZI for Ammore e Malavita

Best Production Manager in an International Film: RICCARDO MARCHEGIANI for Mektoub My Love: Canto Uno

Best Stagehand: ROBERTO DI PIETRO for Hannah

 

Leoncino d’Oro Agiscuola Award

THE LEISURE SEEKER by Paolo Virzì 

Cinema for UNICEF Award: HUMAN FLOW by Ai Weiwei

 

Lizzani Award

GÉRÔME BOURDEZEAU and DOMINIQUE BATTESTI

IL COLORE NASCOSTO DELLE COSE by Silvio Soldini

 

Lina Mangiacapre Award

LES BIENHEUREUX by Sofia Djama

 

Mouse d’Oro Award

MEKTOUB, MY LOVE: CANTO UNO by Abdellatif Kechiche

Mouse d’Argento Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone 

 

NuovoImaie Talent Award

FEDERICA ROSELLINI for Dove cadono le ombre

MIMMO BORRELLI for L’equilibrio

 

Open Award

GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone

 

Francesco Pasinetti Award – SNGCI

AMMORE E MALAVITA by Manetti Bros.    

Special Award: GATTA CENERENTOLA by A. Rak, I. Cappiello, M. Guarnieri, D. Sansone 

Special Award: NICO, 1988 by Susanna Nicchiarelli                                                                       

 

Gillo Pontecorvo Award - Arcobaleno Latino

MIAO XIAOTIAN, CEO of China Film Coproduction Corporation

 

Queer Lion Award

MARVIN by Anne Fontaine

 

Mario Serandrei – Hotel Saturnia Award for the Best Technical Contribution – 32nd Venice International Film Critics’ Week

LES GARÇONS SAUVAGES by Bertrand Mandico

 

Sfera 1932 Award

LA MÉLODIE by Rachid Hami  

 

SIAE Audience Award – 32nd Venice International Film Critics’ Week

TEMPORADA DE CAZA by Natalia Garagiola

 

SIGNIS Award

LA VILLA by Robert Guédiguian

Special Mention: FOXTROT by Samuel Maoz

 

C. Smithers Foundation Award – CICT-UNESCO

THE SHAPE OF WATER by Guillermo del Toro

 

Sorriso Diverso Venezia 2017 Award - Ass Ucl

IL COLORE NASCOSTO DELLE COSE by Silvio Soldini

 

Soundtrack Stars Award

ALEXANDRE DESPLAT for The Shape of Water

Special Award: AMMORE E MALAVITA by Manetti Bros.

Lifetime Achievement Award to ANDREA GUERRA

 

UNIMED Award

LA VILLA by Robert Guédiguian

Special Mention: BRUTTI E CATTIVI by Cosimo Gomez

 


Venice gives its Awards

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OFFICIAL AWARDS – 74th VENICE INTERNATIONAL FILM FESTIVAL

 

VENEZIA 74

The Venezia 74 Jury, chaired by Annette Bening, and comprised of Ildikó Enyedi, Michel Franco, Rebecca Hall, Anna Mouglalis, David Stratton, Jasmine Trinca, Edgar Wright and Yonfan having viewed all 21 films in competition, has decided as follows:

 

GOLDEN LION for Best Film to:

THE SHAPE OF WATER

by Guillermo del Toro (USA)

 

SILVER LION - GRAND JURY PRIZE to:

FOXTROT 

by Samuel Maoz (Israel, Germany, France, Switzerland)

 

SILVER LION - AWARD FOR BEST DIRECTOR to:

Xavier Legrand 

for the film JUSQU’À LA GARDE (France)

 

COPPA VOLPI

for Best Actress:

Charlotte Rampling

in the film HANNAH by Andrea Pallaoro (Italy, Belgium, France)

 

COPPA VOLPI

for Best Actor:

Kamel El Basha

in the film THE INSULT by Ziad Doueiri (Lebanon, France)

 

AWARD FOR BEST SCREENPLAY to:

Martin McDonagh

for the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI by Martin McDonagh (Great Britain)

 

SPECIAL JURY PRIZE to:

SWEET COUNTRY

by Warwick Thornton (Australia)

 

MARCELLO MASTROIANNI AWARD

for Best Young Actor or Actress to:

Charlie Plummer

in the film LEAN ON PETE by Andrew Haigh (Great Britain)

 

 

LION OF THE FUTURE

“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM

Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film Jury at the 74th Venice Film Festival, chaired by Benoît Jacquot and comprised of Geoff Andrew, Albert Lee, Greta Scarano and Yorgos Zois has decided to award:

 

LION OF THE FUTURE

“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to:

JUSQU’À LA GARDE

by Xavier Legrand (France)

VENEZIA 74

 

as well as a prize of 100,000 USD, donated by Filmauro to be divided equally between director and producer.

 

 

ORIZZONTI AWARDS

The Orizzonti Jury of the 74th Venice International Film Festival, chaired by Gianni Amelio and composed of  Rakhshan Banietemad, Ami Canaan Mann, Mark Cousins, Andrés Duprat, Fien Troch and Rebecca Zlotowski, after screening the 31 films in competition has decided to award:

 

the ORIZZONTI AWARD FOR BEST FILM to:

NICO, 1988

by Susanna Nicchiarelli (Italy, Belgium)

 

the ORIZZONTI AWARD FOR BEST DIRECTOR to:

Vahid Jalilvand

for BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) (Iran)

 

the SPECIAL ORIZZONTI JURY PRIZE to:

CANIBA

by Véréna Paravel and Lucien Castaing-Taylor (France, USA)

 

the ORIZZONTI AWARD FOR BEST ACTRESS to:

Lyna Khoudri

in LES BIENHEUREUX by Sofia Djama (France, Belgium, Qatar)

 

the ORIZZONTI AWARD FOR BEST ACTOR to:

Navid Mohammadzadeh

in BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE)

by Vahid Jalilvand (Iran)

 

the ORIZZONTI AWARD FOR BEST SCREENPLAY to:

Dominique Welinski and René Ballesteros

for LOS VERSOS DEL OLVIDO by Alireza Khatami 

(France, Germany, Netherlands, Chile)

 

the ORIZZONTI AWARD FOR BEST SHORT FILM to:

GROS CHAGRIN

by Céline Devaux (France)

 

the VENICE SHORT FILM NOMINATION FOR THE

EUROPEAN FILM AWARDS 2017 to:

GROS CHAGRIN

by Céline Devaux (France)

 

 

VENICE VIRTUAL REALITY AWARDS

The Venice VR Jury of the 74th Venice International Film Festival, chaired by John Landis and composed of Cécile Sciamma and Ricky Tognazzi has decided to award:

 

the BEST VR AWARD to:

ARDEN’S WAKE (EXPANDED)

by Eugene YK Chung (USA)

 

the BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to:

LA CAMERA INSABBIATA

by Laurie Anderson and Hsin-Chien Huang (USA, Taiwan)

 

the BEST VR STORY AWARD (FOR LINEAR CONTENT) to:

BLOODLESS

by Gina Kim (South Korea, USA)

 

 

 

 

 

VENICE CLASSICS AWARDS

The Venice Classics Jury, chaired by Giuseppe Piccioni composed of 26 students of Cinema History, chosen in particular from the professors of 12 Italian Dams university programmes and from the Ca’ Foscari University of Venice, has decided to award:

 

the VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to:

THE PRINCE AND THE DYBBUK

by Elwira Niewiera and Piotr Rosołowski (Poland, Germany)

 

the VENICE CLASSICS AWARD FOR BEST RESTORED FILM to:

IDI I SMOTRI (COME AND SEE)

by Elem Klimov (USSR, 1985)

 

 

GOLDEN LION FOR LIFETIME ACHIEVEMENT 2017 to:

Jane Fonda

Robert Redford

 

 

JAEGER-LECOULTRE GLORY TO THE FILMMAKER AWARD 2017 to:

Stephen Frears

Final Cut In Venice Awards 2017

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FINAL CUT IN VENICE 2017 AWARDS
(74th Venice International Film Festival)
3 Sept - 5 Sept

Workshop to support films in post-production from Africa, Iraq, Jordan, Lebanon, Palestine and Syria.

For this 5th edition of Final Cut in Venice, LaBiennale di Venezia has decided to strengthen the workshop with a new cash award of € 5,000, the Biennale Prize, to support the best film in post-production.

The jury, composed of Hengameh Panahi, Claudia Bedogni and Arnaud Dommerc, has awarded the film:

A KASHA by hajooj kuka (Sudan/South Africa/Qatar)

Producer: Steven Markovitz

For its innovative and fresh “mise-en-scène” and its original and humorous take on a subject-matter set in a country in permanent war.


 

The Partners of the fifth edition of Final Cut in Venice have decided to give their support to the following films in post-production:
 

DREAM AWAY by Marouan Omara and Johanna Domke (Egypt, Germany, Qatar)

Producers: Roman Roitman and Mark Lotfy

Has been supported by:

  • Laser Film (Rome) is giving € 15,000 for the color correction, for up to 50 hours of work (technician included);
  • Rai Cinema is giving € 5,000 for the purchase of two-year broadcasting rights;
  • The Festival International de Films de Fribourg is giving a 35mm print (without subtitles) or the participation in the production costs of a DCP (€ 2,000);
  • Eye on Films is giving the possibility to benefit from the Eye on Films label, that will present the film to distributors and festivals affiliated to EoF and will contribute to the communication of the film for a value of € 2,000 during its world premiere in an A-category festival.

