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341 feature films are eligible for the 2017 Academy Awards®

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Three hundred forty-one feature films are eligible for the 2017 Academy Awards®, the Academy of Motion Picture Arts and Sciences announced today.

To be eligible for 90th Academy Awards consideration, feature films must open in a commercial motion picture theater in Los Angeles County by midnight, December 31, and begin a minimum run of seven consecutive days.

Under Academy rules, a feature-length motion picture must have a running time of more than 40 minutes and must have been exhibited theatrically on 35mm or 70mm film, or in a qualifying digital format.

Feature films that receive their first public exhibition or distribution in any manner other than as a theatrical motion picture release are not eligible for Academy Awards in any category. The “Reminder List of Productions Eligible for the 90th Academy Awards” is available at http://www.oscars.org/oscars/rules-eligibility.

<span "="">Nominations for the 90th Academy Awards will be announced on Tuesday, January 23, 2018.

The 90th Oscars® will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 6:30 p.m. ET/3:30 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.


le Palmarès de la 9ème édition du Festival des Arcs

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Vous l'attendez depuis une semaine, ou des mois pour certains, le voici, fraîchement révélé lors de la cérémonie de clôture du festival : le Palmarès de la 9ème édition !

You've been waiting for it for a week, or months for some of you: the 9th edition's Awards have just been announced during the festival's closing ceremony.

Flèche de Cristal
Crystal Arrow

Lean On Pete d'Andrew HAIGH
Doté par France Télévisions

Lean On Pete by Andrew HAIGH
Given by France Télévisions

Grand Prix du Jury
Grand Jury Award

Nico, 1988 de Susanna NICCHIARELLI

Nico, 1988 by Susanna NICCHIARELLI

Prix du Public
Public’s Choice Award

La Mauvaise Réputation de Iram HAQ

What Will People Say by Iram HAQ

Prix d’Interprétation féminine
Award for Best Actress

Maria-Victoria DRAGUS pour son rôle dans Mademoiselle Paradis de Barbara ALBERT

Maria-Victoria DRAGUS for her role in Mademoiselle Paradis by Barbara ALBERT

Prix d’Interprétation masculine
Award for Best Actor

Charlie PLUMMER pour son rôle dans Lean On Pete d'Andrew HAIGH

Charlie PLUMMER for his role in Lean On Pete by Andrew HAIGH

Prix de la Meilleure musique originale
Award for Best Original Score

James Edward BAKER pour la musique originale du film Lean On Pete d'Andrew HAIGH
Doté par la SACEM

James Edward BAKER for the original score of Lean On Pete by Andrew HAIGH
Given by the SACEM

Prix de la Meilleure photographie
Award for Best Cinematography

Magnus Nordenhof JØNCK pour le film Lean On Pete d'Andrew HAIGH

Magnus Nordenhof JØNCK for the film Lean On Pete by Andrew HAIGH

Prix du Meilleur court métrage
Best Short Film Award

Los Desheredados de Laura FERRES
Doté par Transfuge et sponsorisé par Sundance TV

Los Desheredados by Laura FERRES
Given by Transfuge and sponsored by Sundance TV

Mention spéciale / Special Mention

Koropa de Laura HENNO

Koropa by Laura HENNO

Prix du Jury Jeune
Young Jury Award

Le Capitaine de Robert SCHWENTKE

The Captain by Robert SCHWENTKE

Mention spéciale / Special Mention

La Mauvaise Réputation de Iram HAQ

Remis par les lycéens de Bourg Saint Maurice, Albertville et Chambéry.

What Will People Say by Iram HAQ

Given by the high school pupils of Bourg Saint Maurice, Albertville and Chambéry 

Prix du Jury Presse
Press Award

Arrhythmia de Boris KHLEBNIKOV

Arrhythmia by Boris KHLEBNIKOV

Mention spéciale / Special Mention

Le Capitaine de Robert SCHWENTKE

Le Jury Presse est composé d'Ariane Allard de Positif/Causette, Valérie Beck de Femme actuelle, Laurent Djian du Pèlerin et Studio Ciné Live, Nathalie Simon du Figaro et Baptiste Thion du Journal du dimanche.

The Captain by Robert SCHWENTKE

The Press Jury is composed of Ariane Allard from Positif / Causette, Valérie Beck from Femme actuelle, Laurent Djian from Pèlerin and Studio Ciné Live, Nathalie Simon from the Figaro and Baptiste Thion from Le Journal du dimanche.

Prix Cineuropa
Cineuropa Award

Sonate pour Roos de Boudewijn KOOLELe
Prix Cineuropa, attribué à un film produit ou co-produit par un pays participant au programme MEDIA ou membre du programme Eurimages.

Disappearance by Boudewijn KOOLE
The Cineuropa Award attributed to a co-produced film or co-produced by a country member of the MEDIA programme or Eurimages programme.

Prix 20 minutes d’Audace
The 20 Minutes of Audacity Prize

Le Capitaine de Robert SCHWENTKE
Le Prix 20 minutes d’Audace remis par un jury de six journalistes et une jeune lectrice du quotidien « 20 Minutes ».

The Captain by Robert SCHWENTKE
The 20 Minutes of Audacity Prize is given by a jury of 6 journalists from the daily 20 Minutes and a young reader of the daily newspaper "20 Minutes".

Prix Sisley/Les Arcs Femme de cinéma
Femme de cinéma Sisley/Les Arcs Prize

Cette année, c’est la jeune et talentueuse réalisatrice norvégienne Iram HAQ qui a reçu le prix. Son dernier film La Mauvaise Réputation était également en compétition.

This year, the young and talented Norwegian director Iram Haq was awarded the prize. Her latest feature film What Will People Say was also in competition.

