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Viennale 2017 Prize Winners

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 V’17: OCTOBER 19 – NOVEMBER 2, 2017

 

 

VIENNA FILM PRIZE

Jury: Gregor Eichinger, Till Fellner, Olga Flor, Bettina Hering, Voodoo Jürgens

For the ninth time, this year the Vienna Film Prize was awarded separately in both the “Feature Film” and “Documentary” categories. There are two equal prizes, each of which consists of monetary and material awards worth about € 11,000. The Viennale would like to take this opportunity to thank BLAUTÖNE and viennaFX, and the Culture Department of the City of Vienna. Owing to the generosity and commitment of all involved, the Vienna Film Prize continues to represent encouragement and recognition of the work of Austrian filmmakers.

Feature Film

DIE LIEBHABERIN, Lukas Valenta Rinner, Austria/South Korea/Argentina 2016 Excerpt from the jury’s decision: In his feature film DIE LIEBHABERIN, Lukas Valenta Rinner conveys to us two contrary models of society in visually impressive, almost surreal camera takes. The wealthy and gated community on the outskirts of Buenos Aires lives in immediate and irreconcilable proximity to a community that has devoted itself to free love and nudism. For the housemaid Belén the transition into this seemingly boundless society becomes a fictional inner liberation, depicted in a subtle manner. Laconically and with drastic cinematic means, Lukas Valenta Rinner tells us about the impossibility of overcoming these different ideologies, let alone reconciling them. DIE LIEBHABERIN is an impressive parable of our fundamental cultural differences today, and at the same time a bold cinematic step.

 Documentary

UNTITLED, Michael Glawogger, Monika Willi, Austria/Germany 2017 Excerpt from the jury’s decision: Three years ago, the Austrian filmmaker Michael Glawogger embarked on a journey from which he did not return. He wanted to make “a film without a name” – it was his life project, a long-cherished dream. Thanks to Mona Willi, the footage he shot up until his death in Liberia has been assembled in his spirit and takes us on an emphatic cinematic journey. It is a journey hardly any one of us would actually undertake, and yet it is gripping and takes us along – from the Balkans and Italy to Africa. Explicitly without a destination and without a plan, committed only to chance. The result is a shimmering, visually powerful portrait of the world with all its human abysses and beauties – without narrative, without evaluation, but always in motion. Michael Glawogger’s credo was: “Don’t wait, keep going.” In UNTITLED, Mona Willi continues that journey – without him and yet with him, while the end remains open.

VIENNALE STANDARD READERS’ JURY PRIZE

 Jury: Robert Jolly, Gabriele Keller, Michael Schober, Selina Ströbele, Julia Tanzer The Standard Readers’ Jury Prize goes to a film that does not yet have an Austrian distributor and is especially recommended for screening in Austrian cinemas. Should the award-winning film find a distributor, Der Standard supports its film run with free advertising space in its newspaper.

The STANDARD READERS’ JURY PRIZE goes to:

L’INSULTE, Ziad Doueiri, France/Lebanon 2017 Excerpt from the jury’s decision: This year’s Standard Readers’ Jury Prize goes to a multifaceted film that succeeds in merging the genres of comedy, period drama and political thriller in a unique way, without losing the connection to an emotionally charged global present. While the fronts increasingly harden, emotions are exploited and collective traumas that were never processed break out again; the two protagonists gradually learn that there are no simple answers and that they have to confront their own past in order to regain their humanity, which allows them to deal with the other’s point of view. In a time when political conflicts seem to be escalating all over the world, this film becomes a plea for more togetherness, empathy and understanding, and against the stubborn insistence on ideological positions.

4 FIPRESCI PRIZE (PRIZE OF THE INTERNATIONAL FEDERATION OF FILM CRITICS)

Jury: Robenson Eksiel (Flix.gr), Iryna Marholina (Seance.ru), Michael Omasta (FALTER) The FIPRESCI PRIZE is awarded to the first or second film of a young director.

The FIPRESCI-PRIZE goes to:

DISTANT CONSTELLATION, Shevaun Mizrahi, USA/Turkey 2017 Excerpt from the jury’s decision: For the way it explores the notion of time both literally and metaphorically, and makes use of a retirement home in Istanbul as a microcosm of the 20th century, the International Critics Prize goes to the documentary DISTANT CONSTELLATION by Shevaun Mizrahi.

ERSTE BANK’S ExtraVALUE FILM AWARD

Jury: Silvia Bohrn, Nicolas Mahler, Boris Manner

Erste Bank’s ExtraVALUE Film Award was awarded for the seventh time at the Viennale 2017. An independent jury selected an award winner from films by Austrian directors shown at the festival. The prize includes a residency in New York, travelling costs and a financial allowance.

Erste Bank’s ExtraVALUE Film Award is realized in collaboration with the Viennale, the Deutsches Haus at NYU, the Austrian Cultural Forum New York and Anthology Film Archives.

ERSTE BANK’s ExtraVALUE FILM AWARD goes to:

GWENDOLYN, Ruth Kaaserer, Austria 2017 Excerpt from the jury’s decision: A wonderful, attentive film that captures the imagination from the very beginning. In a seemingly random manner, it unfolds a multilayered panorama of human relationships in different living environments. In a captivatingly clear dramatic structure, it tells the story of an outstanding, strong woman, whom we get to know step by step. The director succeeds in blurring the boundaries between documentary and feature film. A sensitive piece of work that beguiles us into enjoying life


8th Edition of Kalasha International 2017 nominees announced

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8TH EDITION KALASHA INTERNATIONAL FILM & TV AWARDS NOMINEES UNVEIL
 
The Kenya Film Commission (KFC) will announce the 8thEdition of Kalasha International 2017 nominees on 8th November 2017 at IMAX, 20TH CENTURY PLAZA, MAMA NGINA STREET. Kenya Film Commission promises a grand event this year that will be held on Saturday 9th DECEMBER 2017.  The Kalasha Awards competition attracts professional film makers, production houses, donors, business community, interest groups and broadcasting houses from all over the East Africa region.  At the nominees unveil / media briefing ceremony the 2017 Nomination Academy and KFC directors will brief the press on the Kalasha entries received so far and the direction that the gala event is taking. 

HERE IS A FULL LIST OF THE 2017 KALASHA INTERNATIONAL FILM & TV AWARDS NOMINEES Nominees unveiled on 8th November at the IMAX Cinema theatre Kenya Film Commission registered the highest number of entries ever received since the inception of Kalasha, with the submission of 237 films, an affirmation of the credibility of the Kalasha over the last 7 years! This year, the Kalasha International has been split in three with the Kalasha International Film Festival set from 4th – 8th December 2017, the Awards gala 0n 9th December and the Market set for March 2018. Here is the full list of the 2017 Kalasha Film & TV Awards Nominees; BEST COMEDY Arnold and Bundi Waliobaki Urembo Hullaballoo Estate BEST PERFORMANCE IN A COMEDY Jela 5 star Bilal Wanjau Mshamba james Chanji Waliobaki Fevan Abraham Junior Jamal Nasoor BEST TV HOST Teddy Muthusi – Lion’s Den Neomi Ng’ang’a – Sema Nami Keff Joinange – XYZ SHOW Mary Mwikali – Life & Style BEST TV DRAMA New Beginnings Sue & Johnnie Keru Maza BEST ACTOR IN A TV DRAMA Sue &Johmnie - Marting Githinji Tumaini senta - Maina Olwenya New Beginnings - Joed Kariuki Mama Duka - Alan Weku BEST ACTRESS IN A TV DRAMA Sue & Johnie – Catherine Kamau Tumaini senta – Nice Githinji Mama duka – Ruth Ndulu Maingi La Msingi Mary Khavere BEST DOCUMENTARY Sound Man Imara The Last Maasai Lukembe BEST FEATURE BY A STUDENT Dilemma Anti – Riots Detox Tangled Web BEST TV COMMERCIAL OVERALL Faiba Betin Mkulima Wafula BEST SHORT FILM Uyu Ni Mwarigwo Chebet Kaleidoscope Lina BEST TV DOCUMENTARY Story Yangu Matwana Matatu Culture Eco @ Africa The Entrepreneur BEST DIASPORA Luna The Call For Life Tell It On The Mountain Born This Way BEST ANIMATION Ma-Otero XYZ Show Tear Gas Oketch Machismo BEST FEATURE FILM Kati Kati Aisha Inherited Kidnapped BEST ORIGINAL SCREEN PLAY KatiKati – Mbithi Masya & Mugambi Nthiga Aisha – Arnold Mwanjila Kidnapped- Serah Mwihaki Inherited – Mona Ombogo BEST DIRECTOR Kati Kati – Mbithi Masya Aisha – Arnold Mwanjila Kidnapped – Nick Njache Inherited – Grace Kahaki BEST DIRECTOR OF PHOTOGRAPHY Kati Kati - Andrew Mungai Inherited – Phillippe Bresson Kidnapped – Wambui Muigai / Likarion Wainaina Wakwe – Lucky Collins BEST LIGHTING TECHNICIAN Aisha – Joseph Gathogo KatiKati – Siobhan Wilson Wakwe – Kevin Mutua Chozi – Bosco Mkindi Soup BEST EDITOR Kati Kati – Louiza Wanjiku Kidnapped – Nick Njache Wakwe – Hamad Kamole Joni – Rodrick Ngatia / Emmanuel Otieno BEST SPECIAL EFFECTS Kati Kati BEST SOUND DESIGN Kidnapped – Eric Musyoka Kati Kati – Florian Holzner Chozi – Alex Mugenda Wakwe – Khamisi Mohammed BEST PRODUCTION DESIGNER Aisha – Emmanuel Murabu KatiKati – Emmanuel Murabu Inherited – Grace Kahaki Wakwe - Shadrack Mwabuni BEST ACTOR Kati Kati – Elsaphan Njora Wakwe – Ayub Bakari Uyu Ni Mwarigwo – Frank Kimani Pendo – Maina Olwenya BEST ACTRESS Kati Kati – Nyokabi Gethaiga Aisha – Joyce Maina Chebet - Anita Nthenya Kavuu Ng’ang’a Kaleidoscope – Melisa Kiplangat BEST SUPPORTING ACTOR Aisha – Patrick Gatimu Kidnapped – Gilbert Lukalia Kati Kati – Paul Ogola Maria – Anthony Ndung’u BEST SUPPORTING ACTRESS Uyu Ni Mwarigwo – Wanjiku Njoroge Lina – Mumbi Maina Maria – Mercy Wanjiru Bait – Millicent Ogutu BEST EAST AFRICAN FILM Maria Breaking With Customs Kati Kati Kidnapped BEST DOCUMENTARY BY A STUDENT Okola Gifted Soul Unknown Language The Paradox Of Child Delivery BEST LOCAL LANGUAGE Uyu Ni Mwarigwo Pendo Torture Gun Point Kalasha International is the biggest film market in East Africa bringing under one roof a Film Festival, a Film & TV Awards and a Film & TV Market. Further details can be accessed via; http://kalashainternational.com/company-register/. For exhibiting, sponsoring or advertising, contact us at connect@kalashainternational.com.