 


JOINT POSSESSION / INDIVISION by Leila Kilani (Morocco, France, Qatar, UAE)

Producer: Emmanuel Barrault

Has been supported by:

  • Titra Film (Paris) is giving up to € 5,000 for the production of a DCP master, French or English subtitles (translation not included), i-Tunes, Google or Netflix files + a discount of € 5,000 for digital color correction (technician not included);
  • CINEGOUNA platform/El Gouna Film Festival is giving $ 5,000 to one of the Arab projects;
  • MAD Solutions is offering marketing, publicity and distribution in the Arab World;

 

 

THE HARVESTERS / DIE STROPERS by Etienne Kallos (South Africa, France, Greece, Poland)

Producers: Sophie Erbs, Thembisa Cochrane and Michael Auret

Has been supported by:

  • Mactari Mixing Auditorium (Paris) is giving up to € 15,000 for the sound mixing (up to 12 days of work, sound re-recording mixer not included);
  • The Festival International du Film d’Amiens is giving a 35mm print (without subtitles) or the participation in the production costs of a DCP (€ 2,000)

 

A KASHA by hajooj kuka (Sudan/South Africa/Qatar)

Producer: Steven Markovitz

Has been supported by:

  • Sub-Ti Ltd. (London) is giving up to € 7,000 for the production of the DCP master and Italian or English subtitles;
  • Sub-Ti Access Srl (Turin) is giving up to € 7,000 for the accessible contents of the film for audiences with sensory disabilities: subtitles for the deaf and hearing impaired and audio description for the blind and visually impaired, with audio subtitles, in Italian or English. The SDH file and the audio described soundtrack for DCP will be provided.

 

 
 
 
 
 

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Monica Bellucci and Agnès Varda will get the Donostia Award

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Three Donostia Awards will be given at the 65th edition of the San Sebastian Festival. As well as acclaimed Argentine actor Ricardo Darín, the Festival will acknowledge the careers of the Italian actress Monica Bellucci and the French filmmaker, Agnès Varda.

Over her more than 25 years as an actress, Bellucci has worked with several benchmark moviemakers in both Europe and the USA, including Francis Ford Coppola, Gaspar Noé, the Wachowski sisters, Mel Gibson, Terry Gilliam, Spike Lee, Paolo Virzì, Philippe Garrel, Sam Mendes and Emir Kusturika.

 For her part, Agnès Varda is a legend of European cinema, whose career has earned her recognition with the top awards at Cannes, Berlin, Venice, Locarno, and from the French Film Academy.

Her most recent work, Visages, Villages (Faces, Places), co-directed with the artist JR, was presented out of competition at the Official Selection of the Cannes Festival in 2017 and will have its Spanish premiere at this edition of the San Sebastian Festival.

 

In November, the Hollywood Academy of Motion Picture Arts and Sciences will give her an Honorary Lifetime Achievement Award.

 

Watch the full ceremony of Venice 74 th edition Awards

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OFFICIAL AWARDS – 74th VENICE INTERNATIONAL FILM FESTIVAL

 

VENEZIA 74

The Venezia 74 Jury, chaired by Annette Bening, and comprised of Ildikó EnyediMichel FrancoRebecca HallAnna MouglalisDavid StrattonJasmine TrincaEdgar Wright and Yonfan having viewed all 21 films in competition, has decided as follows:

 

GOLDEN LION for Best Film to:

THE SHAPE OF WATER

by Guillermo del Toro (USA)

 

SILVER LION - GRAND JURY PRIZE to:

FOXTROT 

by Samuel Maoz (Israel, Germany, France, Switzerland)

 

SILVER LION - AWARD FOR BEST DIRECTOR to:

Xavier Legrand 

for the film JUSQU’À LA GARDE (France)

 

COPPA VOLPI

for Best Actress:

Charlotte Rampling

in the film HANNAH by Andrea Pallaoro (Italy, Belgium, France)

 

COPPA VOLPI

for Best Actor:

 

Kamel El Basha

in the film THE INSULT by Ziad Doueiri (Lebanon, France)

 

AWARD FOR BEST SCREENPLAY to:

Martin McDonagh

for the film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI by Martin McDonagh (Great Britain)

 

SPECIAL JURY PRIZE to:

SWEET COUNTRY

by Warwick Thornton (Australia)

 

MARCELLO MASTROIANNI AWARD

for Best Young Actor or Actress to:

Charlie Plummer

in the film LEAN ON PETE by Andrew Haigh (Great Britain)

 

 

LION OF THE FUTURE

“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM

Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film Jury at the 74th Venice Film Festival, chaired by Benoît Jacquot and comprised of Geoff Andrew, Albert Lee, Greta Scarano and Yorgos Zois has decided to award:

 

LION OF THE FUTURE

“LUIGI DE LAURENTIIS” VENICE AWARD FOR A DEBUT FILM to:

JUSQU’À LA GARDE

by Xavier Legrand (France)

VENEZIA 74

 

as well as a prize of 100,000 USD, donated by Filmauro to be divided equally between director and producer.

 

 

ORIZZONTI AWARDS

The Orizzonti Jury of the 74th Venice International Film Festival, chaired by Gianni Amelio and composed of  Rakhshan BanietemadAmi Canaan MannMark CousinsAndrés DupratFien Troch and Rebecca Zlotowski, after screening the 31 films in competition has decided to award:

 

the ORIZZONTI AWARD FOR BEST FILM to:

NICO, 1988

by Susanna Nicchiarelli (Italy, Belgium)

 

the ORIZZONTI AWARD FOR BEST DIRECTOR to:

Vahid Jalilvand

for BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE) (Iran)

 

the SPECIAL ORIZZONTI JURY PRIZE to:

CANIBA

by Véréna Paravel and Lucien Castaing-Taylor (France, USA)

 

the ORIZZONTI AWARD FOR BEST ACTRESS to:

Lyna Khoudri

in LES BIENHEUREUX by Sofia Djama (France, Belgium, Qatar)

 

the ORIZZONTI AWARD FOR BEST ACTOR to:

Navid Mohammadzadeh

in BEDOUNE TARIKH, BEDOUNE EMZA (NO DATE, NO SIGNATURE)

by Vahid Jalilvand (Iran)

 

the ORIZZONTI AWARD FOR BEST SCREENPLAY to:

Dominique Welinski and René Ballesteros

for LOS VERSOS DEL OLVIDO by Alireza Khatami 

(France, Germany, Netherlands, Chile)

 

the ORIZZONTI AWARD FOR BEST SHORT FILM to:

GROS CHAGRIN

by Céline Devaux (France)

 

the VENICE SHORT FILM NOMINATION FOR THE

EUROPEAN FILM AWARDS 2017 to:

GROS CHAGRIN

by Céline Devaux (France)

 

 

VENICE VIRTUAL REALITY AWARDS

The Venice VR Jury of the 74th Venice International Film Festival, chaired by John Landis and composed of Cécile Sciamma and Ricky Tognazzi has decided to award:

 

the BEST VR AWARD to:

ARDEN’S WAKE (EXPANDED)

by Eugene YK Chung (USA)

 

the BEST VR EXPERIENCE AWARD (FOR INTERACTIVE CONTENT) to:

LA CAMERA INSABBIATA

by Laurie Anderson and Hsin-Chien Huang (USA, Taiwan)

 

the BEST VR STORY AWARD (FOR LINEAR CONTENT) to:

BLOODLESS

by Gina Kim (South Korea, USA)

 

 

 

 

 

VENICE CLASSICS AWARDS

The Venice Classics Jury, chaired by Giuseppe Piccioni composed of 26 students of Cinema History, chosen in particular from the professors of 12 Italian Dams university programmes and from the Ca’ Foscari University of Venice, has decided to award:

 

the VENICE CLASSICS AWARD FOR BEST DOCUMENTARY ON CINEMA to:

p6a6_THEPRINCEANDTHEDYBBUK2--1.jpg

THE PRINCE AND THE DYBBUK

by Elwira Niewiera and Piotr Rosołowski (Poland, Germany)

 

the VENICE CLASSICS AWARD FOR BEST RESTORED FILM to:

IDI I SMOTRI (COME AND SEE)

by Elem Klimov (USSR, 1985)

 

 

GOLDEN LION FOR LIFETIME ACHIEVEMENT 2017 to:

Jane Fonda

Robert Redford

 

 

JAEGER-LECOULTRE GLORY TO THE FILMMAKER AWARD 2017 to:

Stephen Frears

FANTOCHE – Fantastic Swiss Award to the best genre film in the Swiss short film

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ch02-ooze-31569-a-0.jpgWinners 2017

The Fantoche audience and juries have chosen and awarded a total of 13 prizes and two special mentions.  

FANTOCHE – FANTASTIC SWISS AWARD

The 22nd edition of the Fantoche International Animation Film Festival in Baden recently came to an end, and its prize list highlights the excellence of Swiss and international animated productions alike. The NIFFF is honoured to grant the Fantastic Swiss Award for the second year in a row to the best genre film in the Swiss short films competition. This year, the winner is OOZE from Kilian Vilim.

Couldn’t make it to Baden? No worries! This gem of Swiss filmmaking will be shown as part of the next NIFFF edition, which will take place from July 6th to July 14th, 2018. The director will also be in attendance.