Prix Work in Progress / Work in Progress Prizes
  • Prix Lab Project d'Eurimages : GIRL de Lukas DHONT (Belgique), produit par Menuet (Belgique), Frakas Productions (Belgique) et Topkapi Films (Pays-Bas).
  • prix Titra : GOLD IS ALL THERE IS d'Andrea Caccia (Italie), produit par Dugong Films (Italie), Picofilms (France) et Rough Cat (Suisse).
  • the Eurimages Lab Project prize: GIRL by Lukas Dhont (Belgium) produced by Menuet (Belgium), Frakas Productions (Belgium) and Topkapi Films (Netherlands).
  • the Titra prize: GOLD IS ALL THERE IS by Andrea Caccia (Italy) produced by Dugong Films (Italy), Picofilms (France) and Rough Cat (Switzerland). 
 
 
 

 

San Francisco Silent Film Festival Awards

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Garbo! Sherlock Holmes! More treasures to come!

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SFSFF 2018 AWARD

Every year SFSFF recognizes a person or institution committed to the preservation and exhibition of silent films. We are thrilled to announce that the 2018 SAN FRANCISCO SILENT FILM FESTIVAL AWARD will go to Jon Wengström and the Swedish Film Institute. SFI has long been a leader in the preservation and restoration of classic cinema and has made Swedish film heritage accessible to the world. The late 1910s and early 1920s are often referred to as the Golden Age of Swedish silent cinema, and through the years SFSFF has benefitted by SFI's fine collection. Silent-era masterpieces like Sjöström's The Outlaw and His Wife, Dreyer's The Parson's Widow, and Stiller's The Blizzard have dazzled San Francisco audiences in gorgeous prints from the Swedish Film Institute, and this year's treasure will be SFI's beautiful new photochemical restoration of The Saga of Gösta Berling—featuring Greta Garbo in her first starring role! SFI's Jon Wengström, curator of archival film collections, will be at the festival to accept the award.

 

 

HAPPY BIRTHDAY, SHERLOCK HOLMES

Today just happens to be the birthday of Arthur Conan Doyle's brilliant detective Sherlock Holmes, and it has put us in the mood to divulge an important clue about SFSFF 2018. Okay, so you know our methods... we'll just come out and spill the beans. SFSFF is in the process of restoring a recently unearthed German version of The Hound of the Baskervilles which will have its world premiere at SFSFF 2018. The BAKER STREET CIRCLE is convening. Join the festivities!

 

 

UPCOMING EVENTS and OFFERS

Cecil B. DeMille's THE KING OF KINGS (1927) in a new restoration! Organist Dorothy Papadakos will accompany at Grace Cathedral on March 24! TICKETS on sale now.

 

The 2018 San Francisco Silent Film Festival comes to the Castro Theatre for five glorious days May 30–June 3. We've leaked several titles, but the complete schedule of 23 programs will be announced in late March. Rest assured, you won't want to miss a thing! We're extending our heavily discounted HOLIDAY SPECIAL pass to the 23rd SFSFF until Martin Luther King Jr. Day on January 15. Don't miss out!

 

 

AROUND THE BAY...

BAMPFA has a wonderful lecture/screening series starting January 17: IN FOCUS: EISENSTEIN AND HIS CONTEMPORARIES. The first program is Evgenii Bauer's 1916 A Life for a Life accompanied by Bruce Loeb on piano, with a lecture by Anne Nesbet. Definitely worth the BART ride across the Bay!

 
 
 
 
 
 

 

 

 

 

The Eda Awards, the women have voted

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2017 EDA AWARD WINNERS

“THE SHAPE OF WATER” TAKES THREE AWARDS INCLUDING BEST FILM AND BEST DIRECTOR FOR GUILLERMO DEL TORO AND
BRAVEST PERFORMANCE AWARD FOR SALLY HAWKINS
 

“LADY BIRD” GARNERS THE BEST ACTRESS IN A SUPPORTING ROLE PRIZE FOR LAURIE METCALF WHILE GRETA GERWIG IS AWARDED
TWO EDA FEMALE FOCUS AWARDS FOR BEST WOMAN DIRECTOR AND BEST WOMAN SCREENWRITER

The women have voted! 

The Alliance of Women Film Journalists is pleased to announce the winners of the 2017 AWFJ EDA Awards. This year, AWFJ presents EDA Awards in 25 categories, divided into three sections: the standard ‘Best Of’ section, the Female Focus awards and the irreverent EDA Special Mention awards—including Actress Most in Need of a New Agent and the AWFJ Hall of Shame Award.

In the ‘Best Of’ section, this year’s big winner is"THE SHAPE OF WATER", garnering EDA Awards in two categories including Best Film, Best Director for Guillermo del Toro.  The film’s lead actress, Sally Hawkins, was awarded an EDA Bravest Performance Award to make the film’s cume of three awards.

Greta Gerwig’s “Lady Bird” was also honored with three awards that included Best Supporting Actress for Laurie Metcalf and two awards for Gerwig for Best Woman Director and Best Woman Screenwriter.

"The Florida Project" won two EDA Awards for Best Supporting Actor for Willem Dafoe and Best Breakthrough Performance for Brooklynn Prince.

In the EDA Special Mention Categories, documentary filmmaker Agnes Varda was voted the Actress Defying Age and Ageism Award, while receiving the Best Documentary Award for her film “Faces, Places.” Kate Winslet won the Actress Most in Need of a New Agent for  “Wonder Wheel” and “The Mountain Between Us.”

The AWJF chose to honor Rose McGowan and Ashley Judd and all women who spoke out against sexual harassment with the EDA Award for Outstanding Achievement by a Woman in the Film Industry.

The Annual AWFJ Hall of Shame Award was bestowed upon Sexual Tormentors:  Harvey Weinstein, Kevin Spacey, Brett Ratner, et al.