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New York Festivals TV & Film Awards Increases Grand Jury Numbers and Percentage of Women by Double Digits.

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New York Festivals® International Television & Film Awards  has announced the 2018 Grand Jury. The TV & Film competition jury recruitment process is still underway, with a jury member increase and an increase in the percentage of women by double digits to just under 40 percent.

 

Known for its powerhouse jury comprised of prominent international broadcast and film industry executives, the New York Festivals 2018 TV & Film Grand Jury of 198 members to date represents 32 countries on 6 continents. These jurors, who are award-winners themselves are passionate about excellence and innovation, and their reputation in diverse areas across all platforms provide each entry with the utmost of attention.

 

The power women on NYF’s Grand Jury are prominent directors, producers, journalists, filmmakers who are respected within the industry amongst their peers and honored globally in broadcast and film competitions. At the helm of cutting edge organizations from Australia to United Arab Emirates, these women demonstrate dedication, inspiration and creativity in their body of work.

 

Each industry executive recruited to the Grand Jury has expansive industry experience and exceptional achievement within their field. The men and women of the Grand Jury represent worldwide leaders in news, sports, entertainment, the arts, promos, film and brand/corporate image. They lead, develop, write, direct and edit, creating content on behalf of such broadcast and film giants as: ABS-CBN, BBC, Globo TV, ESPN, The Edge Picture Company, FOX, NFL Media, Media Corp, Channel NewsAsia, Discovery, Scripps, Telemundo, Deutsche Welle TV, GMA, NBC Universal, Al Jazeera, Interspot Film, Red Bull TV, Radio Television Hong Kong, NHK, Sundance Channel, NZ TV, Fuji, KBS, MLB Network, The Walt Disney Company LATAM, Showtime, and ZDF.

 

 

“NYF’s Grand Jury provide a 360 perspective of the industry with a globally informed voice,” said Rose Anderson, VP & Executive Director of the New York Festivals International Television & Film Awards. “They volunteer their time to review submissions from 40 countries around the world and these deliberations ensure fairness based on their understanding of creative excellence today.”

 

Grand Jury members evaluate entries, viewing and scoring each entry based on industry-accepted standards of excellence using a 1-10 scale using the following set of criteria: Production Values, Creativity, Content Presentation, Direction, Writing, achievement of Purpose and Audience Suitability.

 

Based on the medal-round scores determined by the Grand Jury, winners receive one of the following: Gold World Medal, Silver World Medal, Bronze World Medal, or Finalist Certificate. The highest scoring entries receive the Grand Trophy, honoring the “Best in Show.” Nominated Finalists are judged by a selected panel at the United Nations for the UNDPI Awards.

 

Every year New York Festivals honors the highest performing teams with special recognition: Broadcaster of the Year, Production company of the Year, and Program Promotion Team of the Year.

   

The 2018 competition is open for entries. Entry details and competition rules and regulations can be found on the NYF Television & Film Awards website www.newyorkfestivals.com/tvfilm/. To view the complete list of categories, please click: Here

 

Press inquiries are welcome and should be directed to Gayle Mandel: gmandel@newyorkfestivals.com, Ph: 1 212 643 4800.

 

The New York Festivals International Family of Award Competitions…

Celebrating the World’s Best Work since 1957!

 

AME Awards® | Advertising & Marketing Effectiveness

Global Awards® | Healthcare & Wellness Advertising

Midas Awards® | Financial Marketing & Advertising

New York Festivals® | International Radio Program Awards

New York Festivals® | International Advertising Awards®

New York Festivals® | International TV & Film Awards


Entries to each of the competitions are judged around the world by panels of peers in their respective industries. For more information, go to www.newyorkfestivals.com.

About NAB Show
NAB Show, held April 7 - 12, 2018 in Las Vegas, is the world's largest convention encompassing The M.E.T. Effect, the convergence of media, entertainment and technology. With 103,000 attendees from 166 countries and 1,700+ exhibitors, NAB Show is the ultimate marketplace for solutions that transcend traditional broadcasting and embrace content delivery to new screens in new ways. From creation to consumption, across multiple platforms and countless nationalities, NAB Show is where global visionaries convene to bring content to life in new and exciting ways. Learn more at www.nabshow.com

About NAB 
The National Association of Broadcasters is the premier advocacy association for America's broadcasters. NAB advances radio and television interests in legislative, regulatory and public affairs. Through advocacy, education and innovation, NAB enables broadcasters to best serve their communities, strengthen their businesses and seize new opportunities in the digital age. Learn more at www.nab.org.

Four LUBINAS for Polish cinema at the 27th FilmFestival Cottbus

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Four LUBINAS for Polish cinema at the 27th FilmFestival Cottbus
 

The FilmFestival Cottbus (FFC) came to a glittering conclusion on the evening of 11th November at the Stadthalle Cottbus with the awards ceremony of the 27th edition that posted record attendance of over 21,000. Polish filmmakers and actors, in particular, had every reason to rejoice. The director Anna Jadowska emerged as the triumphant winner of the Feature Film Competition with her poignant drama WILD ROSES | DZIKIE RÓŻE. Her lead actress Marta Nieradkiewicz impressed the jury and received the LUBINA Award for an Outstanding Actress. I'M A KILLER | JESTEM MORDERCĄ by Maciej Pieprzyca won the Special Prize for Best Director, and his lead actor Mirosław Haniszewski was presented with the LUBINA Award for an Outstanding Actor. In addition to the four prestigious LUBINAS, the FilmFestival Cottbus awarded prizes totalling almost € 80,000 in value.

„The festival programme has once again demonstrated the artistic and thematic diversity of East European cinema. Polish cinema has traditionally been one of the strongest film industries, this year's prize-winners confirm this. The jury has thus also rewarded the courage of Polish filmmakers in tackling a wide range of subjects. I hope that Polish cinema will continue to have many voices and thus make a significant contribution to the European idea“, comments Bernd Buder, programme director of the FilmFestival Cottbus.

The Main Prize for the Best Film of the 27th FilmFestival Cottbus, with a purse of € 25,000 and donated by the Gesellschaft zur Wahrnehmung von Film- und Fernsehrechten (GWFF), was won by WILD ROSES | DZIKIE RÓŻE by Anna Jadowska. A gripping psychological portrait of a young overstrained mother who sees her life slipping away in the Polish provinces.

The International Festival Jury, consisting of Danilo Bećković, Yevgeny Gindilis, Prof. Dr. phil. Ursula von Keitz, Marcin Pieńkowski and Elīna Vaska, were in agreement: „We chose this film because it gives the main female figure a voice. A voice which reaches the depth of our hearts. We admire the combination of visual style, amazing sound and editing, which makes watching this film an almost physical experience.“

Moreover, the jury recognised the performance of Marta Nieradkiewicz, the lead actress of WILD ROSES | DZIKIE RÓŻE with the Award for an Outstanding Actress, sponsored by the City of Cottbus and with a purse of € 5,000. The work by the triumphant winner can be admired by the festival audience on Sunday, the last day of the festival, at 20.00 in the Stadthalle.