The jury composed of Igor Prassel (SI), Yvonne van Ulden (NL), and Theodore Ushev(CAN/BG), has awarded 6 prizes among the 24 Swiss films in competition:

Best Swiss (SUISSIMAGE/SSA)
AIRPORT, Michaela Müller, CH/HR, 2017

High Swiss Risk (Fantoche Fans)
LIVING LIKE HETA, Bianca Caderas, Isabella Luu, Kerstin Zemp, CH, 2017

New Swiss Talent (Jingle Jungle)
IMMERSION, Lalita Brunner, CH, 2016

Fantastic Swiss (NIFFF)
OOZE, Kilian Vilim, CH, 2017

Swiss Youth Award (Castellinaria)
OOZE, Kilian Vilim, CH, 2017

Audience Award Swiss Competition (SRG SSR)
IN A NUTSHELL, Fabio Friedli, CH, 2017

 

 

Winners at TIFF 2017 announced

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pcameme.png?w=1200The Toronto International Film Festival® announced its award winners at the closing ceremony at TIFF Bell Lightbox today, hosted by Piers Handling, CEO and Director of TIFF, and Cameron Bailey, Artistic Director of TIFF. To watch the presentation, visit tiff.net/ceremony. The 42nd Festival wraps up this evening.

The short film awards below were selected by a jury comprised of Marit van den Elshout, Head of CineMart at the International Film Festival Rotterdam; award-winning filmmaker Johnny Ma (Old Stone); and Cannes 2017 Art Cinema Award winner Chloé Zhao (The Rider).

IWC SHORT CUTS AWARD FOR BEST CANADIAN SHORT FILM
The IWC Short Cuts Award for Best Canadian Short Film goes to Marc-Antoine Lemire’s Pre-Drink. The jury remarked the film “is a monumental yet intimate portrayal of a woman in transition. Lead by the towering performances of the film's two actors, both of who are worthy of receiving their own awards. The jury were especially taken by the leading actress who gives one of the best performances we saw in the Short Cuts programmes. The 2017 Short Cuts jury honors Pre-Drink for Best Canadian short film.”

The award offers a $10,000 cash prize, made possible by IWC Schaffhausen. 

IWC SHORT CUTS AWARD FOR BEST SHORT FILM
The IWC Short Cuts Award for Best Short Film goes to Niki Lindroth von Bahr’s The Burden (Min Börda). The jury remarked, “Whimsical but tragic, imaginative and just plain weird, this is exactly what one can expect from a Scandinavian musical with fish in bath robes singing out their existentialist crisis. This is a film that stands out in this program and any film program it will ever be part of.” The award offers a $10,000 cash prize made possible by IWC Schaffhausen.

The jury gave honourable mentions to Matthew Rankin’s The Tesla World Light (Tesla: Lumière Mondiale) and Qiu Yang’s Xiao Cheng Er Yue (A Gentle Night). 

The Canadian awards below were selected by a jury comprised of Mark Adams, Artistic Director of the Edinburgh International Film Festival; Canadian documentarian and Hillman Prize winner Min Sook Lee (Migrant Dreams); and artist and filmmaker Ella Cooper, who is also the founder of Black Women Film! Canada. 

CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
The City of Toronto Award for Best Canadian First Feature Film goes to Wayne Wapeemukwa’s Luk' Luk'l. The jury remarked, “The award goes to a striking debut film that disrupts borders - of form and content and suggests new cinematic territories.This beautifully realized film offers a unique Canadian perspective, made with real compassion, insight and remarkable characters from Vancouver’s East Side.” This award carries a cash prize of $15,000, made possible by the City of Toronto.

The jury gave honourable mention to Sadaf Foroughi’s Ava.

CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM
The Canada Goose Award for Best Canadian Feature Film goes to Robin Aubert’s Les Affamés. The jury remarked, “This year the Canada Goose Award for Best Canadian Feature Film goes to a hybrid art-house film that proved to be something of a revelation. Wonderfully scripted and perfectly cast, this film managed the rare feat of featuring genuinely interesting and well-rounded characters; surprising dramatic and comedic moments with well thought-out multi-generational female roles (who were totally badass, I might add) while also dealing with poignant and contemporary issues, set against a striking rural backdrop and hundreds of ‘ravenous’ zombies.”

This award carries a cash prize of $30,000 and a custom award, sponsored by Canada Goose. 

The jury gave honourable mention to Simon Lavoie’s The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes). 

THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES)
The Festival welcomed an international FIPRESCI jury for the 26th year. The jury members comprised of jury president Jonathan Rosenbaum (USA), Robert Daudelin (Canada), Martin Horyna (Czech Republic), Ivonete Pinto (Brazil), Marietta Steinhart (Austria), and Jim Slotek (Canada).

Prize of the International Federation of Film Critics (FIPRESCI) for the Discovery programme is awarded to Sadaf Foroughi for Ava.

Prize of the International Federation of Film Critics (FIPRESCI) for Special Presentations is awarded to Manuel Martín Cuenca for The Motive (El Autor). 

NETPAC AWARD
As selected by a jury from the Network for the Promotion of Asian Pacific Cinema for the sixth consecutive year, the NETPAC Award for World or International Asian Film Premiere goes to Huang Hsin-Yao’s The Great Buddha+.

Jury members include jury chairperson Rashmi Doraiswamy (India), Jian Hao (China), and Savine Wong (Canada). The jury remarked, “The NETPAC Jury awards The Great Buddha+ for depicting the interface between the haves and have-nots, with black humor and style, innovating with noir in representing the social reality of Taiwan today.”

TORONTO PLATFORM PRIZE PRESENTED BY AIR FRANCE
This is the third year for Platform, the Festival’s juried programme that champions directors’ cinema from around the world. The Festival welcomed an international jury comprised of award-winning filmmakers Chen Kaige, Małgorzata  Szumowska, and Wim Wenders who unanimously awarded the Toronto Platform Prize, presented by Air France, to Warwick Thornton’s Sweet Country.

“This is a spiritual epic taking place in 1929 in Australia’s Northern Territory,” said the jury in a statement.  “It is a great saga of human fate, and its themes of race and struggle for survival are handled in such a simple, rich, unpretentious and touching way, that it became for us a deeply emotional metaphor for our common fight for dignity.

Speaking about their deliberations, the jury added: “We saw 12 films from all over the world that took us into very different universes of the soul and to extremely different places on our planet. We were thankful to be able to see these films and we very much appreciated that actually exactly half of them were made by women. TIFF is leading the way, we feel."

“As we only had one award to give, we had to be quite radical. We also limited ourselves to only one special mention, even if other films might have imposed themselves for best acting, writing or directing.”

Awarding a special mention to Clio Barnard’s Dark River, the jury said: “This film, deeply rooted in the Yorkshire countryside, convinced us, as its characters and actors, its photography, its story and its sense of place were all so much ONE, so utterly believable and controlled, that we were totally taken by it.”

The Toronto Platform Prize offers a custom award and a $25,000 cash prize, made possible by Air France. 

New this year, the Festival presents a free screening of Toronto Platform Prize winner Sweet Country at TIFF Bell Lightbox at 8:30 pm on September 17. Tickets will be available on a first-come, first-served basis beginning at 6:30pm. 

GROLSCH PEOPLE’S CHOICE AWARDS
This year marked the 40th year that Toronto audiences were able to cast a ballot for their favourite Festival film for the Grolsch People’s Choice Award. This year’s award goes to Martin McDonagh for Three Billboards Outside Ebbing, Missouri. The award offers a $15,000 cash prize and custom award, sponsored by Grolsch. The second runner-up is Luca Guadagnino’s Call Me By Your Name. The first runner-up is Craig Gillespie’s I, Tonya.  

The Festival presents a free screening of Three Billboards Outside Ebbing, Missouri at Roy Thomson Hall at 6pm. Tickets will be available on a first-come, first-served basis beginning at 4pm at Roy Thomson Hall.

The Grolsch People’s Choice Midnight Madness Award goes to Joseph Kahn’s Bodied. The second runner-up is Craig Zahler’s Brawl in Cell Block 99. The first runner-up is James Franco’s The Disaster Artist.

The Grolsch People’s Choice Documentary Award goes to Agnès Varda and JR’s Faces Places. The second runner-up is Morgan Spurlock’s Super Size Me 2: Holy Chicken! The first runner-up is Long Time Running directed by Jennifer Baichwal and Nicholas De Pencier.

Social Media:
@TIFF_NET 
#TIFF17
Facebook.com/TIFF

 

After 339 films in 11 days, this year's edition of the Toronto International Film Festival has come to an end. As always, that means only one thing: It's time to reveal the Grolsch People's Choice Winner. From 12 Years a Slave and Room, to last year's La La Land, through your votes, you have championed films in past years that stick with us — and this year is no exception.

 

Grolsch People's Choice Awards
This year marked the 40th year that Toronto audiences were able to cast a ballot for their favourite Festival film for the Grolsch People’s Choice Award.

 

 

THE GROLSCH PEOPLE’S CHOICE AWARD:
WINNER — MARTIN MCDONAGH'S THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

 

First runner-up: Craig Gillespie’s I, Tonya
Second runner-up: Luca Guadagnino’s Call Me By Your Name

 

THE GROLSCH PEOPLE’S CHOICE MIDNIGHT MADNESS AWARD:
Winner: Joseph Kahn’s Bodied
Second runner-up: Craig Zahler’s Brawl in Cell Block 99
First runner-up: James Franco’s The Disaster Artist

 

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Bodied

 

THE GROLSCH PEOPLE’S CHOICE DOCUMENTARY AWARD:
Winner: Agnès Varda and JR’s Faces Places
Second runner-up: Morgan Spurlock’s Super Size Me 2: Holy Chicken! 
First runner-up: Long Time Running by Jennifer Baichwal and Nicholas De Pencier

 

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Faces, Places

 

 

International Jury Awards

TORONTO PLATFORM PRIZE PRESENTED BY AIR FRANCE

For its third year of the Platform programme of director’s cinema, the Festival welcomed an international jury comprised of Chen Kaige, Malgorzata Szumowska, and Wim Wenders.