"This year was an important year for women to feel empowered to speak out and be heard," states EDA AWARDS and AWFJ founder and film critic Jennifer Merin.  "The need for gender parity and gender diversity in the movie industry is patently clear, and the time to stop sexual harassment in all industries is now.  These goals are fundamental to AWFJ's mission and it's core values. I am thrilled that for this year's awards, our AWFJ members voted to honor such a diverse array of talent and to recognize those who are leading with their voices to put an end to long time misconduct making the 2017 EDA Awards particularly relevant when art and film must be the vanguard of social progress."

Here’s the entire list of this year’s winners:

AWFJ BEST OF AWARDS

These awards are presented to women and/or men without gender consideration.

Best Film 

     THE SHAPE OF WATER 

Best Director 

      Guillermo del Toro – THE SHAPE OF WATER

Best Screenplay, Original

      GET OUT – Jordan Peele 

Best Screenplay, Adapted

       CALL ME BY YOUR NAME

Best Documentary

       FACES, PLACES

Best Animated Film  (Tie)

       COCO

       LOVING VINCENT

Best Actress

       Frances McDormand -- THREE BILLBOARDS OUTSIDE EBBING, MISSOURI

Best Actress in a Supporting Role

        Laurie Metcalf -- LADY BIRD

Best Actor

       Gary Oldman -- DARKEST HOUR

Best Actor in a Supporting Role

        Willem Dafoe -- THE FLORIDA PROJECT

Best Ensemble Cast – Casting Director

        MUDBOUND – Billy Hopkins and Ashley Ingram

Best Cinematography

         Roger Deakins -- BLADE RUNNER 2049

Best Editing

         Lee Smith -- DUNKIRK

Best Non-English-Language Film

        THE SQUARE

 

EDA FEMALE FOCUS AWARDS

These awards honor WOMEN only.

Best Woman Director

       Greta Gerwig -- LADY BIRD

Best Woman Screenwriter

       Greta Gerwig -- LADY BIRD

Best Animated Female

        Parvana -- THE BREADWINNER  

Best Breakthrough Performance

        Brooklynn Prince -- THE FLORIDA PROJECT

Outstanding Achievement by A Woman in The Film Industry

       Rose McGowan, Ashley Judd and all who spoke out against sexual harassment  

 

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism (name actress and film)

         AGNES VARDA -- FACES,PLACES

Most Egregious Age Difference Between The Lead and The Love Interest Award

         I LOVE YOU DADDY  -- Chloe Grace Moretz and John Malkovich

Actress Most in Need Of A New Agent (name actress and film)

         Kate Winslet for WONDER WHEEL and THE MOUNTAIN BETWEEN US

Bravest Performance (name actress and film) (Tie)

Sally Hawkins -- THE SHAPE OF WATER

           Margot Robbie -- I, TONYA

Remake or Sequel That Shouldn’t Have Been Made

           THE MUMMY

AWFJ Hall of Shame Award

            Sexual Tormentors: Harvey Weinstein, Kevin Spacey, Brett Ratner, et al


ABOUT THE ALLIANCE OF WOMEN FILM JOURNALISTS:  AWFJ, a not-for-profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women – both in front of and behind the cameras – through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movies. More information about AWFJ, including the membership list, can be accessed at www.awfj.org or sending inquiries to awfjinc@gmail.com.

ABOUT THE EDA AWARDS:  The AWFJ presents EDA Awards to honor women's achievements in front of and behind the cameras.  In addition to the annual end of the year awards, AWFJ presents EDA Awards for Best Female-Directed Films at select film festivals,including IDFA, Whistler Film Festival, DOXA. Edinburgh Film Festival. St. Louis International Film Festival and others. The EDAs are named in honor of AWFJ founder Jennifer Merin's mother, Eda Reiss Merin, a stage, film and screen actress whose career spanned more than 60 years. A dedicated foot soldier in the industry, Eda was one of the founders of AFTRA and a long standing member of AMPAS.  

Cinema Tropical Awards Select Brazilian Film ARABIA as the Best Latin American Film of the Year

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Brazilian Film ARÁBIA by Affonso Uchoa and João Dumans
Is the Winner of the Cinema Tropical Award
for Best Latin American Film of the Year

Other Winners Announced This Evening:
Eduardo Williams, THE HUMAN SURGE (Argentina),
for Best Director,
LA SOLEDAD (Venezuela) for Best First Film, and
MEMORIES OF A PENITENT HEART for Best U.S. Latino Film

 


New York, N.Y., January 10, 2018. The Brazilian film Arábia by Affonso Uchoa and João Dumans was announced as the winner of the top award for Best Latin American Film of the Year at the 8th Annual Cinema Tropical Awards, which were announced this evening at a special event at The New York Times Company headquarters.

The Argentine director Eduardo Williams was the winner of the Cinema Tropical Award for Best Director for his debut feature The Human Surge / El auge del humano, while Jorge Thielen Armand’s La Soledad from Venezuela was the winner of the award for Best First Film. The jury gave a Special Mention to the Chilean documentary film Adriana’s Pact / El pacto de Adriana by Lissette Orozco for courageous filmmaking.

The Cinema Tropical Award for Best U.S. Latino Film was for Cecilia Aldarondo’s Memories of a Penitent Heart, and the jury decided to give a Special Mention to the documentary film Ovarian Psycos by Kate Trumbull-LaValle and Johanna Sokolowski, also in the U.S. Latino category. The event also served as a platform to announce director Rodrigo Reyes as this year’s recipient of the Roberto Guerra Documentary Fund, a prize given to a emerging Latino documentary filmmaker based in the U.S.
    
The non-profit media arts organization Cinema Tropical also announced that New York audiences will have the chance to see the award-wining and nominated films as they will be showcased as part of the Cinema Tropical Festival to take place on February 2-4, 2018 at Museum of the Moving Image.