The Special Prize for Best Director, with a purse of € 7,500 and donated by Rundfunk Berlin-Brandenburg (rbb), went to I'M A KILLER | JESTEM MORDERCĄ by Maciej Pieprzyca. „The director uses a lush and diverse range of artistic techniques and leads us carefully through a suspenseful and elaborated plot. However, his film language always remains in the service of creating a thorough and disturbing psychological portrait of the main protagonist. The Special Prize for Best Direction is awarded for creating a visually stunning film that seamlessly develops from a crime story into a deep and thoughtful analysis of the corruption of a human soul“, the jury said in its motivation.

The jury also recognised here the performance of the lead actor Mirosław Haniszewski and presented him with the Award for an Outstanding Actor – with a purse of € 5,000 and donated by the Sparkasse Spree-Neiße.

The Short Feature Competition saw the film ATLANTIS, 2003 | ATLANTÍDA, 2003 by the director Michal Blaško beating off the competition to take the top prize. He won the € 1,500 Main Prize, donated by Druckzone, Cottbus. The jury – consisting of Emilio Sakraya, Svenja Böttger, and Samaya Asgarova – gave the following motivation: „The winner of the Best Short Film Award shows social-political issues through the relationship between the two protagonists. The camera not only guides us through the story, but also takes us along. The director gives the actors time to act and the audience time to understand.“

Director Ruslan Bratov garnered the Special Prize, with a purse of € 1,000 and donated by Druckzone Cottbus, for MERRY-GO-ROUND | LALAY-BALALAY.

Pupils from Poland, the Czech Republic and Germany made up the six-person jury for the U 18 Youth Film Competition. They chose the biopic BREAKING THE LIMITS | NAJLEPSZY by Łukasz Palkowski as the winner. The director Łukasz Palkowski received the € 3,000 Prize for the Best Youth Film, donated by Lausitz Energie Bergbau AG (LEAG). The jury commented about its decision: „Every day is a fight. We fight for love, our family and our dreams. We make decisions, we make mistakes, but the most important thing is: we never give up. We have chosen BREAKING THE LIMITS by ŁUKASZ PALKOWSKI for its authentic and touching story, for having the opportunity to follow someone's failures and triumphs, and seeing a boy become a man and finally a champion. He struggled, he fought, and he won.“

Other prizes were awarded during the 27th FilmFestival Cottbus: the DIALOGUE Prize for Intercultural Communication, donated by the Federal Foreign Office with a purse of € 3,000, went to the director Đức Ngô Ngọc for his documentary FAREWELL HALONG, which had its world premiere at the 27th FFC and could be seen in the Vietnam in Europe Focus.

The jury gave a Special Mention to SAMI BLOOD | SAMEBLOD by Amanda Kernell.

The Prize for the Best Debut Film, donated with a purse of € 3,000 by the Brandenburgische Technische Universität Cottbus-Senftenberg and the Film University Babelsberg KONRAD WOLF, was presented by the jury to GOOD MORNING | BARI LUYS by Anna Arevshatyan, her brother Eduard Arevshatyan accepted the award.

The decisions by the FIPRESCI jury and the Ecumenical Jury for WILD ROSES | DZIKIE RÓŻE added to the long tally of prizes for director Anna Jadowska.

BAREFOOT was particularly well-received by the festival-goers. The director Jan Svěrák was able to take home the Audience Award, donated with a purse of € 3,000 by Lausitzer Rundschau. The hit will screen at the 27th FFC on the final day at 12.00 in the Stadthalle.

New record attendance

The 27th FilmFestival Cottbus presented almost 200 films from 42 countries – including eight world premieres, 25 international premieres and 85 German premieres – over the course of seven days. The FFC reached a new record with over 21,000 admissions!

„We are very satisfied with what has been a wonderful festival week. The people of Cottbus have proven to be superb hosts. Moreover, our record shows that we have a place in the hearts of the people“, says FFC managing director Andreas Stein.

The FilmFestival Cottbus impressively demonstrated the attractiveness of East European cinema. Almost 600 accredited professional guests used the film festival as a leading platform of East European cinema to forge contacts and inform themselves about current developments in the industry.

Programme news 

(about the previously announced special screenings)

17.30 – Stadthalle Cottbus – THE LINE | ČIARA

20.00 – Stadthalle Cottbus – WILD ROSES | DZIKIE RÓŻE

 

Seville festival Awards

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Palmarés

GIRALDILLO DE ORO

A fábrica de nada, de Pedro Pinho

 

GRAN PREMIO DEL JURADO

Western, de Valeska Grisebach

 

MENCIÓN ESPECIAL DEL JURADO

Zama, de Lucrecia Martel

 

PREMIO A LA MEJOR DIRECCIÓN

Barbara, de Mathieu Amalric

 

PREMIO AL MEJOR GUION

A Violent Life, de Thierry de Peretti

 

PREMIO A LA MEJOR ACTRIZ

Selene Caramazza por Corazón puro

 

PREMIO AL MEJOR ACTOR

Pio Amato por A Ciambra

 

PREMIO A LA MEJOR DIRECCIÓN DE FOTOGRAFÍA

Maria Von Hausswolff por Winter Brothers

 

PREMIO A LA MEJOR PELÍCULA DE LA SECCIÓN LAS NUEVAS OLAS

Niñato, de Adrián Orr

 

PREMIO ESPECIAL LAS NUEVAS OLAS (ex aequo)

The Wild Boys, de Bertrand Mandico y Pin Cushion, de Deborah Haywood

 

PREMIO NUEVAS OLAS NO FICCIÓN

Distant Constellation, de Shevaun Mizhari

 

PREMIO A LA MEJOR PELÍCULA DE LA COMPETICIÓN OFICIAL RESISTENCIAS

Ternura y la tercera persona, de Pablo Llorca

 

PREMIO DELUXE

El mar nos mira de lejos, de Manuel Muñoz Rivas

 

PREMIO EUROPA JUNIOR

El malvado zorro feroz, de Patrick Imbert, Benjamin Renner

 

PREMIO CINÉFILOS DEL FUTURO

Just Charlie, de Rebekah Fortune

 

GRAN PREMIO DEL PÚBLICO

Insyriated, de Philippe Van Leeuw

 

PREMIO EURIMAGES A LA MEJOR COPRODUCCIÓN EUROPEA

L’intrusa, de Leonardo di Costanzo

 

PREMIO ROSARIO VALPUESTA AL MEJOR CORTOMETRAJE PANORAMA ANDALUZ

El mundanal ruido, de David Muñoz

 

PREMIO ESPECIAL ROSARIO VALPUESTA A LA CATEOGRÍA ARTÍSTICA (DIRECCIÓN)

Ayer o anteayer, de Hugo Sanz Rodero

 

MENCIÓN ESPECIAL DEL JURADO ASECAN

Diferencias, de Isabel Alberro

 

PREMIO ASECAN A LA MEJOR PELÍCULA DE LA SECCIÓN OFICIAL

Tierra firme, de Carlos Marqués-Marcet

 

PREMIO CICAE MEJOR ÓPERA PRIMA

Tierra de Dios, de Francis Lee

 

IV PREMIO OCAÑA A LA LIBERTAD

Mr Gay Syria, de Ayse Toprak

The 18th International Izmir Short Film Festival announced its award winners

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The 18th International Izmir Short Film Festival announced its award winners Saturday November 11 at Historical Havagazi Cultural Center.

The award ceremony was hosted by actor Hakan Bilgin. The winning films were selected from 4 categories from international and national finalists by the Festival's jury members.

The Festival received a record-breaking number of submissions from over 42 countries, the highest it has received to date, including fiction, documentary, animation and experimental short films.
 

WINNERS – INTERNATIONAL FICTION

The international jury this year included president András Muhi, Alev Fatos Parsa, Sali Saliji – Sallini and Murat Tolga Sen.

 

  • Winner of the Golden Cat Award – Best Film

Animal. Director Bahram Ark, Bahman Ark (15min, Iran)

·         Second Runner Up for The Golden Cat Award is:

Limbo. Director Konstantina Kotzamani (29min, France)

·         Third Runner Up for The Golden Cat Award is:

8 Minutes. Director Giorgi Gogichaishvili, Davit Abramishvili (13min, Georgia)
 

WINNERS – NATIONAL FICTION

The international jury this year included president Handan Ipekci, Harika Uygur, Ali Dusenkalkar, Deniz Cakir, Aytekin Cakmakci, Aziz Imamoglu.