Winner: Warwick Thornton’s Sweet Country
Jury remarks: “This is a spiritual epic taking place in 1929 in Australia’s Northern Territory. It is a great saga of human fate, and its themes of race and struggle for survival are handled in such a simple, rich, unpretentious and touching way, that it became for us a deeply emotional metaphor for our common fight for dignity.”

 

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Sweet Country

 

Speaking about their deliberations, the Jury statement added: “We saw twelve films from all over the world that took us into very different universes of the soul and to extremely different places on our planet. We were thankful to be able to see these films and we very much appreciated that actually exactly half of them were made by women. TIFF is leading the way, we feel. As we only had one award to give, we had to be quite radical. We also limited ourselves to only one special mention, even if other films might have imposed themselves for best acting, writing or directing.”

Awarding a special mention to Clio Barnard’s Dark River, the Jury said: “This film deeply rooted in the Yorkshire countryside convinced us, as its characters and actors, its photography, its story and its sense of place were all so utterly believable and controlled, that we were totally taken by it.”

New this year, the Festival presents a free screening of Toronto Platform Prize winner Sweet Country at TIFF Bell Lightbox at 8:30 pm on September 17. Tickets will be available on a first-come, first-served basis beginning at 6:30 pm.

 

THE PRIZES OF THE INTERNATIONAL FEDERATION OF FILM CRITICS (FIPRESCI PRIZES) 
Winner - Discovery: Sadaf Foroughi’s Ava
Winner - Special Presentations: Manuel Martín Cuenca’s The Motive (El Autor)

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Ava

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The Motive (El Autor)

The Festival welcomed an international FIPRESCI jury composed of jury president Jonathan Rosenbaum (USA), Robert Daudelin (Canada), Martin Horyna (Czech Republic), Ivonete Pinto (Brazil), Marietta Steinhart (Austria), and Jim Slotek (Canada).

 

NETPAC AWARD 
Winner: Huang Hsin-Yao’s The Great Buddha+
Jury remarks: “The NETPAC Jury awards The Great Buddha+ for depicting the interface between the haves and have-nots, with black humour and style, innovating with noir in representing the social reality of Taiwan today.”

 

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The Great Buddha+

 

Jury members include jury chairperson Rashmi Doraiswamy (India), Jian Hao (China), and Savine Wong (Canada).

 

Short Film Jury Awards

The short film awards below were selected by a jury comprised of Marit van den Elshout, Johnny Ma, and Chloé Zhao.

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Pre-Drink

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The Burden (Min Börda)

IWC SHORT CUTS AWARD FOR BEST CANADIAN SHORT FILM 
Winner: Marc-Antoine Lemire’s Pre-Drink
Jury remarks: “A monumental yet intimate portrayal of a woman in transition.“

IWC SHORT CUTS AWARD FOR BEST SHORT FILM
Winner: Niki Lindroth von Bahr’s The Burden (Min Börda)
Jury remarks: “Whimsical but tragic, imaginative and just plain weird, this is exactly what one can expect from a Scandinavian musical with fish in bath robes singing out their existentialist crisis. This is a film that stands out in this program and any film program it will ever be part of.”

Honourable mentions to Matthew Rankin’s The Tesla World Light (Tesla: Lumière Mondiale) and Qiu Yang’s Xiao Cheng Er Yue (A Gentle Night).

 

Canadian Film Jury Awards

The Canadian awards below were selected by a jury comprised of Mark Adams, Min Sook Lee, and Ella Cooper.

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Luk' Luk'l

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Les Affamés

CITY OF TORONTO AWARD FOR BEST CANADIAN FIRST FEATURE FILM
Winner: Wayne Wapeemukwa’s Luk' Luk'l
Jury remarks: “The award goes to a striking debut film that disrupts borders - of form and content and suggests new cinematic territories. This beautifully realized film offers a unique Canadian perspective, made with real compassion, insight and remarkable characters from Vancouver’s East Side.”

Honourable mention to Sadaf Foroughi’s Ava.

CANADA GOOSE AWARD FOR BEST CANADIAN FEATURE FILM 
Winner: Robin Aubert’s Les Affamés.
Jury remarks: “A hybrid art-house film that proved to be something of a revelation. Wonderfully scripted and perfectly cast, this film managed the rare feat of featuring genuinely interesting and well-rounded characters; surprising dramatic and comedic moments with well thought-out multi-generational female roles (who were totally badass) while also dealing with poignant and contemporary issues, set against a striking rural backdrop and hundreds of ‘ravenous’ zombies.”

Honourable mention to Simon Lavoie’s The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes).

 

 

About TIFF
TIFF is a charitable cultural organization whose mission is to transform the way people see the world, through film. An international leader in film culture, TIFF projects include the annual Toronto International Film Festival in September; TIFF Bell Lightbox, which features five cinemas, major exhibitions, and learning and entertainment facilities; and innovative national distribution program Film Circuit. The organization generates an annual economic impact of $189 million CAD. TIFF Bell Lightbox is generously supported by contributors including Founding Sponsor Bell, the Province of Ontario, the Government of Canada, the City of Toronto, the Reitman family (Ivan Reitman, Agi Mandel and Susan Michaels), The Daniels Corporation and RBC. For more information, visit tiff.net.

IWC Schaffhausen is the sponsor of the Short Cuts Awards. 

The City of Toronto is the supporter of the Award for Best Canadian First Feature Film.

Canada Goose is the sponsor of the Award for Best Canadian Feature Film.

Air France is the sponsor of the Toronto Platform Prize. 

Grolsch is the sponsor of the People's Choice Awards.

The Toronto International Film Festival is generously supported by Lead Sponsor Bell, Major Sponsors RBC, L’Oréal Paris and Visa, and Major Supporters the Government of Ontario, Telefilm Canada and the City of Toronto.

 

 
 
 

SFFILM Announces Winners of Significantly Expanded Documentary Film Fund.

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Significantly Expanded Fund Awards a Total of $125,000 to Six Projects for Postproduction

 

San Francisco, CASFFILM today announced the six winners of the 2017 SFFILMDocumentary Film Fund awards totaling $125,000, which support feature-length documentaries in postproduction. Created to support singular nonfiction film work that is distinguished by compelling stories, intriguing characters and an innovative visual approach, the SFFILM Documentary Film Fund has expanded significantly in 2017, doubling the number of supported projects to six. Assia Boundaoui’s The Feeling of Being Watched, RaMell Ross’ Hale County, This Morning, This Evening, Leslie Tai’s How to Have an American Baby, Luke Lorentzen’s Midnight Family, Heaven Through the Back Door by Anna Fitch and Banker White, and A Machine to Live In by Yoni Goldstein and Meredith Zielke, were each awarded significant funding that will help push them towards completion.
 
The SFFILM Documentary Film Fund has an excellent track record for championing important films that have gone on to earn great acclaim. Previous DFF winners include Peter Nicks’s The Force, which won the 2017 Sundance Film Festival Directing Award for documentary and SFFILM Festival’s Bay Area Documentary Award, and will be released this fall by Kino Lorber; Peter Bratt’s Dolores, which won the 2017 SFFILM Festival Audience Award for Documentary Feature following its Sundance premiere; Jamie Meltzer’s True Conviction, which won a Special Jury Mention for Documentary Feature at the Tribeca Film Festival; and Zachary Heinzerling’s Cutie and the Boxer, which won Sundance’s Directing Award for documentary and was nominated for the 2014 Academy Award® for Best Documentary Feature; among many others.
 
Since its launch in 2011, the SFFILM Documentary Film Fund has distributed nearly half a million dollars to advance new work by filmmakers nationwide. The 2017 Documentary Film Fund is made possible thanks to an expanded gift from the Jenerosity Foundation.
 
The panelists who reviewed the ten finalists’ submissions are Jennifer Battat, founder of the Jenerosity Foundation; Noah Cowan, SFFILM Executive Director; Caroline von Kühn, Director of Artist Development at SFFILM; Jenny Slattery, Associate Director of Foundations and Artist Development at SFFILM and independent producer Corey Tong.
 
“We are thrilled to support these six filmmaking teams, each of which is telling an important story with boldness and passion,” remarked the jury. “This group of projects represents a wide range of artistic visions, subjects, and approaches to nonfiction filmmaking—from the intimate portrayal of an independent woman’s last days to an arresting journey into the surreal, futuristic city of Brasilia. We very much look forward to supporting these films as they evolve, make their way into the world, and leave their imprint on audiences, fellow filmmakers, and our collective sense of what can be achieved through the documentary form.”
 
2017 DOCUMENTARY FILM FUND WINNERS
 
The Feeling of Being Watched– Assia Boundaoui, director/producer; Jessica Devaney, producer – $25,000
When a filmmaker investigates rumors of surveillance in her Arab-American neighborhood in Chicago, she uncovers one of the largest FBI terrorism probes conducted before 9/11 and reveals its enduring impact on the community.
 
Hale County, This Morning, This Evening – RaMell Ross, director; Joslyn Barnes and Su Kim, producers –  $15,000
What is the experience of coming-of-age in the Black Belt region of the US? This film presents the lives of two young men in a series of visual movements that replace narrative arc with orchestral form. 
 