The winners of this year’s Cinema Tropical Awards were selected by a jury panel composed by Florence Almozini, Associate Director of Programming, Film Society of Lincoln Center; Alvaro Enrigue, writer; Leo Goldsmith, scholar and film editor, The Brooklyn Rail; La Frances Hui, Associate Curator, Film Department, MoMA; and Kirsten Johnson, filmmaker. The U.S. Latino cinema jury was composed by Carolina Bilbao, Vice President of Programming and Development for Cinelatino; Vanessa Erazo, film editor at Remezcla; and film critic Claudia Puig, president of the Los Angeles Film Critics Association.

All the films under consideration had a minimum of 60 minutes in length and premiered between April 1, 2016, and March 31, 2017. 



The Cinema Tropical Awards are presented in partnership with
The New York Times Company’s Latino Network, and Museum of the
Moving Image. Media Sponsor: Remezcla. Reception Sponsors:
Wines of Chile, Leblon Cachaça, and Penedo Borges. Additional support provided by the Consulate General of Brazil in New York. Special thanks to Pablo Vaca and Clementina Mantellini.  Cinema Tropical’s programs are made possible with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. 

 

About Cinema Tropical and the Cinema Tropical Awards:
New York-based Cinema Tropical (CT) is the leading presenter of
Latin American cinema in the U.S. Founded by Carlos A. Gutiérrez and
Monika Wagenberg in 2001 with the mission of distributing, programming and promoting what was to become the biggest boom of Latin American cinema in decades, CT brought U.S. audiences some of the first screening of films such as Amores Perros and Y Tu Mamá También. Through a diversity of programs and initiatives, CT is thriving as a dynamic and groundbreaking 501(c)(3) non-profit media arts organization experimenting in the creation of better and more effective strategies for the distribution and exhibition of foreign cinema in this country. The Cinema Tropical AWARDS were created in 2010 to honor excellence in Latin American filmmaking, and it is the only international award entirely dedicated to honoring the artistry of recent Latin American cinema.
In its inaugural year, the Awards were given to the Ten Best Latin American Films of the Aughts. 

 


COMPLETE LIST OF WINNERS
8th ANNUAL CINEMA TROPICAL AWARDS:

•    Best Film: Arábia (Affonso Uchoa and João Dumans, Brazil)
•    Special Mention: Adriana’s Pact (El pacto de Adriana, Lissette Orozco, Chile)
•    Best Director: Eduardo Williams, The Human Surge (El auge del humano, Argentina/Brazil/Portugal)
•    Best First Fiction Film: La Soledad (Jorge Thielen Armand, Venezuela)
•    Best U.S. Latino Film: Memories of a Penitent Heart (Cecilia Aldarondo, USA/Puerto Rico)
•    Special Mention, Best U.S. Latino Film: Ovarian Psycos (Kate Trumbull-LaValle and Johanna Sokolowski, USA) 



For more information please visit:
https://www.cinematropical.com/8th-cinema-tropical-awards/
 

Pictured above: Arábia by Affonso Uchoa and João Dumans. Photo courtesy of Grashopper Films. 

 

Nominations Announced for the 12th Asian Film Awards

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 (January 11, 2018; Hong Kong/Tokyo) The Asian 
 Film Awards Academy announced the nominations
 for the 12th Asian Film Awards (AFA) in Hong Kong
 today. For this edition, AFA received submissions 
 from 26 countries and regions. Eighty-nine
 nominations were made for 17 awards, including
 the newly added Best New Director and Best Action 
 Film. The nominations represent 32 films from 10
 countries and regions. Japanese films and talents
 were nominated in 14 categories*, including a Best
 Film Award nomination for The Third Murder
 (Director: KORE-EDA Hirokazu), a Best Director Award nomination for Yuya ISHII for The Tokyo Night
 Sky is Always the Densest Shade of Blue, and a Best Actress Award nomination for Yu AOI for Birds
 Without Names. 
 *Click the link at the bottom of this page for the full press release and list of nominations.

 
 Photo from left; Roger GARCIA (The Executive Director of the AFA Academy), LEE Jung-Jin (The Student Ambassador of the
 AFA Academy), CHING Siu-Tung (The 12th AFA Jury President), Dr. Wilfred WONG Ying-wai (GBS, JP, Chairman of the Asian
 Film Awards Academy and the Hong Kong International Film Festival Society), Kara WAI Ying-Hung, Cherry NGAN Cheuk-Ling
 (The Student Ambassador of the AFA Academy), Josie LIN (General Manager of the AFA Academy), Fred WANG Cheung-yue
 (Board Member of the AFA Academy)

 

 World-renowned Hong Kong director CHING Siu-Tung will serve as this year’s Jury President and
 lead a jury comprising respected film industry professionals, festival programmers and critics. Hong
 Kong actress Carina LAU will join the jury as a Celebrity Juror.

 The Tokyo International Film Festival (TIFF), together with the Hong Kong International Film Festival 
 and the Busan International Film Festival, created the Asian Film Awards Academy (AFA Academy), a
 nonprofit organization, in 2013 to promote and develop Asian cinema and its talents. Organized by the
 AFA Academy, the Asian Film Awards (AFA) will celebrate its 12th anniversary this year.

 The 12th Asian Film Awards will take place at one of the world’s leading integrated resorts and must-
 see destinations, The Venetian Macao, on March 17, 2018 (Saturday).

 Dr. Wilfred WONG Ying-wai, GBS, JP, Chairman of the AFA Academy and the Hong Kong International 
 Film Festival Society said, "This year, we will celebrate the excellence of martial arts in Asian cinema,
 by recognizing many outstanding Asian filmmakers and providing a platform for new faces and up-and-
 coming artists. In addition to the annual AFA, the Academy has further developed various professional
 programs such as masterclasses, film festival visits for students, young film professionals overseas
 training programs and film roadshows around the globe. Through these efforts we hope to strengthen
 the ties between film talents, audiences and the region’s industries."

 

Waimea Ocean Fest Rob Stewart Award for best film Ocean Conservation goes to...