 

  • Winner of the Golden Cat Award – Best Film

Toprak. Director Onur Yağız (11min)

·         Second Runner Up for The Golden Cat Award is:

The Trap / Kapan. Director Korhan Günay (8min)

·         Third Runner Up for The Golden Cat Award is:

Story of a Job Interview / Bir İş Görüşmesi. Director Alkım Özmen (15min)

 

  • Winner of the Golden Cat Award for the Best Documentary

Away From Her / Uzaktaki Kadın. Director Özgür Demirci (14min)

  • Winner of the Golden Cat Award for the Best Animation

The Valley / Vadi. Director Can Erkan, Salih Toprak (10min)

  • Winner of the Golden Cat Award for the BestExperimental

Fifty Six / Elli Altı. Director Dilara Şahin (8min)

 

The festival also awarded the following;

 

  • National fiction Best Editing

Toprak / Toprak, Director Onur Yağız (11min)

  • National fiction Best Cinematography

Beyoglu Cinema / Beyoğlu Sineması, Director Ömer Ferhat Özmen (15min)

  • National fiction New Comer

Orhan Öztokat for his role in Prettiest of All Possible Lives / Mümkün Hayatların En Güzeli, Director Derin Biricik (17min)

and

Miray Sahin for her role in Wire / Tel, Director Berkay Hasbay (15min)

  • National fiction Migros Youth Award – Voted by university students

Learning How to Swim / Yüzme Öğreniyorum, Director Serpil Altın (12min)

 

Check out the award-winning films of HorrorHaus Film Festival 2017.

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Congrats to the award winning members of the IMBROGLIO crew—the HorrorHaus Film Festival selected Eric Ulbrich for Best Cinematography, John Fitzpatrick for Best Editing and Michael Capuano and his team at Icemen Audio (Evan Menak & David Beede) for Best Sound Design.

 

And the winner is...

 It was an amazing weekend full of incredible talent and wonderful filmmakers. Thank you all for sharing your work and helping to make year two a smashing success.

HorrorHaus Film Festival 2017 Award Winners

*BEST FEATURE FILM
Muse

*BEST SHORT FILM
Quenottes (Pearlies)

*BEST FEATURETTE
The Cleansing Hour

*BEST STUDENT FILM
Drip

*BEST TRAILER
Rainy Season

*BEST ACTOR
Sam Jaeger - The Cleansing Hour

*BEST ACTRESS
Rachel Barker - Hush

*BEST SUPPORTING ACTOR
Flood Reed - Balloon (by Mitchell Slan)

*BEST SUPPORTING ACTRESS
Bonnie Aarons - Nocturnally Yours

*BEST YOUNG ACTRESS
Angelique Wiesner - Balloon (by Mitchell Slan)

*BEST YOUNG ACTOR
Luke Bedsole - Hush

*BEST DIRECTOR
Ashlea Wessel - Ink

*BEST ORIGINAL SCREENPLAY
Muse

*BEST CINEMATOGRAPHY
Imbroglio

*BEST PRACTICAL EFFECTS
Feeding Time

*BEST DIGITAL EFFECTS
Quenottes (Pearlies)

*BEST EDITING
Imbroglio

*BEST SOUND DESIGN
Imbroglio

*BEST ORIGINAL SCORE
Muse

*BEST JUMPSCARE
Level

*BEST MAKEUP EFFECTS
Hope

King Fish Productions INK Feeding Time Balloon-Horror FIlm HOPE the movie Hush Drip - A USC Thesis Film The Cleansing Hour Director Andrew Hunt Rainy Season Quenottes: https://www.facebook.com/Quenottes-116431571851437/ , Muse: https://www.facebook.com/Muse-the-Film-242831762507329/

Bande Annonce de la Sélection Officielle des courts métrages César 2018


Jury Unveils First Seven EFA Winners

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Awards for Cinematography, Editing, Production Design, Costumes, Hair & Make-Up, Music and Sound

The European Film Academy announces the first winners who will be honoured at this year’s European Film Awards. A special seven-member jury convened in Berlin and, based on the EFA Selection list and the additional film entries, decided on the winners in the categories cinematography, editing, production design, costume design, hair & make-up, composer and sound design. The members of the jury are: 

Samir Fočo, sound designer, Bosnia & Herzegovina
Raf Keunen, composer, Belgium
Melanie Ann Oliver, editor, UK
Vassilia Rozana, costume designer, Greece
Susana Sanchez, hair & make-up artist, Spain
Łukasz Żal, cinematographer, Poland
Tonino Zera, production designer, Italy

The European Film Academy congratulates the following awards recipients:

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European Cinematographer 2017 – Prix Carlo di Palma:

Michail Krichman 
for LOVELESS

 

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The cold eye of Michail Krichman guides us through the film’s dark universe, consequently constructing an intense feeling of discomfort. The camera conveys a strong sense of darkness, emptiness and sadness. The choice of what is shown and what stays hidden, gives tremendous weight to every movement of the camera, every carefully constructed frame. Ascetic and well-measured cinematic means evoke an uncanny sense of anxiety, a slight internal tremor. 

 

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European Editor 2017:

Robin Campillo 
for BPM (BEATS PER MINUTE)

From the very beginning, Robin Campillo’s editing underlines perfectly the desperate personal urgency of the ACT UP activists and their manifestations. Be it at a pharmaceutical corporation or at a conference, the edit makes the tempo and contributes to the urgency of the film in perfect harmony with framing and story.

 

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European Production Designer 2017:

Josefin Åsberg 
for THE SQUARE

With great artistic sensibility, the production design in THE SQUARE elevates the film by creating a world at the edge to the surreal. In this way the scenography is able to integrate and interact with the story without ever dominating over it. This is the great artistic quality of Josefin Åsberg.

 

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European Costume Designer 2017:

Katarzyna Lewińska 
for SPOOR

The simplicity and clarity of the costumes intensify the images and underline the substantial message of the film. The clash between the human element and the natural environment is reflected in the texture, the colours and the design of the costumes, at the same time contributing to the personality of the characters and giving them life. They form an integral part of the storytelling, along with all the other visual elements, and together they create a powerful viewing experience.

 

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European Hair & Make-up Artist 2017:

Leendert van Nimwegen 
for BRIMSTONE

In BRIMSTONE, Leendert van Nimwegen, with make-up and hair, helps the characters and their development throughout the film, from play- and colourful, to sober and sinister, the good, the bad, the young, the old. It is a perfect combination of hair and make-up to describe characters, so beautifully done, and making them real.

 

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European Composer 2017:

Evgueni & Sacha Galperine 
for LOVELESS

The dark, haunting and brooding music intensifies the experience of watching the film. Beautifully written, with an intelligent use of piano effects, the score works like an extra character added to the unfortunate family. From beginning to end, the music captivates the underlying tensions, the hidden truths and lies, and guides you through the story, without being too overtly present. 

 

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European Sound Designer 2017:

Oriol Tarragó 
for A MONSTER CALLS 

The sound design in A MONSTER CALLS is the power of imagination. Sonically, it takes us into a completely new, unknown world, and does exactly what the filmmaker wants the audience to feel when they’re watching something unfold on screen: It creates a sense of eeriness, a sense of mood, a sense of darkness … resulting in a well-crafted collaboration between sound and visuals.

 

 

OUR PARTNERS:

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EFA PATRONS: CATALAN INSTITUTE FOR CULTURAL COMPANIES FROM THE MINISTRY OF CULTURE OF CATALONIA * CENTRE DU CINEMA OF THE FEDERATION WALLONIA BRUSSELS * CENTRE NATIONAL DU CINEMA ET DE L'IMAGE ANIMEE (CNC) * DANISH FILM INSTITUTE * EURIMAGES * FILM CENTER SERBIA * FILM FINANCE SCANDINAVIA AB * FILM FUND LUXEMBOURG * FILM I VÄST * FLANDERS AUDIOVISUAL FUND (VAF) * ICELANDIC FILM CENTRE * INSTITUTO DO CINEMA E DO AUDIOVISUAL (ICA) * IRISH FILM BOARD * ISTITUTO LUCE-CINECITTA S.R.L. * KOSOVO CINEMATOGRAPHY CENTER * LITHUANIAN FILM CENTRE * LUX FILM PRIZE * MACEDONIAN FILM AGENCY * MINISTRY OF EDUCATION AND CULTURE OF CYPRUS (CULTURAL SERVICES) * NETHERLANDS FILM FUND * POLISH FILM INSTITUTE * SEVILLE EUROPEAN FILM FESTIVAL, A PROJECT OF ICAS, ORGANISED BY SEVILLE CITY COUNCIL * SWEDISH FILM INSTITUTE * SWISS FILMS *

 

 

7th Annual International Puerto Rican Heritage Film Festival announces 2017 winners

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7th Annual International Puerto Rican Heritage Film Festival

ANNOUNCES 2017 WINNERS

Lifetime Achievement Award - Jacobo Morales

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Humanitarian Award - Hispanic Federation

Best Feature - Broche de Oro: Comienzos (Puerto Rico)

Best Documentary - Títeres en el Caribe Hispano (Episode 3 - Puerto Rico) 
Directors: Manuel Antonio Morán and Kristian Otero-Morán

Best Short - Hasta Viejos / Till We Age (Puerto Rico)
Writer, Director and Producer: Carolina Seda

Best Female Actor - Aris Mejias for Sol de Medianoche

Best Male Actor - Pedro Capó for Sol de Medianoche

Peoples Choice Award for Best Movie - El Hombre Que Cuida

#iprhff #iprhff2017 #filmfestivals #cinePuertoriqueño #PuertoRico

 

 

Big Cat Fest Winners to be announced at UN Headquarters on World Wildlife Day!