Heaven Through the Back Door – Anna Fitch and Banker White, co-director/producers; Sara Dosa, producer – $20,000
Heaven Through the Backdoor is a contemplative documentary that tells the story of Yo (Yolanda Shae), a fiercely independent 88-year old woman whose unique brand of individualist feminism impacts how she chooses to live in the final years of her life. (Former SFFILM FilmHouse resident; Bay Area-based project)
 
How to Have an American Baby – Leslie Tai, director/producer; Jillian Schultz, co-producer – $20,000
There is a city in Southern California that abounds with pregnant women from China. Told through multiple perspectives, How to Have an American Baby is a kaleidoscopic voyage behind the closed doors of the Chinese birth tourism industry. (SFFILM FilmHouse resident; SFFILM fiscally sponsored filmmaker; Bay Area-based project)

A Machine to Live In – Yoni Goldstein and Meredith Zielke, co-directors; Sebastian Alvarez, producer; Andrew Benz, co-producer – $20,000
Hovering over what remains of Brazil's modernist future, this film looks at how social control, rational design, and space-age architecture gave rise to a vast landscape of transcendental and mystical utopias. (Bay Area-based project)
 
Midnight Family – Luke Lorentzen, director; Kellen Quinn, producer; Daniela Alatorre,and Elena Fortes, co-producers – $25,000
In Mexico City, 16-year-old Juan Ochoa struggles to legitimize his family's unlicensed ambulance business, as corrupt police in the neighborhood begin to target this cutthroat industry.
 
For more information on the Documentary Film Fund and the other SFFILM Makers documentary support programs visit sffilm.org/makers.
 
SFFILM Documentary Film Fund grants are awarded once each year. The exact amounts of individual grants and the total number of grants are determined on an annual basis. As with all SFFILM grants, in addition to the cash awards, recipients will gain access to numerous benefits through SFFILM Makers, the organization’s comprehensive and dynamic artist development program. These benefits, customized to every individual production, can include one-on-one project consultations, creative development, additional fundraising assistance, resource and service recommendations, and networking opportunities, among many others. For more information visit sffilm.org/makers.
 

 

SFFILM Makers (formerly "Filmmaker360"), the organization’s artist development program, provides significant financial and creative resources to independent filmmakers through grants, fellowships, residencies, fiscal sponsorship, and more. Since 2009, more than $5 million has been disbursed to more than 150 film projects in various stages of production. Highlights include the SFFILM / Rainin Filmmaking Grant; a joint effort with the Alfred P. Sloan Foundation to cultivate stories rooted in science and technology; and the Documentary Film Fund, a partnership with the Jenerosity Foundation. For more information, visit sffilm.org/makers.
 
SFFILM
SFFILM is a nonprofit organization with a mission to champion the world's finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area. Presenter of the San Francisco International Film Festival, SFFILM is a year-round organization delivering screenings and events to more than 100,000 film lovers and media education programs to more than 10,000 students and teachers annually. In addition to its public programs, SFFILM supports the careers of independent filmmakers from the Bay Area and beyond with grants, residencies, and other creative development services. For more information visit sffilm.org.
 
This press release is available online at sffilm.org/press
 

 

   

 


New York Film Critics Circle to Vote November 30, 2017

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The New York Film Critics Circle announced today they will vote for the 2017 awards on November 30, 2017 and hold its annual Gala Awards dinner on Wednesday, January 3, 2018 at Tao Downtown. After the annual meeting on October 20, the NYFCC will announce new members. Eric Kohn, Chief Film Critic/IndieWire, serves this year as Chairman of the NYFCC, Alison Willmore serves as Vice Chair and Marshall Fine continues as the group’s General Manager.

 
NYFCC Chairperson Eric Kohn stated, “As the oldest institution of its kind in America, the NYFCC represents much more than an awards season hype machine, but that doesn’t mean we aren’t excited about giving out some awards in a year loaded with so many possibilities. We’re looking forward to spirited debates — not only on our voting date but in the weeks leading up to it — as we make our way through the last few major fall season films, while looking back on the year as a whole. We also hope to welcome some new members and continue to expand our presence with events around town.”
 
Founded in 1935, the New York Film Critics Circle is the oldest and most prestigious in the country. The circle’s membership includes critics from daily and weekly newspapers, magazines and the web’s most respected online publications. Every year the organization meets in New York to vote on awards for the calendar year's films.
 
The Circle's awards are often seen as shaping the Oscar race. The Circle's awards are also viewed — perhaps more accurately — as a principled alternative to the Oscars, honoring aesthetic merit in a forum that is immune to commercial and political pressures.
 
A FULL LIST OF CURRENT NYFCC MEMBERS INCLUDE:
 
Eric Kohn (Chair)
IndieWire
Alison Willmore (Vice Chair)
Buzzfeed
Marshall Fine (General Manager)
Freelance
John Anderson
Freelance
Melissa Anderson
The Village Voice
Michael Atkinson
The Village Voice
Richard Brody
The New Yorker
Dwight Brown
NNPA Syndication
Bilge Ebiri
The Village Voice
David Edelstein
New York Magazine
David Fear
Rolling Stone
Graham Fuller
Culture Trip
Owen Gleiberman
Variety
Ed Gonzalez
Slant Magazine
Rafer Guzman
Newsday
Jordan Hoffman
The Guardian
Richard Lawson
Vanity Fair
Joe Morgenstern
The Wall Street Journal
Farran Smith Nehme
New York Post
Nick Pinkerton
Freelance
Peter Rainer
Christian Science Monitor
Rex Reed
New York Observer
Joshua Rothkopf
Time Out New York
Alan Scherstuhl
The Village Voice
Matt Zoller Seitz
Rogerebert.com
Matt Singer
ScreenCrush
Kyle Smith
New York Post
Dana Stevens
Slate
Sara Stewart
New York Post
Amy Taubin
Artforum
Peter Travers
Rolling Stone
Keith Uhlich
Freelance
Stephen Whitty
The Star-Ledger
Stephanie Zacharek
Time Magazine
 

BlueCat Screenplay Competition Announces 2017 Winners

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BlueCat Screenplay Competition Announces 2017 Winners

 

http://www.bluecatscreenplay.com/blog/bluecats-2017-winners-finalists/

 

LOS ANGELES, CA —  Judy Soo Hoo & Isaac Ho’s screenplay, CADAVER DOG, has been selected as the winner of the 2017 BlueCat Screenplay Competition. Their script was selected from 3,273 submissions and will be awarded a $10,000 cash prize.

 

The screenplay follows a young autistic Latina who, after rescuing a stray cadaver dog, stumbles upon a 15 year- old cold case that no one wants solved.

 

The winner of best pilot script is WHITE-SHOE U by Beanie Barnes. Ms. Barnes will receive $5000 for winning the inaugural pilot award. Story involves four Ivy League students building an illegal drug operation.

 

Will Schneider’s AGEUSIA won for best short screenplay and will receive a $5,000 cash prize.  Schneider recently started his first year in the MFA in Film and Television program at DePaul University.

 

Jason Chan’s script UNPROMISED won the Fellini Award for best international screenplay, winning a $1000 cash prize. Mr. Chan hails from Vancouver.

 

In addition, four feature scripts have been named as finalists, and will each take home a $1,000 prize:

 

Spree by Laura Allen

The Townhouse by Baruh Benjamins

Chico Grande by Jesus Celaya

Westchester by Sachin Mehta

 

Four pilot script have been named as finalists and each will receive a $500 prize:

 

Junk Dreams by Maria Soscia

The Orphan by Allie Kingsley and Tony Allen

Squat by Bill Keenan

Clementine by MJ Palo

 

Four short scripts have also been named as finalists and each will take home a $500 prize:

 

Sun Shine by Walker Hare

Borders of Life by Mohamed Karim

The Call by Colm Ryan

The Scientist by Cameron Thrower & Joe McKernan

 

Previous BlueCat Winners and Finalists include:

 

*Aaron Guzikowski (PRISONERS/Verve/Madhouse), hired on remakes of PAPILLON and THE WOLF MAN, along with the next chapter in the FRIDAY THE 13th franchise.

 

*Ana Lily Amirpour (A GIRL WALKS HOME ALONE AT NIGHT), won Special Jury Prize at the 2016 Venice Film Festival for THE BAD BATCH, starring Jim Carrey and Keanu Reeves.

 

*Ashleigh Powell (Gersh/Good Fear Film), writing THE NUTCRACKER AND THE FOUR REALMS for Mark Gordon and Disney, with Lasse Hallstrom to direct.

 

*Young Il Kim (Rodham/UTA/Arlook), Robert Ian Simpson (Paradigm/Industry), Jim Beggarly (Gersh), Kateland Brown (Pretty Little Liars), and Colin Preston (ICM/Gotham Group).

 

To read complete profiles on all the writers, visit http://www.bluecatscreenplay.com/category/interviews/

 

Founded in 1998 by Gordy Hoffman, the BlueCat Screenplay Competition has developed and discovered thousands of writers through our commitment to providing written feedback to all entrants and substantial cash awards to their best screenplays.

 

Aki Kaurismäki will collect The FIPRESCI Grand Prix 2017 for Best Film of the Year

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The FIPRESCI Grand Prix 2017 for Best Film of the Year goes to “Toivon tuolla puolen / The Other Side of Hope” by Aki Kaurismäki, who will collect the prize at the San Sebastian Festival

This is the second time Aki Kaurismäki will have received the accolade at the Festival, which he formerly won in 2002 for “Mies vailla menneisyyttä / The Man Without a Past”

Toivon tuolla puolen / The Other Side of Hope has been selected best film of 2017 by the members of the International Federation of Film Critics, FIPRESCI. The vote saw the participation of 576 critics from all over the world, who chose this Finnish production from among all of the films premiered after 1 July 2016. The other two finalists are Barry Jenkins’ Oscar®-winning Moonlight and Ildikó Enyedi’s winner of the Golden Bear in Berlin, Teströl és lélekröl / On Body and Soul programmed in the Pearls section.