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2018 Rob Stewart Award for Best Film – Ocean Conservation: Tales by Light – Misunderstood Predators and Eric Cheng

In honor of Rob Stewart’s commitment and work, the festival will present annually The Rob Stewart Award for Best Film – Ocean Conservation. Special attention will be given to films and individuals that strive to change people’s perception and understanding of sharks, and also films that look at climate change issues. In addition, films featuring general ocean conservation work will be considered.

The Waimea Ocean Film Festival brings a rich and dynamic program to remarkable venues on the Big Island of Hawaiʻi every January.

Over 60 films, coupled with filmmaker Q&As, presentations and panel discussions highlight ocean experience, ocean environment, island culture, inspirational stories and epic adventure, set amidst the beauty of the Kohala Coast. Venues include some of the most stunning and exclusive resorts in the world – the Four Seasons Resort Hualālai, the Fairmont Orchid, Hawaiʻi, Mauna Kea Resort – along with historic theatres in the town of Waimea.

The 2018 Festival Program is available for download.

The festival is made possible through the generous support of patrons and sponsors. Please join us in thanking our patrons and sponsors and in supporting them.

http://www.waimeaoceanfilm.org/

Waimea Ocean Film Festival Awards 2018

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Waimea Ocean Film Festival is by invitation. Only 10-15% of films screened are selected, making “Official Selection” an award in itself and setting the bar high for the individual film awards. With the exception of the Audience Choice and the Director’s Choice awards, films are eligible to receive one individual film award. In a few cases and when films within a given category are substantially different in nature, the award will be shared between two films.

Congratulations to the 2018 Waimea Ocean Film Festival Award-Winners.

2018 Waimea Ocean Film Festival Awards

Best Film – Waimea Audience Choice: Chasing Coral
Best Film – Director’s Choice: David Attenborough’s Great Barrier Reef – Builders

Best Film – Surf: The Big Wave Project
Best Film – Ocean Environment: David Attenborough’s Great Barrier Reef Series
Best Film – Ocean Experience: Endless Winter ll and Nervous Laughter
Best Film – Island Culture: The Last ʻŌpelu Man
Best Film – Thought Provoking: Mind of a Giant
Best Film – Adventure: The Ocean Rider and Into Twin Galaxies
Best Film – Edge of Seat: The Last Animals
Best Film – Storyline and Production: The Farthest
Best Film – Cinematography: Wild Ireland
Best Film – Wildlife: BBC’s Planet Earth ll – Grasslands
Best Film – Inspiration: Le Ride
Best Film – Short: Danny MacAskill’s Wee Day Out 
Best Film – Children’s: Andy’s Prehistoric Adventure

Bud Browne Surf Film Award: The Great Highway
Rob Stewart Award for Best Film – Ocean Conservation: Tales by Light – Misunderstood Predators and Eric Cheng

Tales by Light: Misunderstood Predators


Nominations Announced for the 12th Asian Film Awards

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The Asian Film Awards Academy announced the nominations for the 12th Asian Film Awards (AFA) in Hong Kong today. For this edition, AFA received submissions from 26 countries and regions. Eighty-nine nominations were made for 17 awards, including the newly added Best New Director and Best Action Film. The nominations represent 32 films from 10 countries and regions. Japanese films and talents were nominated in 14 categories*, including a Best Film Award nomination for The Third Murder (Director: KORE-EDA Hirokazu), a Best Director Award nomination for Yuya ISHII for The Tokyo Night Sky is Always the Densest Shade of Blue, and a Best Actress Award nomination for Yu AOI for Birds Without Names.
*Full list of nominations. ⇒ PDF Download (763KB)
  

Photo from left; Roger GARCIA (The Executive Director of the AFA Academy), LEE Jung-Jin (The Student Ambassador of the AFA Academy), CHING Siu-Tung (The 12th AFA Jury President), Dr. Wilfred WONG Ying-wai (GBS, JP, Chairman of the Asian Film Awards Academy and the Hong Kong International Film Festival Society), Kara WAI Ying-Hung, Cherry NGAN Cheuk-Ling (The Student Ambassador of the AFA Academy), Josie LIN (General Manager of the AFA Academy), Fred WANG Cheung-yue (Board Member of the AFA Academy)

 
World-renowned Hong Kong director CHING Siu-Tung w

 

Nominations for the 90th Academy Awards

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Performance by an actor in a leading role

·         Timothée Chalamet in "Call Me by Your Name"

·         Daniel Day-Lewis in "Phantom Thread"

·         Daniel Kaluuya in "Get Out"

·         Gary Oldman in "Darkest Hour"

·         Denzel Washington in "Roman J. Israel, Esq."

 

Performance by an actor in a supporting role

·         Willem Dafoe in "The Florida Project"

·         Woody Harrelson in "Three Billboards outside Ebbing, Missouri"

·         Richard Jenkins in "The Shape of Water"

·         Christopher Plummer in "All the Money in the World"

·         Sam Rockwell in "Three Billboards outside Ebbing, Missouri"

 

Performance by an actress in a leading role

·         Sally Hawkins in "The Shape of Water"

·         Frances McDormand in "Three Billboards outside Ebbing, Missouri"

·         Margot Robbie in "I, Tonya"

·         Saoirse Ronan in "Lady Bird"

·         Meryl Streep in "The Post"

 

Performance by an actress in a supporting role

·         Mary J. Blige in "Mudbound"

·         Allison Janney in "I, Tonya"

·         Lesley Manville in "Phantom Thread"

·         Laurie Metcalf in "Lady Bird"

·         Octavia Spencer in "The Shape of Water"

 

Best animated feature film of the year

·         "The Boss Baby" Tom McGrath and Ramsey Naito

·         "The Breadwinner" Nora Twomey and Anthony Leo

·         "Coco" Lee Unkrich and Darla K. Anderson

·         "Ferdinand" Carlos Saldanha

·         "Loving Vincent" Dorota Kobiela, Hugh Welchman and Ivan Mactaggart

 