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The Secretariat of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) and Jackson Hole Wildlife Film Festival have partnered once again! The International BIG CATS Film Festival creates compelling programming for local organizations to inspire public engagement and personal commitment through storytelling and media while it is still possible to save these majestic creatures and the habitat they range. Film entry is free, and so will be the public screenings that result! We challenge wildlife filmmakers from around the world to submit. Together, we will galvanize the power of media to inspire wonder, catalyze change and move the dial on big cat conservation. Join the fight to save Lions, Jaguars, Leopards, Tigers, Cheetahs, Snow Leopards, Clouded Leopards and Pumas!

 

Learn More

 

 

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Want to help judge
the BIG CATS Film Festival?

Ideal candidates will have a background in science, conservation or media production related to the following big cat species: Lions, Jaguars, Leopards, Tigers, Cheetahs, Snow Leopards, Clouded Leopards and Pumas. Judges will be selected based on their knowledge and qualifications relevant to the International BIG CATS Film Festival CATegories. Judges will be invited to join the World Wildlife Day events that coincide with the announcement of the International Big Cats Film Festival winners on March 3rd, 2017.

 

Apply Here

 

 

Snow Leopard (above) and Leopard (below) Photo Credits: Julie Larsen Maher

 
 
 
 

AFI FEST 2017 Announces Award Winners

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AFI today announced the films that received the Audience and Jury awards at AFI FEST 2017 

 

“As the 31st edition of AFI FEST comes to a close, this year’s awards shine a light on international cinema that resonated with the jurors and audiences alike,” said Jacqueline Lyanga, AFI FEST Director.  “The awards celebrate the talents of exciting filmmakers at the top of their craft, whether at the beginning or in midst of their careers.”

Audience Award – World Cinema
THE INSULT (DIR Ziad Doueiri)

Lebanon’s official Best Foreign Language Film Oscar® submission, this engrossing and unforgettable tale of modern life in the Middle East is a razor-sharp look at a country’s long-simmering resentments toward Palestinian refugees, and its traumatized civil war wounds.

Audience Award – New Auteurs
WHAT WILL PEOPLE SAY (DIR Iram Haq)

Iram Haq’s sophomore feature is a powerful story of a young woman growing up between two cultures, with no control over her life choices, who must carve out her own path despite a significant culture clash.

Audience Award – American Independents
BODIED (DIR Joseph Kahn)

Whether it’s sci-fi, satire, or race relations, Joseph Kahn’s auteur style defies anticipations. In BODIED, a white boy explores rap battle vernacular, immersed in a subculture that’s simply spectacular.

Grand Jury Award for Live Action Short
GAZE (DIR Farnoosh Samadi)

Jury Statement:  “No good deed goes unpunished” is the phrase that stays with the viewer as you watch the film that captured the top honor this year.  The filmmaker lures you in and then, like any classic thriller, hooks you until the final gasp — the low hum of a motorbike replacing John Williams’ iconic notes in JAWS.  Underneath, the film is a subtle examination of class and gender in Iranian society.

Grand Jury Award for Animated Short
THE BURDEN (DIR Niki Lindroth von Bahr)

Jury Statement:  A film whose stranded, unremarkable inhabitants convey the weight of the world through song and dance and reveal the anguish we all feel about life.

Special Jury Mention
SILICA (DIR Pia Borg)

Jury Statement:  We would like to recognize Borg’s beautifully composed, lush 35mm cinematography.  Her blend of vivid landscape photography with microscopic and CG elements elevates this exploration of territorial constructs.

The Shorts Jury was comprised of Jeffrey Bowers (Senior Curator, Vimeo), Moira Griffin (Executive Director of Production, Creative Labs, 21st Century Fox) and Nathan Silver (director, ACTOR MARTINEZ, THIRST STREET).  The Grand Jury Award winners for Live-Action and Animated Short, as decided by the Shorts Jury, will be automatically eligible for the Academy Award® shortlists in the Best Live Action Short and Best Animated Short categories.

FESTIVAL HIGHLIGHTS

For the 14th consecutive year, Audi was the exclusive presenting sponsor of AFI FEST.  An enduring champion of the motion picture arts, Audi nurtures new and established voices through its support of AFI FEST and beyond, including the Audi Fellowship for Women at the AFI Conservatory, a new full-tuition scholarship investing in the future of female directors in film and television.

The AFI FEST program included 137 films (93 features, 44 shorts) representing 53 countries, including 40 films directed/co-directed by women, 19 documentaries and 14 animated films.  The breakdown by section is: Galas/Tributes (6), Special Screenings (7), American Independents (10), New Auteurs (11), World Cinema (30), Midnight (3), Cinema’s Legacy (9), Presentations (3), Retrospective (12), Youth and Family (2) and Short Films (44).  This year’s program includes 14 official Best Foreign Language Film Oscar® submissions and 24 films featuring 75 AFI alumni.

The many highlights of the festival included Tributes to Errol Morris and Aaron Sorkin; conversations with Sofia Coppola, Patty Jenkins, Angelina Jolie and Loung Ung, Martin McDonagh and Sam Rockwell, Christopher Nolan, Jordan Peele, Andy Serkis and Agnès Varda; the Indie Contenders Roundtable with panelists Sean Baker (THE FLORIDA PROJECT), Richard Gere (NORMAN: THE MODERATE RISE AND TRAGIC FALL OF A NEW YORK FIXER), Salma Hayek (BEATRIZ AT DINNER), Diane Kruger (IN THE FADE), Kumail Nanjiani (THE BIG SICK), Robert Pattinson (GOOD TIME), Margot Robbie (I, TONYA) and Lois Smith (MARJORIE PRIME); and the Doc Roundtable with panelists Evgeny Afineevsky (CRIES FROM SYRIA), Greg Barker (THE FINAL YEAR), Kasper Collin (I CALLED HIM MORGAN), Feras Fayyad (LAST MEN IN ALEPPO), Yance Ford (STRONG ISLAND), Bryan Fogel (ICARUS), Steve James (ABACUS: SMALL ENOUGH TO JAIL), Amanda Lipitz (STEP) and Brett Morgen (JANE).

Additional guests and artists who attended the festival included Judd Apatow, Jonathan Banks, Ike Barinholtz, Warren Beatty, Jamie Bell, Annette Bening, Ronee Blakley, Mary J. Blige, Alison Brie, Adrien Brody, Jim Carrey, Timothée Chalamet, Jessica Chastain, Scott Cooper, Elvis Costello, Tommy Davidson, Manny Davis, Francesca Eastwood, Peter Fonda, Ben Foster, Dave Franco, James Franco, Andy Garcia, Craig Gillespie, Dan Gilroy, Melanie Griffith, Luca Guadagnino, Taylor Hackford, Garrett Hedlund, Bryce Dallas Howard, Josh Hutcherson, Kris Jenner, Spike Jonze, JR, Q’orianka Kilcher, Buz Kohan, Thomas Lennon, Courtney Love, Jason Mantzoukas, Kate Mara, Helen Mirren, Jason Mitchell, Matthew Modine, Rob Morgan, Rachel Morrison (AFI Class of 2006), Jared Moshé, Carey Mulligan, Marcus Mumford, Bob Odenkirk, Edward James Olmos, Haley Joel Osment, Ron Perlman, Sam Pollard, Bill Pullman, Dee Rees, Seth Rogen, Zoe Saldana, Paul Scheer, George Schlatter, Martin Sheen, Chris Smith, Sebastian Stan, Wes Studi, Michael Stuhlbarg, Donald Sutherland, Tamar-kali, Lily Tomlin, Leon Vitali, Jacki Weaver, Casey Wilson and Tommy Wiseau.

Sponsored by Audi, VIZIO, Dolby and HTC Viveport, this year’s Tech Showcase opened with a case study presentation from Eugene Chung, President & CEO of Penrose Studios, a startup focused on augmented and virtual reality.  A special event was held spotlighting how Dolby Vision and Dolby Atmos technology and tools were used to bring THOR to the big screen. The Tech Showcase also included hands-on virtual reality (VR) technology and experiences for festival-goers in The Hollywood Roosevelt, and panels on VR storytelling.

Audi was the exclusive presenting sponsor of AFI FEST 2017.  Additional sponsors included AT&T; American Airlines, the official airline of AFI; and VIZIO, the official home theater sponsor of AFI.

Pictured above: THE INSULT

 

Hot Springs International Horror Film Festival Winners 2017

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Best of the Festival 

“Confessions of a Serial Killer” by John Dwyer in Horror

“Howard Lovecraft and the Undersea Kingdom” by Sean Patrick O Reilly in Sci-Fi

“BUCKOUT ROAD” by Matthew Currie Holmes In Thriller

 

Best Feature Films

Best Horror Feature Film  “The Unwilling”  by Gianluca Bertone

Best Sci – Fi  Feature Film “Gnaw”  by Haylar Garcia

Best Thriller Feature Film “The Atoning”  by Michael Williams

 

Best Short Films

Best Horror Short Film “Alfred J Hemlock”  by Edward Lyons

Best Sci – Fi Short Film “The Servant”  by Farnoosh Abedi

Best Thriller Short Film “THE ALSACE AXE MASSACRE”  by Olivier HANSZ

 

Best First Time Filmmaker Feature Horror “Close Calls”  by Richard Stringham

Award of Excellence “Catching Up” by Deborah Voorhees

Honorary Rising Director “The Rake” by Bob Sheen

 

Congratulations to all selected and film festival winners

Best Supporting Actor for Lance Henricksen (The Unwilling) at The British Horror Film Festival

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Best Supporting Actor to Lance Henricksen The Unwilling

London's prestigious Empire Cinema in Leicester Square plays host to the British Horror Film Festival. The biggest premieres from all around the world takes place here, from Harry Potter to James Bond and now you have the chance to premiere here as well!