Since its creation in 1999, the Fipresci Grand Prix has gone to hugely prestigious filmmakers including Pedro Almodóvar, Michael Haneke, Cristian Mungiu, Paul Thomas Anderson, Jean-Luc Godard, Richard Linklater, Roman Polanski, George Miller and Maren Ade, among others.
Aki Kaurismäki (Orimattila, Finland, 1957) is considered to be one of the most important European directors of today’s cinema. Key titles in his filmography, such as Ariel (1988), Tulitikkutehtaan tyttö / The Match Factory Girl (1990), Kauas pilvet karkaavat / Drifting Clouds (1996), Mies vailla menneisyyttä / The Man Without a Past (2002, Grand Prix at Cannes), and Le Havre (2011, FIPRESCI Prize at Cannes) are now modern classics. Kaurismäki won the Silver Bear for Best Director at the last Berlin Festival with Toivon tuolla puolen / The Other Side of Hope.

Aki Kaurismäki will receive the FIPRESCI Grand Prix at the Festival Opening Gala on Friday, September 22 in the Kursaal Auditorium.

 


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Toivon tuolla puolen / The Other Side of Hope

Aki Kaurismäki (Finland - Germany)

Helsinki. Khaled, a young Syrian immigrant, arrives as a stowaway on a coal ship from Poland. Meanwhile, a nondescript salesman going by the name of Wikström decides to end his marriage, change his occupation and open a restaurant with only a very few customers. When their paths cross, Wikström offers Khaled a roof, food and a job. But the boy dreams of finding his sister, who also fled Syria.

 



Official Sponsors:

rtve.esGas Natural - Fenosamovistar+

Official Collaborators:
AUDIKUTXABANK

Associated Institutions:

Ayuntamiento de San SebastiánDiputación de GipuzcoaGobierno VascoMinisterio de cultura, educación y deporte


Festival de San Sebastián
© San Sebastian International Film Festival | Castellano | Euskara | English |


 

 

Monica Bellucci, Ricardo Darín and Agnès Varda to receive Donostia Awards at the 65th edition

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Monica Bellucci, Ricardo Darín and Agnès Varda to receive Donostia Awards at the 65th edition

Javier Bardem, Bérénice Bejo, Steve Coogan, Glenn Close, Penélope Cruz, James Franco, Jean-Pierre Léaud, Benoît Magimel, Arnold Schwarzenegger, winner of the Jaeger-LeCoultre Prize to Latin Cinema, Paz Vega, and Alicia Vikander have also confirmed their presence in San Sebastian

The actor John Malkovich will preside over the Official Selection Jury, on which he will be accompanied by the actors Dolores Fonzi and Emma Suárez, the filmmaker William Oldroyd, the producer and screenwriter Paula Vaccaro and the cinematographer Fabio Cianchetti

 

Darren Aronofsky, Raymond Depardon, Ildikó Enyedi, Robert Guédiguian, Todd Haynes, Aki Kaurismäki, Hirokazu Koreeda, Ruben Östlund, Lynne Ramsay, Carlos Saura, Wim Wenders, Michael Winterbottom and Frederick Wiseman to present their films in San Sebastian. 

Three Donostia Awards will be given at the 65th edition of the San Sebastian Festival. As well as acclaimed Argentine actor Ricardo Darín, the Festival will acknowledge the careers of the Italian actress Monica Bellucci and the filmmaker of Belgian origin, Agnès Varda. Over her more than 25 years as an actress, Bellucci has worked with several benchmark moviemakers in both Europe and the USA, including Francis Ford Coppola, Gaspar Noé, the Wachowski sisters, Mel Gibson, Terry Gilliam, Spike Lee, Paolo Virzì, Philippe Garrel, Sam Mendes and Emir Kusturika. For her part, Agnès Varda is a legend of European cinema, whose career has earned her recognition with the top awards at Cannes, Berlin, Venice, Locarno, and from the French Film Academy.

As well as the three Donostia Awards, a long list of actors and directors have confirmed their presence in San Sebastian. To present their films in the Official Selection, the Festival will receive the visit of actor James Franco, who will compete for the Golden Shell with his film The Disaster Artist; Glenn Close, who will close the section with The Wife; Jean Pierre Léaud – the unforgettable Antoine Doinel of Les quatre cents coups / The 400 Blows – who stars in Nobuhiro Suwa’s film (Le lion est mort ce soir / The Lion Sleeps Tonight); Arnold Schwarzenegger, voice of the special screening Wonders of the Sea 3D; and Alicia Vikander, who stars in the opening film, directed by Wim Wenders (Submergence).   

Furthermore, some of the most important directors on today’s scene will come to San Sebastian to present their films in the Pearls, Zabaltegi-Tabakalera and Horizontes Latinos sections: Darren Aronofsky, Kantemir Balagov, Robin Campillo, Raymond Depardon, Ildikó Enyedi, Michel Franco, Robert Guédiguian, Todd Haynes, Hirokazu Koreeda, Sebastián Lelio, Martin McDonagh, Janus Metz, Ruben Östlund, Lynne Ramsay, Carlos Saura (in his case for a film about him by Félix Viscarret) and Frederick Wiseman, among others.

Javier Bardem and Penélope Cruz, who will attend the closing gala of the Pearls section in the Velodrome (Loving Pablo) and the winner of the Jaeger-LeCoultre Prize to Latin Cinema, Paz Vega, will head the Spanish cinema representation, made up of the cast of El autor / The Motive, featuring Javier Gutiérrez (who will also present Verguënza), María León and Antonio de la Torre; the delegation of La peste / The Plague, headed by Alberto Rodríguez and Paco León; and the star of the co-production Una especie de familia / A Sort of Family, Bárbara Lennie; the couple in Morir / Dying, Marian Álvarez and Andrés Gertrúdix; Elena Anaya, who participates in the special screening accompanying the Donostia Award, La cordillera /The Summit; and the teams of the two premieres in the Velodrome, Jordi Mollà, Karra Elejalde and Unax Ugalde (Operación Concha / Operation Golden Shell) and Javier Cámara, Miren Ibarguren, Gorka Otxoa and Julián López (Fe de etarras / Bomb Scared), among many others.

French cinema too will be strongly represented. In the Official Selection, La douleur/ Memoir of Pain will see the visit of director Emmanuel Finkiel and the actors Benoît Magimel (La Haine / The Hate), and Grégoire Leprince-Ringuet (La belle personne / The Beautiful Person); presenting Le lion est mort ce soir / The Lion Sleeps Tonight, Jean Pierre Léaud will be accompanied by his opposite in the film, Pauline Etienne (Eden). In the Pearls section, Léa Drucker (La chambre bleue / The Blue Room) and Denis Ménochet (Inglourious Basterds) embody the parents in Jusqu’à la garde/ The Custody, and Jean-Pierre Darrousin, plays one of the three siblings in Guédiguian’s La villa / The House by the Sea. And the actress Bérénice Bejo will present in Savage the film Tout là-haut / To the Top, accompanied by the director, Serge Hazanavicius, and the producers Julie Gayet and Nadia Turincev.

New movie talents will similarly be present at the Festival, not only through the first films present in all of the sections and particularly New Directors, but also through the visit of actors starting out in their careers, such as the leading characters of Marrowbone, Charlie Heaton (Stranger Things, As You Are) and George MacKay (Captain Fantastic); and of Sollers Point, McCaul Lombardi (American Honey);  Esther Garrel, who participates twice in the Festival, in L’amant d’un jour / Lover for a Day and Call Me By Your Name; Nahuel Pérez Biscayart (Je suis à toi), in 120 battements par minute / 120 Beats Per Minute; and the young star of Jusqu’à la garde / Custody, Thomas Gioria.


 

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MONICA BELLUCCI

The great talent of Italian actress Monica Bellucci is recognized and appreciated around the globe.

After law school and a career as a model for major fashion designers, she took acting classes and landed her first part in 1990 in Dino Risi’s Vita coi Fligi. In 1991, she had her first major film role in La Riffa by Francesco Laudadio. A year later, having been noticed by Francis Ford Coppola, she made one of her early appearances in his film Dracula, playing one of the vampire’s wives.

After working in several Italian films, Monica Bellucci moved to France and became known in 1996 for her role of Lisa in L’appartement (The Apartment) directed by Gilles Mimouni, which landed her a Best Young Actress nomination for the 1997 Césars. In the late 90s and early 2000s she starred in several major French productions, with particularly memorable performances including Nathalie in Dobermann (1997), by Jan Kounen, Cleopatra in Asterix & Obelix: Mission Cleopatra (2002), and Alex in Gaspar Noé’s controversial Irreversible (2002), where she co-starred with Vincent Cassel and Albert Dupontel.

Parallel to her career in France, Monica Bellucci, who speaks Italian, French and English, continued to perform internationally. In the USA, she worked, among others, for Stephen Hopkins in Under Suspicion (2000), for Antoine Fuqua in Tears of the Sun (2003) and for the Wachowskis in the popular Matrix saga (Matrix Reloaded and Matric Revolutions, 2003). In 2004, she was directed by Mel Gibson for her role of Mary Magdalene in The Passion of the Christ.