Achievement in cinematography

·         "Blade Runner 2049" Roger A. Deakins

·         "Darkest Hour" Bruno Delbonnel

·         "Dunkirk" Hoyte van Hoytema

·         "Mudbound" Rachel Morrison

·         "The Shape of Water" Dan Laustsen

 

Achievement in costume design

·         "Beauty and the Beast" Jacqueline Durran

·         "Darkest Hour" Jacqueline Durran

·         "Phantom Thread" Mark Bridges

·         "The Shape of Water" Luis Sequeira

·         "Victoria & Abdul" Consolata Boyle

 

Achievement in directing

·         "Dunkirk" Christopher Nolan

·         "Get Out" Jordan Peele

·         "Lady Bird" Greta Gerwig

·         "Phantom Thread" Paul Thomas Anderson

·         "The Shape of Water" Guillermo del Toro

 

Best documentary feature

·         "Abacus: Small Enough to Jail" Steve James, Mark Mitten and Julie Goldman

·         "Faces Places" Agnès Varda, JR and Rosalie Varda

·         "Icarus" Bryan Fogel and Dan Cogan

·         "Last Men in Aleppo" Feras Fayyad, Kareem Abeed and Søren Steen Jespersen

·         "Strong Island" Yance Ford and Joslyn Barnes

 

Best documentary short subject

·         "Edith+Eddie" Laura Checkoway and Thomas Lee Wright

·         "Heaven Is a Traffic Jam on the 405" Frank Stiefel

·         "Heroin(e)" Elaine McMillion Sheldon and Kerrin Sheldon

·         "Knife Skills" Thomas Lennon

·         "Traffic Stop" Kate Davis and David Heilbroner

 

Achievement in film editing

·         "Baby Driver" Paul Machliss and Jonathan Amos

·         "Dunkirk" Lee Smith

·         "I, Tonya" Tatiana S. Riegel

·         "The Shape of Water" Sidney Wolinsky

·         "Three Billboards outside Ebbing, Missouri" Jon Gregory

 

Best foreign language film of the year

·         "A Fantastic Woman" Chile

·         "The Insult" Lebanon

·         "Loveless" Russia

·         "On Body and Soul" Hungary

·         "The Square" Sweden

 

Achievement in makeup and hairstyling

·         "Darkest Hour" Kazuhiro Tsuji, David Malinowski and Lucy Sibbick

·         "Victoria & Abdul" Daniel Phillips and Lou Sheppard

·         "Wonder" Arjen Tuiten

 

Achievement in music written for motion pictures (Original score)

·         "Dunkirk" Hans Zimmer

·         "Phantom Thread" Jonny Greenwood

·         "The Shape of Water" Alexandre Desplat

·         "Star Wars: The Last Jedi" John Williams

·         "Three Billboards outside Ebbing, Missouri" Carter Burwell

 

Achievement in music written for motion pictures (Original song)

·         "Mighty River" from "Mudbound"
Music and Lyric by Mary J. Blige, Raphael Saadiq and Taura Stinson

·         "Mystery Of Love" from "Call Me by Your Name"
Music and Lyric by Sufjan Stevens

·         "Remember Me" from "Coco"
Music and Lyric by Kristen Anderson-Lopez and Robert Lopez

·         "Stand Up For Something" from "Marshall"
Music by Diane Warren; Lyric by Lonnie R. Lynn and Diane Warren

·         "This Is Me" from "The Greatest Showman"
Music and Lyric by Benj Pasek and Justin Paul

 

Best motion picture of the year

·         "Call Me by Your Name" Peter Spears, Luca Guadagnino, Emilie Georges and Marco Morabito, Producers

·         "Darkest Hour" Tim Bevan, Eric Fellner, Lisa Bruce, Anthony McCarten and Douglas Urbanski, Producers

·         "Dunkirk" Emma Thomas and Christopher Nolan, Producers

·         "Get Out" Sean McKittrick, Jason Blum, Edward H. Hamm Jr. and Jordan Peele, Producers

·         "Lady Bird" Scott Rudin, Eli Bush and Evelyn O'Neill, Producers

·         "Phantom Thread" JoAnne Sellar, Paul Thomas Anderson, Megan Ellison and Daniel Lupi, Producers

·         "The Post" Amy Pascal, Steven Spielberg and Kristie Macosko Krieger, Producers

·         "The Shape of Water" Guillermo del Toro and J. Miles Dale, Producers

·         "Three Billboards outside Ebbing, Missouri" Graham Broadbent, Pete Czernin and Martin McDonagh, Producers

 

Achievement in production design

·         "Beauty and the Beast" Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

·         "Blade Runner 2049" Production Design: Dennis Gassner; Set Decoration: Alessandra Querzola

·         "Darkest Hour" Production Design: Sarah Greenwood; Set Decoration: Katie Spencer

·         "Dunkirk" Production Design: Nathan Crowley; Set Decoration: Gary Fettis

·         "The Shape of Water" Production Design: Paul Denham Austerberry; Set Decoration: Shane Vieau and Jeff Melvin

 

Best animated short film

·         "Dear Basketball" Glen Keane and Kobe Bryant

·         "Garden Party" Victor Caire and Gabriel Grapperon

·         "Lou" Dave Mullins and Dana Murray

·         "Negative Space" Max Porter and Ru Kuwahata

·         "Revolting Rhymes" Jakob Schuh and Jan Lachauer

 

Best live action short film

·         "DeKalb Elementary" Reed Van Dyk

·         "The Eleven O'Clock" Derin Seale and Josh Lawson

·         "My Nephew Emmett" Kevin Wilson, Jr.