With a regularly sold out Awards Ceremony, packed screenings and the sparkling After Party, the next festival is set to be even bigger, giving film makers more exposure, more reviews & horror fans a chance to see the 'next big scary thing' first!

The 11th Annual Alexandria Film Festival closed with record attendance and six award winners:

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  • Best of Fest Award: “The Weight of Honor,” directed by Stephanie Seldin Howard
  • Grand Jury Award: “Tale of the Kite,” directed by Michael Fallavollita
  • Special Jury Award: “Nothing to Do,” directed by Mike Kravinsky
  • Best of the Region Award: “Her Tango,” directed by Jason Mullis
  • Best Foreign Language Film Award: “Saawan,” directed by Farhan Alam
  • Audience Award: “The Things They Left Behind,” directed by Sara Werner

More than 100 filmmakers and festival attendees attended the Awards Ceremony and Closing Reception. Alexandria Mayor Allison Silberberg, who noted that the festival is planned and executed entirely by volunteers, presented the awards. “For the past 11 years, the Alexandria Film Festival has brought something unique and very special to the city,” she noted, “It has continually enhanced its presentation, size, attendance, and reputation—it is truly the ‘Little Engine That Could.’”

More than 50 films, as well as filmmakers, producers, screenwriters, cinematographers, film subjects, production professionals, journalists and area film enthusiasts participated in the 2017 Alexandria Film Festival.


Stockholm Film Festival announces 2017 Award Winners

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The jury of the 28th Stockholm International Film Festival has made their decisions. French director Léonor Seraille received the Bronze Horse at the award ceremony on Saturday evening. Below are all the winners who were awarded at the Stockholm International Film Festival Award Ceremony.

STOCKHOLM XXVIII COMPETITION

Best Film: Jeune Femme by Léonor Seraille.
For its dynamic and astute study of a young woman perennially on the edge in modern society, featuring the most memorably vivacious character. A small-scale story that finds profundity in sharp specificity, along with comedy in tragedy (and vice versa.) 

Best Debut:I’m Not A Witch by Rungano Nyoni.
For its bracingly unique style and story, a film that exposes its viewers to heretofore unforeseen settings and characters with a stunning clarity of vision. An unforgettable debut, which tackles issues of female repression and exploitation with both off-kilter humour and devastating pathos. 

Best Director:God’s Own Country by Francis Lee.
For its beautifully naturalistic and understated approach grappling with themes of maturity, sexuality and acceptance, as well its pragmatic and sympathetic portrayal of farmers' daily struggles.

Best Screenplay:No Date, No Signature by Vahid Jalilvand and Ali Zarnegar.
For its methodical exploration of the unspeakable ethical quandaries triggered by shocking tragedy, and its complex and systematic examination of issues of privilege (and lack thereof), guilt and culpability.

Best Cinematography: Paul Guilhaum for Ava.
For its wonderfully playful and idiosyncratic visual style that hearkens back to a wide swath of cinema history while still forging its own distinct aesthetic. A movie-lover's movie filled with fantastic iconography.

Best Actress: Antonia Zegers for Los Perros.
For her subtle and multi-faceted portrayal of a wealthy woman grappling with shifting attractions and desires while wading into increasingly murky moral territory. A performer whose emotions brilliantly shimmer just under the surface.

Best Actor: Josh O'Connor for God’s Own Country.
For his brave and delicate portrayal of a character seething with rage yet capable of extraordinary empathy. A lived-in performance that captures the full arc of an unsettled young man coming to terms with his lot in life while learning to care for the people around him.

STOCKHOLM XXVIII DOCUMENTARY COMPETITION

Best Documentary: For Akheem by Jeremy S. Levine och Landon Van Soest. 
This film is a nonjudgmental, intimate and warm portrayal of love and hardship set against the backdrop of police brutality. It depicts, in a very organic way, what it takes to survive as young people today, with the odds stacked against them.   Capturing the unpredictability of real life without forcing its morals on the audience.

STOCKHOLM XXVIII SHORT FILM COMPETITION

Best Short Film:Retouch by Kaveh Mazaheri.
This is a film defying genre definition - and still it's a social realist, gender political thriller. With a delicate touch and a sense of humor, it questions traditional ideas on women's place in society, in Iran and across the world.

STOCKHOLM LIFETIME ACHIEVEMENT AWARD

Stockholm Lifetime Achievement Award: Vanessa Redgrave
This year’s winner of the Stockholm Lifetime Achievement Award has been one of the most prominent actors in the world for over five decades and has been named ”the greatest living actress of our time” by Tennesse Williams. She is as brilliant in costume dramas and political documentaries as she is in works of some of the greatest auteurs in cinematic history. With astonishing force and great social commitment, Vanessa Redgrave has made acting her life’s work.

STOCKHOLM VISIONARY AWARD

Stockholm Visionary Award: Pablo Larraín
This year’s Stockholm Visionary  Award winner is a versatile director with great artistic precision. With a sharp eye directed towards the history of Chile, Pablo Larraín has – via individual life destinies with universal reach – revealed corruption and political deceit on all levels of society. He has redefined the biopic and is constantly broadening our cinematic horizons. With seven brilliant films behind him, Pablo Larraín is a truly visionary filmmaker.

STOCKHOLM IMPACT AWARD

Stockholm Impact Award: Wild Roses by Anna Jadowska
For the sensitive depiction of a mother who refuses to abandon her true self, for the portrait of a revolting child that questions an utterly conservative society, for the visually exquisite style that contrasts with a world plunged in prejudice and moral coercion, the Stockholm Impact Award goes to Anna Jadowska for Wild Roses, a metaphor for human resilience.

STOCKHOLM RISING STAR

Stockholm Rising Star: Gustav Lindh
The 2017 Rising Star is awarded by the Stockholm Film Festival to a young actor who has already made a powerful impression in several films. With sincerity and a great sense of presence in combination with dramatic precision - he succeeds in touching our deepest emotions. We anticipate a marvelous future within the world of cinema - Gustav Lindh

1 KM FILM

1 Km Film:Nyforelsket by Ville Sörman.
This year’s 1 km film scholarship goes to a director with an original voice who accomplishes to put a face on the most complex contemporary emotions. With a visual energy and a sensible touch he cares about the characters on screen, and makes the audience care too. The winner of the 1 km film scholarship goes to Ville Sörman

1 Km Film Special Mention:Min Homosyster by Lia Hietala.
A Special Mention goes to a director who has an astute ear for authentic dialogue and manages to establish absolute tonal control between characters and settings. A special mention goes to Lia Hietala.

THE FIPRESCI PRIZE

The FIPRESCI prize:Based On A True Story by Roman Polanski.
The FIPRESCI award on the 28th Stockholm International Film Festival goes to the film that is marked with an exceptional quality of cinema language. The genre of ‘paranoic thriller’ is treated by the author as perfectly as it could be and allows him to research some extremely complicated issues without any loss of the enchanted energy of narration. The film considers the very process of an artistic creation as a sophisticated game between an artist and reality based on perpetual mutual manipulations and disguises. The formal brilliance is combined here with a crafty elaboration of every detail. So, the FIPRESCI jury is proudly and reverently announced that its award is going to Roman Polanski for the film D’après une histoire vraie (Based on a True Story).

Press contact:
Dante Stjernberg, press manager                         
Tel: 08 677 50 09 / +46708639423
press@stockholmfilmfestival.se

Antonia Backlund, press secretary
Tel: 070-77 87 852
pressekreterare@stockholmfilmfestival.se             

The 28th Stockholm International Film Festival, November 8-19, 2017

The Stockholm International Film Festival started in 1990 and is today one of the leading competitive film festivals in Europe. The festival takes place every year in November with more than 200 films from 70 countries. 

 

 

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Award winners at the 20th annual Montreal International Documentary Festival

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The Montreal International Documentary Festival (RIDM) ends tomorrow, November 19. The award winners for this 20th annual RIDM were announced at this evening’s closing ceremony at Concordia University’s Alumni Auditorium (H110).

 

GRAND PRIZE FOR BEST INTERNATIONAL FEATURE

The grand prize for best international feature, presented by Bell Media, went to Room for a Manby Anthony Chidiac. “The film opens doors and windows to an inner world that contains an entire private universe of deep meaning, broaching serious issues with wry humour and an irresistible rebellious spirit.”

 

SPECIAL JURY PRIZE – INTERNATIONAL FEATURE

“For its bold artistic vision that seeks ways to involve film in social and political realities, its original creative approach and its exploration of the dark corners of exile”, the special jury prize went to Taste of Cement by Ziad Kalthoum.