Over the following years, she participated in more than 20 productions all over the world and collaborated with leading filmmakers such as Bertrand Blier, Gabriele Muccino, Terry Gilliam, Spike Lee, Paolo Virzì, Rebecca Miller, Alain Corneau, Marina de Van, Philippe Garrel and many others. In 2014, she played the character of Milly Catena in Le Meraviglie (The Wonders) by Alice Rohrwacher, a highly acclaimed entry at the 2014 Cannes Film Festival, where it won the Grand Prix.

In 2015, she was Bond Lady alongside English actor Daniel Craig in the new James Bond film Spectre, directed by Sam Mendes. Last year, she made an appearance in the US TV series Mozart in the Jungle with Gael Garcia Bernal as her partner. She was Emir Kusturica’s beautiful bride in his movie On the Milky Road and in 2017 she can be seen making a special appearance in David Lynch’s Twin Peaks series.


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Malèna / Malena

Giuseppe Tornatore (Italy - USA)

Malena is the most charming and irresistible beauty of Castelcuto, a sleepy village on the sunny Sicilian coast. She’s new in town, while her husband is away fighting in the war, and every stroll she takes becomes a spectacle accompanied by the lecherous glances of the men and the resentful gossiping of their envious wives. An army of skinny teenagers on bikes follows her wherever she goes, with the sole intention of looking on at her exquisite and perfect beauty. But among them is Renato, a 13 year-old boy with a huge imagination whose desires take him to the limits of obsessive fantasy.

 

 


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Under Suspicion

Stephen Hopkins (USA - France)

In San Juan (Puerto Rico), attorney Henry Hearst, one of the most important personalities on the island, is called in to speak with the chief of police and complete his statement regarding the kidnap and death of a young girl killed in the same circumstances as another two in a single month. But, what seemed to be a routine visit turns into a harsh interrogation of unpredictable consequences.

 


 

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ÀGNES VARDA

Born in Ixelles, Brussels, in 1928, Agnès Varda spent her childhood in Belgium with her four brothers and sisters. In 1940 the war saw the family move to the South of France. She spent her adolescence in Sète and later in Paris where she took her baccalaureate, going on to study at the Louvre and photography at Vaugirard night school. She has lived in Rue Daguerre, in the 14th arrondissement of Paris, since 1951.

Varda became the photographer for Jean Vilar, founder of the Avignon festival, in 1948, and later for the People’s National Theatre (TNP) (where filmstar Gerard Philipe shone, among others).
In 1954 she held her first solo exhibition in her courtyard, followed by several reporting missions to China and Cuba. Over the course of her travels and via the people she has met, she has produced several portraits of both ordinary and famous people.

Without any training, Agnès Varda moved into cinema. She created her own small company Ciné-Tamaris to produce her first feature-length film, La Pointe Courte (1955), which she herself wrote and directed, and which later earned her the title of ‘Grandmother of the French New Wave’.

Married to film director Jacques Demy (deceased in 1990), their daughter Rosalie Varda-Demy is a costume designer and their son Mathieu Demy, an actor and director. They spent several years in Los Angeles, where Agnès filmed Lions Love (…and Lies) (1960), Uncle Yanco (1967) and Black Panthers (1969), followed later by Mur Murs (1981) and Documenteur: An Emotion Picture (1980).

Her best-known films include: Cléo de 5 à 7 (Cleo from 5 to 7,1962), Le Bonheur (Happiness, 1965 - Silver Bear at Berlin Film Festival), Sans Toit Ni Loi (Vagabond, 1985 - Golden Lion at the Venice Film Festival), Jacquot (Jacquot de Nantes, 1991), and Les Glaneurs et la Glaneuse (The Gleaners and I, 2000 – Gold Hugo at Chicago).

In 2008, Les plages d’Agnès (The Beaches of Agnes), a poetic and playful self-portrait, resonated with the public and won the French César Award for Best Documentary. In 2010-11, she wrote and directed the documentary series Agnès de ci de là Varda (Agnès Varda: FromHere to There, consisting of five 45-minute episodes), chronicling an open journey and meetings with contemporary artists in several countries.

Her most recent work, Visages, Villages (Faces, Places), co-directed with the artist JR, was presented out of competition at the Official Selection of the Cannes Festival in 2017 and will have its Spanish premiere at this edition of the San Sebastian Festival.

In 2003, Agnès Varda launched her third career as a visual artist. Her installations have exhibited at the Venice Art Biennale and the Lyon Biennale of Contemporary Art, the SMAK in Gent, Art 41 Basel, the Fondation Cartier pour l’Art Contemporain, the Martine Aboucaya Gallery in Paris, the Paul Valéry Museum in Sète... Her Broken Portraits series ran at the Nathalie Obadia Gallery in Brussels. In March 2012, the CAFA Art Museum in Beijing and the Hubei Museum of Art in Wuhan exhibited several of her contemporary installations and photographs taken in China in 1957. In June 2012 she participated in the collective exhibition “Le voyage à Nantes” with two new video installations, "Des chambres en ville" and "Paroles de squatters". In July 2012, the La Rochelle Film Festival hosted a retrospective of her films and her “Patatutopia” installation. In November 2012, the Centro Andaluz de Arte Contemporaneo in Seville showcased a number of installations and films with the title ofLas dos orillas de Agnès Varda”, and in February 2014, “Triptyques atypiques” ran at the Galerie Nathalie Obadia (Paris). Other exhibitions of her work in recent years are: “Photographs Get Moving (potatoes and shells, too)”(Logan Center for the Arts, University of Chicago, 2015); “Varda / Cuba” (Centre Georges Pompidou, Paris, 2015); “Agnès Varda. Patates & compagnie” (Ixelles Museum, Brussels, 2016); “Une barrière ouverte” (Galerie Lumière, Lyon, 2016); and a “solo show” (Blum & Poe Gallery, New York, 2017).

Among her most important life achievement awards are the Léoparde d’Onore at the Locarno festival (2014) and the Palme d’Or d’Honneur at the Cannes film Festival (2015).

In November, the Hollywood Academy of Motion Picture Arts and Sciences will give her an Honorary Lifetime Achievement Award.


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Visages, villages / Faces, places

Agnès Varda, JR (France)

The veteran filmmaker Agnès Varda and the young photographer and urban graphic artist JR make their way through the streets and landscapes of rural France in a van. The aim is very simple: to meet people with whom they can exchange ideas, to take their pictures and later display the images blown up to enormous size right there in the street, to see what reactions they provoke.


 

 

200 young people will give the EROSKI Youth Award

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For the second year running, EROSKI will sponsor the EROSKI Youth Award given at the 65th edition of the San Sebastian Festival.


"EROSKI, as a consumer cooperative, is a collective project focussed on the consumer and on society. The EROSKI Youth Award at Zinemaldia represents an opportunity for young people to have their say in recognising the talent of new directors. Its participatory nature, open to citizens and the new generations, is therefore completely in line with our cooperative identity”, explains Josean Yela, EROSKI Director of External Relations.

For his part, Jose Luis Rebordinos, the Festival Director, thanked the cooperative for its second consecutive year of support: “It is important for EROSKI, a brand forming such a strong part of our society, to be a member of the San Sebastian Festival family and for it to back efforts that enable the new generations to approach the new forms of film language and to come along and enjoy cinema”.

The 200 jury members will watch 21 films, including the 16 of the New Directors section and five first works screened in Horizontes Latinos, coming from 22 countries: Argentina, Belgium, Chile, China, Colombia, Costa Rica, Denmark, France, Germany, India, Netherlands, Norway, Philippines, Qatar, South Korea, Spain, Sweden, Switzerland, Taiwan, UK, USA and Venezuela. The films, made by ten female and eleven male directors, tell the tales of families, separation from one’s roots and dreams. 

The result of the EROSKI Youth Award votes will be announced every day on the Festival website and in the Zinemaldia daily. The jury members will participate in presentation of the Award, on September 30, last day of the Festival, at 19:15 in the Kursaal 2, prior to screening of the winning film. The Award will also be announced at the Closing Gala of the 65th edition.
 

Films competing for the EROSKI Youth Award

New Directors


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Charmøren / The Charmer

Milad Alami (Denmark)

Opening Night Film

Charmøren / The Charmer is an intense psychological drama about Esmail, a young Iranian man who is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.

 

 


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A Fish Out of Water

Lai Kuo-An (Taiwan)

Yian, who has just started kindergarten, often asks his parents to help him find his past life parents. However, the doctors and his parents believe him to be suffering from psychosis. Meanwhile, his parents are negotiating their separation. His mom, Yaji, decides to move out with him while his dad, Haoteng, decides to look after Yian's sick grandfather...

 

 


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Alberto García-Alix. La línea de sombra (Alberto García-Alix. The Shadow Line)

Nicolás Combarro (Spain)

Alberto García-Alix. La línea de sombra is the portrait of one of the most important photographers on the Spanish artistic scene, reference of an entire generation. A direct testimony of the lights and shadows through which Alberto García-Alix has had to make his way in order to find his path. Narrated from the intimacy of his studio, the film takes the shape of a voyage between the present and the past. A dialogue between his life and work.