·         "The Silent Child" Chris Overton and Rachel Shenton

·         "Watu Wote/All of Us" Katja Benrath and Tobias Rosen

 

Achievement in sound editing

·         "Baby Driver" Julian Slater

·         "Blade Runner 2049" Mark Mangini and Theo Green

·         "Dunkirk" Richard King and Alex Gibson

·         "The Shape of Water" Nathan Robitaille and Nelson Ferreira

·         "Star Wars: The Last Jedi" Matthew Wood and Ren Klyce

 

Achievement in sound mixing

·         "Baby Driver" Julian Slater, Tim Cavagin and Mary H. Ellis

·         "Blade Runner 2049" Ron Bartlett, Doug Hemphill and Mac Ruth

·         "Dunkirk" Mark Weingarten, Gregg Landaker and Gary A. Rizzo

·         "The Shape of Water" Christian Cooke, Brad Zoern and Glen Gauthier

·         "Star Wars: The Last Jedi" David Parker, Michael Semanick, Ren Klyce and Stuart Wilson

 

Achievement in visual effects

·         "Blade Runner 2049" John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover

·         "Guardians of the Galaxy Vol. 2" Christopher Townsend, Guy Williams, Jonathan Fawkner and Dan Sudick

·         "Kong: Skull Island" Stephen Rosenbaum, Jeff White, Scott Benza and Mike Meinardus

·         "Star Wars: The Last Jedi" Ben Morris, Mike Mulholland, Neal Scanlan and Chris Corbould

·         "War for the Planet of the Apes" Joe Letteri, Daniel Barrett, Dan Lemmon and Joel Whist

 

Adapted screenplay

·         "Call Me by Your Name" Screenplay by James Ivory

·         "The Disaster Artist" Screenplay by Scott Neustadter & Michael H. Weber

·         "Logan" Screenplay by Scott Frank & James Mangold and Michael Green; Story by James Mangold

·         "Molly's Game" Written for the screen by Aaron Sorkin

·         "Mudbound" Screenplay by Virgil Williams and Dee Rees

 

Original screenplay

·         "The Big Sick" Written by Emily V. Gordon & Kumail Nanjiani

·         "Get Out" Written by Jordan Peele

·         "Lady Bird" Written by Greta Gerwig

·         "The Shape of Water" Screenplay by Guillermo del Toro & Vanessa Taylor; Story by Guillermo del Toro

·         "Three Billboards outside Ebbing, Missouri" Written by Martin McDonagh

 

 

ABOUT THE ACADEMY
The Academy of Motion Picture Arts and Sciences is a global community of more than 8,000 of the most accomplished artists, filmmakers and executives working in film. In addition to celebrating and recognizing excellence in filmmaking through the Oscars, the Academy supports a wide range of initiatives to promote the art and science of the movies, including public programming, educational outreach and the upcoming Academy Museum of Motion Pictures, which is under construction in Los Angeles.

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Alfred P. Sloan Foundation Presents Feature Film Prize to Search by Aneesh Chaganty

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Alfred P. Sloan Foundation Presents Feature Film Prize to Search and Announces New Grants to Artists at 2018 Sundance Film Festival

 
 
 

 

 

Winners of Commissioning Grant, Episodic Storytelling Grant and Lab Fellowship Revealed 

Search Director-Screenwriter Aneesh Chaganty Honored

 

At a reception at the 2018 Sundance Film Festival today, the beneficiaries of $71,000 in grants from Sundance Institute and the Alfred P. Sloan Foundation were revealed. Doron Weber, Sloan Vice President of Programs and Director of the Public Understanding of Science and Technology program, presented the Feature Film Prize to Search and announced the new winners: Cherien Dabis’s What The Eyes Don’t See (Sundance Institute | Sloan Commissioning Grant), produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar; C. Wrenn Ball’s Katie Wright (Sundance Institute | Sloan Lab Fellowship) and John Lopez’ Untitled J.P. Morgan Project (Sundance Institute | Sloan Episodic Storytelling Grant). Aneesh Chaganty’s Search was formally presented with a $20,000 check for winning the Alfred P. Sloan Foundation Feature Film Prize, as previously announced.

The awards were presented at an evening cocktail reception at High West Distillery. These activities are part of the Sundance Institute Science-In-Film Initiative, which is made possible by a grant from the Alfred P. Sloan Foundation.

“Telling these humanizing and nuanced stories about how science and technology influence every part of our lives is more important than ever. We are thrilled to honor and support these artists and their critical, timely, and deftly-crafted work,” said Keri Putnam, Executive Director of Sundance Institute.

“We are delighted to partner with Sundance for our fifteenth year and to honor such innovative films as Search and such exciting new work as Katie Wright, What the Eyes Don’t See and the J.P. Morgan Project, all of which dramatize scientific themes and characters in fresh and original ways," said Doron Weber, Vice President of Programs and Director of the program in Public Understanding of Science and Technology at the Alfred P. Sloan Foundation.  “In a watershed year that saw such Sloan supported projects as Hidden Figures and Bombshell: The Hedy Lamarr Story honored, we are especially gratified that these four works, in different ways, all depict female protagonists and other under-represented groups whose stories need to be told.”

The fifteen-year partnership between the Alfred P. Sloan Foundation and Sundance Institute forms part of the Sloan Foundation’s nationwide Film Program, which includes support for six film schools and five screenwriting development partners and has resulted in 20 completed feature films. In addition to Hidden Figures, originally supported by a Sloan book grant, the film program has long championed stories about women in science from this year’s Bombshell, Rachel Carson, and Radium Girls to Diane Kruger’s upcoming mini-series about technological pioneer Hedy Lamarr and stories about Rosalind Franklin, Marie Curie, Lise Meitner, and Jane Goodall. The program has also supported many works about the role of technology in daily life, including the impact of machine learning, robotics and artificial intelligence. Besides Robot & Frank, a feature film that grew out of a $20,000 Sloan production grant, Sloan has supported films such as The Imitation Game, Operator, Marjorie Prime and an upcoming three-part series Silicon Valley: The Untold Story along with several new projects, including episodic television, in development.