 

The jury for the international feature competition was composed of Daniel Kasman, Damien Detcheberry, Leena Pasanen, Marie-Ève Juste and Neil Young.

 

GRAND PRIZE FOR BEST CANADIAN FEATURE

Citing “the fluid and original structure the filmmaker created for his portrait of a complex protagonist,” the Canadian feature jury named Taming the Horse by Tao Gu as best Canadian feature.

 

The jury also awarded a special mention to Primas by Laura Bari.

 

SPECIAL JURY PRIZE – CANADIAN FEATURE

The special jury prize went to Jean-François Lesage for La rivière cachée, “for making a natural phenomenon a protagonist, and for the precision and elegance with which the film describes even ordinary existential issues.”

 

BEST NEW TALENT FROM QUÉBEC / CANADA

Presented by Post-Moderne, the award for best new talent from Quebec/Canada is presented to the maker of the best first Canadian documentary in the official selection. This year’s award went to Emilie B. Guérette for L’autre Rio. “The filmmaker ventured into the interstices of a major international event, where she achieved remarkable proximity to her protagonists.”

 

The Canadian feature competition jury was composed of Emilie Bujès, Pablo Alvarez Mesa and Robert Gray.

 

BEST INTERNATIONAL SHORT OR MEDIUM-LENGTH FILM

The jury selected Ico Costa’s Nyo Vweta Naftaas this year’s best international short or medium-length film. “This magnificent film, shot in 16mm, is grounded in the political and economic realities of Mozambique. Its artistic vision serves its contemplation of the world and helps us understand important issues.”

 

BEST CANADIAN SHORT OR MEDIUM-LENGTH FILM

The award for best Canadian short or medium-length film was presented to Jacquelyn Mills for In the Waves. The film “is a touching meditation that transcends the personal, elegantly steering a course from the banal to the deeply philosophical, without ever losing sight of the materiality of everyday routine.”

 

The jury for the Canadian and international short and medium-length competitions was composed of Adam Cook, Amandine Gay and Lisa Jackson.

 

PEOPLE’S CHOICE AWARD

Presented by TV5, this award recognizes festivalgoers’ favourite film in the official competition and Panorama sections. This year’s audience pick was Amandine Gay for Ouvrir La Voix.

 

MAGNUS ISACSSON AWARD

The Magnus Isacsson award was created in honour of the late, much-loved Montreal documentary filmmaker Magnus Isacsson. It is presented to an up-and-coming Canadian director who demonstrates social conscience. Presented by the ARRQ, Cinema Politica, DOC Québec and Main Film, this year’s award went to Jason O’Hara for State of Exception, “a film that reveals its director’s exceptional commitment. An activist, passionate, necessary film, made entirely independently over many years.”

 

The jury for the Magnus Isacsson Award was composed of Jocelyne Clarke, Ezra Winton (Cinema Politica), Richard Brouillette (Main Film), Sophie Bissonnette (ARRQ) and Steve Patry (DOC Québec).

 

STUDENT AWARD

This award recognizes a documentary selected by the student jury from among the films in the Canadian competition. It is part of the RIDM’s youth outreach and awareness program and is presented with the support of the CSN and Telefilm Canada. This year’s student award was presented to Tasha Hubbard for Birth of a Family, a film notable for “the urgency and authenticity of its subject, majestic landscapes that echo the intense emotions the film inspires, and its frank documentation of the alienation of a people. It is a clear reminder that we are on unceded indigenous land.”

 

The jury for the student award was composed of Florence Côté-Lagacé (Cégep Édouard-Montpetit), Antoine Harvey (Collège Montmorency), Charles-Édouard Martel-Marquis (Cégep de Saint-Laurent), Sarah Mederos Bernia (Cégep André-Laurendeau), Adriana Paquette, (Cégep Marie-Victorin), Chloé Simard (Collège de Maisonneuve).

 

WOMEN INMATES’ AWARD

The women inmates’ jury is composed of five inmates of the Joliette Institution. They chose a winner from a selection of eight films from the official competition and Panorama. Daisy, Mélanie, Jackie, Roxanne and Julie named Bagages by Paul Tom for “its original approach that opens a window on the other and introduces us to young people who reveal themselves frankly and unreservedly, and because we believe this is a touching and necessary film.” This initiative is carried out in partnership with Telefilm Canada, the Quebec chapter of the Elizabeth Fry Society and the Entente sur le développement culturel de Montréal. The project is supported by the Ministère de la Culture et des Communications and the Ville de Montréal.

 

The 20th annual RIDM ends Sunday, November 19, 2017.

Information:www.ridm.ca / info@ridm.ca

The Audience Award 2017 goes to Three Billboards Outside Ebbing, Missouri by Martin McDonagh

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The 28th edition of Stockholm International Film Festival wrapped up last night. Today, we have the pleasure to present the festival’s Audience Award 2017 that goes to Three Billboards Outside Ebbing, Missouri, directed by Martin McDonagh. The film was also one of the most seen ones throughout the festival.

Each year, the Stockholm International Film Festival invites the festivalgoers to select the winner of one of the most important awards of the festival – the Audience Award.  The audience nominates their favourite film by voting.

This year’s Award goes to Martin McDonagh for the film Three Billboards Outside Ebbing, Missouri. Runner up is God’s Own Country by Francis Lee followed by Insyriated av Philippe Van Leeuw.

The very first Audience Award was handed out in 2009 to Louie Psihoyos documentary The Cove. Other winners include Steve McQueen’s12 Years a Slave and Xavier Dolan’sMommy.

The audience have been able to vote for their favourite film at the festival website and smartphone app throughout the festival until the last day Nov 19th.

Below are the ten most popular films selected by the audience, without mutual order:

  • Insyriated
  • God’s Own Country
  • Lots of Kids, a Monkey and a Castle
  • Three Billboards Outside Ebbing, Missouri
  • Searing Summer
  • The Party
  • Shape of Water
  • Thelma
  • A Fantastic Woman
  • Call Me by Your Namea

Press contact:

DanteStjernberg, Head of Press
+46 8 677 50 09 / +46 70 863 94 23
press@stockholmfilmfestival.se

AntoniaBacklund, Press Secretary
+46 70 778 78 52
pressassistent@stockholmfilmfestival.se

28th Stockholm International Film Festival Nov 8-19, 2017

Stockholm International Film Festival was founded in 1990 and is today one of Europe’s leading film festivals. We show 150 films from 60 countries at the festival. We also arrange exclusive screenings and sneak previews throughout the year, Stockholm Film Festival Outdoor Cinema in August and Stockholm International Film Festival Junior in April.

WE LOVE FILM! 

 

God's Own Country
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Insyriated.
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Three Billboards Outside Ebbing, Missouri
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Winners Announced for Fall 2017 SFFILM / Rainin Filmmaking Grants

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SFFILM, in partnership with the Kenneth Rainin Foundation, announced today the projects that will receive a total of $225,000 in funding in the latest round of SFFILM / Rainin Filmmaking Grants. Nine filmmaking teams were granted funding to help with the next stage of their creative process, from screenwriting to post-production. SFFILM / Rainin Filmmaking Grants are awarded twice annually to filmmakers whose narrative feature films will have significant economic or professional impact on the Bay Area filmmaking community and/or meaningfully explore pressing social issues. More than $4.5 million has been awarded since the launch of this grant program in 2009, making the SFFILM, in partnership with the Kenneth Rainin Foundation, the largest grant-maker to independent narrative films in the United States.
 
Additionally, SFFILM and the Kenneth Rainin Foundation launched a new discretionary loan program for filmmakers in post-production. Open to any previous recipient or alumnus following the first day of production, the first loan in the amount of $25,000 was presented to Sorry to Bother You by writer/director Boots Riley.

Applications are currently being accepted for the Spring 2018 round of SFFILM / Rainin Filmmaking Grants; the deadline to apply is February 2. For more information visit sffilm.org/makers.

 

SFFILM, in partnership with the Kenneth Rainin Foundation, is the largest granting body for independent narrative feature films in the United States. The SFFILM / Rainin Filmmaking Grant program has funded more than 70 projects since its inception, including Geremy Jasper’s Sundance breakthrough Patti Cake$, which closed the 2017 Cannes Director’s Fortnight program, ahead of its summer release; Alex and Andrew Smith’s Walking Out starring Matt Bomer and Josh Wiggins, which premiered at the 2017 Sundance Film Festival; Chloé Zhao’s Songs My Brothers Taught Me, which screened at Sundance and Cannes in 2015; Short Term 12, Destin Cretton’s sophomore feature which won both the Narrative Grand Jury Award and Audience Award at South by Southwest 2013; Ryan Coogler’s debut feature Fruitvale Station, which won the 2014 Film Independent Spirit Award for Best First Feature, the Un Certain Regard Avenir Prize at the 2013 Cannes Film Festival, and both the Grand Jury Prize and Audience Award in the narrative category at Sundance 2013; and Ben Zeitlin’s debut phenomenon Beasts of the Southern Wild, which won Sundance's Grand Jury Prize and Cannes' Camera d'Or in 2012 and earned four Academy Award nominations (including Best Picture).