 

 


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Apostasy

Daniel Kokotajlo (UK)

As devout Jehovah's Witnesses, sisters Alex and Luisa and their mother, Ivanna, are united in The Truth. Alex looks up to her confident older sister, while striving to follow in Ivanna's footsteps as a 'good Witness'. But when Luisa starts to question the advice of the Elders, she makes a life-altering transgression that threatens to expel her from the congregation. Unless Ivanna and Alex can persuade her to return, they must shun her completely. This challenge becomes more painful when their family is faced with another heartbreaking test of faith. Written and directed by Daniel Kokotajlo, a former Jehovah's Witness, Apostasy provides rare insight into the complex nature of faith, family, duty and love.

 

 


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Blue My Mind

Lisa Brühlmann (Switzerland)

Just before the summer vacation, 15-year-old Mia and her parents move to the suburbs of Zürich. She has long felt estranged from her parents, and when she asks whether she might be adopted her mother becomes offended - but doesn't reply. While Mia plunges into a wild teenager existence in an attempt to cope with it all, her body begins to change oddly. First hardly noticeably, but then with a force that threatens to drive her out of her mind. In her despair she attempts to numb herself with sex and drugs, hoping to halt the tidal wave that is overwhelming her. But nature is more powerful.

 

 


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Cargo

Gilles Coulier (Belgium - Netherlands - France)

In the cold waters of the North Sea, Leon Broucke falls overboard his fishing boat right before the eyes of his eldest son, Jean. The old man slips into a deep coma, leaving his son behind with a huge debt and the responsibility of the family business. The absence of his father sets off an aftershock of conflicts between him and his two brothers. Francis is torn between his family and leaving with his secret lover. William returns home to escape his life of crime, and redeem himself. Desperate to build a future for his 8-year-old son, Jean recriminates his brother for his criminal past. Cargo is a story about how desperation can bring a family to the edge of destruction.

 

 


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© WANG Tianxing

He ri jun zai lai / From Where We've Fallen

Wang Feifei (China)

It's past midnight. Zhao goes down to smoke, leaving his drunken wife to murmur her erotic dream upstairs.Neighbour Lee jumps off the building in front of Zhao, and his suicide reveals a secret sex video taken by phone. Sanqing falls in love with her tutor. She wants to strengthen her relationship with Professor Sun on a seaside trip, but finally realises her efforts are in vain. Hai Long is an old acquaintance of Sun. He tries to bring Sanqing and his client Wang together, giving Sanqing the opportunity to take revenge. In the dark tunnel on the island, Wang tells Sanqing a nightmare that reveals the whole story...

 

 


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Korparna / Ravens

Jens Assur (Sweden)

A hard-working farmer, desperate due to the harsh reality of his daily struggle, is determined to have his son take over the farm and continue his legacy. The mother tries her best to keep the family together, but with increasing horror the son witnesses his father's psychotic behaviour escalate. He seeks refuge elsewhere but he can't escape the inevitable.

 

 


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Le prix du succès / The Price of Success

Teddy Lussi-Modeste (France)

Brahim is a successful stand-up comedian from a working-class family. His swift rise to fame has a price: Brahim is constantly under pressure, torn between his elder brother Mourad, who is also his manager, and Linda, his girlfriend and artistic director. Everyone has high expectations of him, from his family to the guys he grew up with. To fulfill his dream, write his second show, and find his own path, Brahim must break free of his brother’s grip, even if it means paying an even higher price. 

 

 


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Le Semeur / The Sower

Marine Francen (France)

Violette is old enough to marry in 1852 when her mountain village is brutally deprived of all its men following the repression of the Republicans ordered by Louis-Napoleon Bonaparte. The women spend months in total isolation. Desperate to one day see their men again, they take an oath: if a man comes, he will be for everyone. Life must continue in the belly of each and every one of them.

 

 


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Matar a Jesús (Killing Jesus )

Laura Mora (Colombia - Argentina)

Paula, a 22 year-old student, witnesses the murder of her beloved father, a popular political sciences professor at a public university in Medellin. From the distance, she catches a glimpse of the murderer as he beats a hasty retreat on a motorcycle. Devastated by the pain of their loss, Paula and her family will have to deal with official lethargy. The authorities will make no effort to clarify the events and the case is soon archived and abandoned. When Christmas comes round, a couple of months after the murder, Paula accidentally bumps into Jesús, the young man who killed her father. So what happens when revenge becomes a real possibility? Paula decides to approach the man, initially motivated by an almost primitive instinct to get answers and eventually to find the courage to cross the moral and ethical line of killing a man, thereby avenging her father’s death.

 

 


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Pailalim / Underground

Daniel Palacio (Filipinas)

Bangis is a poor gravedigger living inside a cemetery mausoleum with his family. Everyday he fears being evicted by the government for illegally settling inside the cemetery. When his daughter falls ill, getting her checked in a hospital becomes a dilemma. The illness lingers for weeks and Bangis' desperation grows stronger. He knows he must do something or his daughter won't survive her ordeal. He decides to steal a newly buried corpse and sell it to a funeral parlor. He only hopes that everything goes well and that it's not too late for his beloved daughter.

 

 


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Pok-ryuk-eui Ssi-at / The Seeds of Violence

Lim Tae-gue (South Korea)

Jooyong, a soldier serving his duty in the Korean army, attempts to expose the abuses of a senior soldier but fails. On the day Jooyong's platoon goes on a night out as a group, the senior soldier tries to find the culprit who attempted to report him. Yet another violent situation results in breaking a tooth of a second private soldier, and Jooyong takes him to his brother-in-law's dental clinic...

 

 


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Princesita (Princess)

Marialy Rivas (Chile - Spain - Argentina)

Films in Progress 28

In a far-off country at the end of the world Tamara, aged 12, lives under the wing of charismatic cult leader Miguel, a man she adores. That summer the girl will be given a mission: to have a holy child with him immediately she has her first period. Tamara realises that the life she wants for herself is not the same as the fate imposed on her. Her disobedience will lead to her violent development from child to woman, forcing her to gain her freedom in a way she had never imagined. 

 

 


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Tigre

Silvina Schnicer Schlieman, Ulises Porra Guardiola (Argentina)

After a long period of absence, Rina returns to her island deep in the Tigre river Delta. There she spent a large part of her life and raised her son. Now she wants to recover her home and return there with Facundo, who also left the island. Both, mother and son, will learn that nothing is like it was. Machines on the river are about to destroy everything. A girl is lost in the forest. The water is rising.

 

 


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Village Rockstars

Rima Das (India)

Ten year-old Dhunu lives in a remote village in Assam, India, amidst raging deprivation. She is a free spirit, while her widowed mother struggles daily to put food on the table and raise her children. But this doesn't prevent her from having dreams, like owning a guitar for the tiny band she wants to put together with some local boys, the 'Village Rockstars'. Dhunu considers herself to be as capable as guys her age. When the boys eventually relinquish their dream, Dhunu refuses to give up on her ambition to own a guitar.

 

Horizontes latinos


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La educación del Rey (Rey's Education)

Santiago Esteves (Argentina - Spain)

Films in Progress 30

Bolting from his first ever heist, Reynaldo Galíndez, alias 'Rey', lands in the patio of the house inhabited by Carlos Vargas, a retired security guard. Vargas offers a deal: the young boy will repair the damage to his home in return for not being handed over to the police. The lessons given to the teenager by the former guard develop into a relationship not unlike the old legends of educating a king (for the “Rey” of his name, meaning “king”). But the agreement will start to fall apart when the loose ends of the robbery Reynaldo had been involved in start closing in around them. Films in Progress Industry Award and CAACI / Ibermedia TV Films in Progress Award in 2016.

 

 


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La familia

Gustavo Rondón Córdova (Venezuela - Chile - Norway)

Films in Progress 30

Twelve year-old Pedro roams the streets with his friends in the violent urban atmosphere of a working-class district of Caracas. When Pedro seriously injures another boy in a fight, his single father, Andrés, decides that they must make a run for it and hide. Although Andrés will realise that as a father he is incapable of controlling his son, the situation will bring them closer than they have ever been.

 

 


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La novia del desierto ( The Desert Bride)

Cecilia Atán, Valeria Pivato (Argentina - Chile)

Films in Progress 31

Teresa (54) has worked for decades as a live-in maid in Buenos Aires. When the family sells the house, she is forced to take a job in a distant town. Though not particularly comfortable with the idea, she embarks on a journey through the desert. During her first stop in the land of the miracle-producing 'Difunta Correa' saint, she loses her bag with all her belongings. This incident leads her to cross paths with a travelling salesman, the only person who can help her. What seemed like the end of her world will prove to be her salvation.

 

 


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Medea

Alexandra Latishev (Costa Rica - Argentina - Chile)

Films in Progress 30

María José's life swings back and forth between the monotony of classes at the university, her eternally distant parents, rugby training and dares with her gay friend. Emotionally disconnected from her environment, when she meets Javier she tries to start a relationship with him. But none of her efforts to live a 'normal' life succeed. She harbours a secret that nobody notices: she's a few months into her pregnancy.

 

 


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Temporada de caza (Hunting Season )

Natalia Garagiola (Argentina - Germany - France - USA - Qatar)

Films in Progress 31

Nahuel is a teenager with an innate violent conduct. After his mother dies, he travels to Patagonia in Southern Argentina, where he encounters his biological father, who he hasn't seen for more than a decade. Ernesto is a respected hunting guide who lives in the mountains with his second wife and daughters. The reunion is not an easy one, pride and resentment prevail in both father and son. They stubbornly resist any possible contact with one another. However, as the weeks go by and winter settles in, Nahuel starts giving in. Initial hostility gives place to curiosity, both towards his father's universe of hunting and the life of a group of teenagers that he meets in the area. On his side, Ernesto's roughness gives in to the undeniable love he has for his son...

 


 

 
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