The panelists who reviewed the finalists’ submissions are Noah Cowan, SFFILM’s Executive Director; Paul Federbush, International Director, Feature Film Program at the Sundance Institute; Shelley Trott, Director of Arts Strategy and Ventures at the Kenneth Rainin Foundation; Diana Williams, Content Strategist at LucasFilm; Caroline von Kühn, SFFILM’s Director of Artist Development; and Lauren Kushner, SFFILM’s Senior Manager of Artist Development.
 
The jury noted in a statement: “We are proud to support these emerging filmmaking teams, many of whom are embarking upon their first feature films. The SFFILM / Rainin Filmmaking Grants program seeks to support filmmakers who are grappling with complex social issues through compelling and inventive artistic approaches. Ranging from a tense police procedural that tells the story of a marginalized Nepali inspector to a portrait of the personal impact of San Francisco gentrification that blends romanticism with a stark realism, this group of films clearly represents that vision.”
 
FALL 2017 SFFILM / RAININ FILMMAKING GRANT WINNERS
 
All About Nina
Eva Vives, director; Natalie Qasabian, Eric Fleischman, Sean Tabibian, Eva Vives, producers – post-production – $25,000
Just as Nina Geld’s brilliant and angry stand up kicks her career into high gear, her romantic life gets complicated, forcing her to reckon with what it means to be creative, authentic, and a woman in today’s culture.
 
American Babylon
Yvan Iturriaga, writer/director – screenwriting – $12,000
A gripping tale of love and revolution set in the gritty streets of Oakland, California in the months leading up to 9/11.
 
Fremont
Babak Jalali, writer/director; Marjaneh Moghimi, producer; Carolina Cavalli, co-writer – development –  $22,000
Troubled, edgy, unconventional Donya—an Afghani translator formerly working for the US military—now spends her days writing fortunes for a Chinese fortune cookie factory in San Francisco. As she struggles to put her life back in order, in a moment of sudden revelation, she sends out a message, wrapped in a fortune cookie—an act that sends her on an odyssey of deceit, mystery, and redemption.
 
Jules of Light and Dark
Daniel Laabs, writer/director; Jeff Walker, Liz Cardenas Franke, Russell Sheaffe, and Judd Myers, producers – post-production – $25,000
A young woman, Maya, struggles to rebuild her life after surviving a devastating car wreck with her girlfriend. The two are found and rescued by an oil worker, Freddy, who forges an unlikely friendship with Maya in this Texas-set drama.
 
The Last Black Man in San Francisco
Joe Talbot, writer/director; Khaliah Neal, Producer – production – $50,000
Jimmie Fails dreams of buying back the Victorian home his grandfather built in the heart of San Francisco. Now living in the city’s last, dwindling Black neighborhood with his oddball best friend Prentice, the two misfits search for belonging in the rapidly changing city that seems to have left them behind.
 
Me, My Mom and Sharmila
Fawzia Mirza, writer/director; Terrie Samundra, producer/cowriter – screenwriting – $22,000
A queer, Pakistani teen, her Muslim immigrant mother, and a Bollywood heroine’s destinies intertwine in this bittersweet coming of age tale.
 
Monsters and Men
Reinaldo Marcus Green, director; Josh Penn, Elizabeth Lodge Stepp, Eddie Vaisman, Julia Lebedev, and Luca Borghese, producers – post-production – $25,000
Monsters and Men is an interwoven narrative about police violence, racial profiling, and the power of perspective. The story is told in three chapters, each shifting perspective to different protagonists who are from the same Brooklyn neighborhood: a man who captures an act of police violence on his cellphone, an African-American police officer working in the precinct, and a high-school baseball phenom. We follow the unspooling narrative as each is impacted by a violent episode. 
 
Mr. Rob
Fawaz Al-Matrouk, writer/director – screenwriting – $22,000
The true story of Rob Lawrie, an ex-soldier who left his family in England to help migrants at the infamous Jungle refugee camp in France. Lawrie risked everything to rescue a four-year-old girl, entrusted to him by her father, but was arrested and charged with human smuggling.
 
Raja
Deepak Rauniyar, writer/director – screenwriting – $22,000
Raja is a socially-rooted police procedural, a race-against-time thriller, as well as a portrait of Nepal—a complex society on the edge of a new future.
 
A new discretionary loan for filmmakers in post-production open to any previous recipient or alumnus following the first day of production was awarded to:
 
Sorry to Bother You
Boots Riley, writer/director; Nina Yang Bongiovi, Forest Whitaker, Charles King, George Rush, Jonathan Duffy and Kelly Williams, producers – post-production – $25,000 LOAN
Sorry to Bother You tells the story of Cassius Green, a Black telemarketer who discovers a magical key to telemarketing success, propelling him into a macabre universe where he is selected to lead a species of genetically manipulated horse-people.
 
SFFILM / Rainin Filmmaking Grantsand loans are made possible by the generosity of the Kenneth Rainin Foundation. In addition to funding, grant and loan recipients also receive various benefits through SFFILM Makers, SFFILM’s comprehensive artist development program. These benefits, customized to every individual production, can include one-on-one project consultations, creative development, additional fundraising assistance, resource and service recommendations, and networking opportunities, among many others. For more information visit sffilm.org/makers.

 

 

 

 

 

SFFILM Makers (formerly "Filmmaker360"), the organization’s artist development program, provides significant financial and creative resources to independent filmmakers through grants, fellowships, residencies, fiscal sponsorship, and more. Since 2009, nearly $5 million has been disbursed to more than 150 film projects in various stages of production. Highlights include the SFFILM / Rainin Filmmaking Grant; a joint effort with the Alfred P. Sloan Foundation to cultivate stories rooted in science and technology; and the Documentary Film Fund, a partnership with the Jenerosity Foundation. For more information, visit sffilm.org/makers.

SFFILM
SFFILM is a nonprofit organization with a mission to champion the world's finest films and filmmakers through programs anchored in and inspired by the spirit and values of the San Francisco Bay Area. Presenter of the San Francisco International Film Festival, SFFILM is a year-round organization delivering screenings and events to more than 100,000 film lovers and media education programs to more than 10,000 students and teachers annually. In addition to its public programs, SFFILM supports the careers of independent filmmakers from the Bay Area and beyond with grants, residencies, and other creative development services. For more information visit sffilm.org.
 
 

 

11th Five Flavours Asian Film Festival winners revealed

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 QING SONG JIA YU KUAI

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The People's Jury of the 11th Five Flavours Asian Film Festival has awarded the Grand Prix  of the Festival to "Free and Easy" (Hong Kong 2017) directed by Geng Jun. The 3500 euro award was founded by the Polish Film Institute.

The Special Mention goes to "KFC" (Vietnam 2017) directed by Lê Bình Giang.

The NETPAC Jury chose "Marlina the Murder in Four Acts" (Indonesia/Malaysia/Thailand/France 2017) directed by Mouly Surya as the best picture of the festival.

 

People's Jury included: Jowita Agnieszka Czubek, Dominika Drzastwa, Agata Herbich, Maja Jankowska, Katarzyna Karpińska, Michał Mielnik, Julia Niedziejko, Paweł Skrzypczak, Szymon Szeszuła, Patrycja Wysokińska, Marcin Zwolan. The NETPAC (Network for the Promotion of Asia Pacific Cinema) Jury included: Siddiq Barmak, Cüneyt Cebenoyan, and Sonali Joshi.

 

FESTIVAL GRAND PRIX AWARDED BY PEOPLE'S JURY: FREE AND EASY (dir. Geng Jun, Hong Kong 2017)

For a brave social satire disregarding the censorship, for creating a unique cinematic space in which the Chinese province becomes the background for an ironic tale of evil, and for the subversive use of soap as a weapon of mass destruction; the People's Jury of the 11th Five Flavours Asian Film Festival chooses "Free and Easy" directed by Geng Jun as the best film of the New Asian Cinema section.

SPECIAL MENTION AWARDED BY PEOPLE'S JURY: KFC (dir. Lê Bình Giang, Vietnam 2017)

For combining genre conventions with a non-compromising, auteur vision, for the pop cultural potential and a pioneering contribution to Vietnamese exploitation cinema, and finally for crossing the borders of taste between Coca Cola and Pepsi; the People's Jury awards the Special Mention to "KFC," the debut feature by Lê Bình Giang.

NETPAC JURY AWARD: MARLINA THE MURDERER IN FOUR ACTS (dir. Mouly Surya, Indonesia/Malaysia/Thailand/France 2017)

"Marlina the Murderer in Four Acts" was our unanimous choice for the NETPAC award at this year’s Five Flavours Film Festival. The film has a unique singular vision, particularly in its stylistic qualities, using the iconography of the western transposed onto contemporary Asian landscapes. It is striking and challenging, and carries with it exceptional qualities in editing and sound design in particular. Mouly Surya is no doubt one of Asian cinema’s outstanding talents today, and she brings her distinctive voice to this film.

Congratulations to the winners!

 

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