Search: Winner of the Alfred P. Sloan Foundation Feature Film Prize

Search has been awarded the 2018 Alfred P. Sloan Feature Film Prize and received a $20,000 cash award from the Alfred P. Sloan Foundation at today’s reception. The Prize is selected by a jury of film and science professionals and presented to an outstanding feature film focusing on science or technology as a theme, or depicting a scientist, engineer or mathematician as a major character. 

The 2018 Sloan Feature Film Prize Jury was named on January 16, 2018 and includes Dr. Robert Benezra of Memorial Sloan Kettering Cancer Center and Weill Cornell Medicine of Cornell University; Dr. Heather Berlin, assistant professor of psychiatry at the Icahn School of Medicine at Mount Sinai; actor and writer Kerry Bishé; and Nancy Buirski, director/producer/writer of The Rape of Recy Taylor.

The jury stated, “For its gripping and original interrogation of our evolving relationship with technology and how it mediates every other relationship in our lives, both positively and negatively, and for its rigorous formal experimentation with narrative, the 2018 Sloan Feature Film Prize at the Sundance Film Festival goes to Aneesh Chaganty’s Search.”


Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing.

Aneesh Chaganty is a 26-year-old writer/director whose two minute short film, a Google Glass spot called "Seeds", became an internet sensation after garnering more than 1 million YouTube views in 24 hours.  Following its success, Aneesh was invited to join the Google Creative Lab in New York City, where he spent two years developing, writing and directing Google commercials. He is a recipient of the Future of Storytelling Fellowship, awarded to only five young creatives around the world "who have demonstrated a fearlessness to tell stories in unconventional ways" and whose works "will be instrumental in shaping the future of storytelling.”  Search is Aneesh's first feature.

Sev Ohanian is a 30-year-old screenwriter and producer native to Los Angeles.  At the age of 20, he produced and self-distributed My Big Fat Armenian Family, a no-budget indie feature film that became popular with Armenian audiences around the world. Shortly after, he attended the USC School of Cinematic Arts MFA program — using the profits from his film to pay for tuition. Since graduating in 2012, he has been a producer on thirteen feature films, four of which have been Sundance Film Festival Official Selections. His first film, Ryan Coogler's Fruitvale Station, won the Grand Jury Prize at the 2013 Sundance Film Festival. Andrew Bujalksi's Results premiered at the 2015 Sundance Film Festival and was acquired by Magnolia Pictures. Clea DuVall's The Intervention premiered at the 2016 Sundance Film Festival and was acquired by Paramount. At the 2018 Sundance Film Festival, Ohanian was awarded the Sundance Institute / Amazon Studios Producers Award.

Sundance Institute / Sloan Commissioning Grant 

Cherien Dabis will receive a $25,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival for What the Eyes Don’t See, produced by Rosalie Swedlin for Anonymous Content and executive produced by Michael Sugar. Previous winners include Alex Rivera’s La Vida Robot and Robert Edwards’s American Prometheus.

What the Eyes Don’t See (U.S.A.) / Cherien Dabis (Writer/Director), Rosalie Swedlin (Producer) and Michael Sugar (Executive Producer) — A true story of how Iraqi American pediatrician and scientist Dr. Mona Hanna-Attisha blew the whistle on local and state government officials for poisoning thousands of Flint, Michigan residents, especially children, by exposing them to disastrous levels of toxic lead in the water.

Cherien Dabis is an award winning filmmaker and television writer director who made her feature debut with Amreeka. The film world-premiered at the 2009 Sundance Film Festival and won the coveted FIPRESCI at Cannes. It went on to win a dozen more international awards including the Humanitas Prize and was nominated for a Best Picture Gotham Award, and 3 Independent Spirit Awards. Dabis returned to Sundance with her second feature May in the Summer, which opened the 2013 Sundance Film Festival’s U.S. Dramatic Competition section and had its international premiere at the Venice Film Festival. Dabis has also written and directed on such shows as Showtime’s groundbreaking series The L Word, Fox’s hit Empire and USA Network’s Golden Globe nominated crime thriller The Sinner. 

Rosalie Swedlin is a producer and literary manager at Anonymous Content. Swedlin began her career in New York book publishing, followed by six years handling publicity and marketing for various UK book publishers. Prior to joining Anonymous Content, she was a literary manager, producer, and partner at ICM for twelve years after having served as a senior vice president. Swedlin was an agent at CAA from 1981 – 1991 and was named co-head of the agency’s motion picture department. Swedlin executive produced the upcoming TNT limited series The Alienist based on Caleb Carr’s bestselling novel. The Wife, Swedlin’s most recent feature film, debuted at the 2017 Toronto International Film Festival. Her upcoming film projects include Jane Anderson’s adaptation of The Women in the Castle and Haifaa Al Mansour’s adaptation of the Cara Hoffman novel Be Safe I Love You.

Michael Sugar recently launched Sugar23 — a management and production company with a multi-year, first-look deal with Anonymous Content — where he was a partner for many years. He was awarded the Oscar® for Best Picture for Spotlight and most recently wrapped production on the Netflix series Maniac, with Cary Fukunaga. He is currently in production on One Day She’ll Darken at TNT. He is an Executive Producer on the Netflix series The OA and the hit Netflix series 13 Reasons Why. Sugar also Executive Produced Cinemax’s critically acclaimed drama series The Knick directed by Steven Soderbergh. Sugar’s impressive roster of literary and talent clients includes Steven Soderbergh, Richard Linklater, Cary Fukunaga, Edgar Wright, Marc Webb, Patty Jenkins, and Robin Wright. He has been nominated for multiple Emmys, and won a Peabody Award for The Knick.

Sundance Institute / Sloan Lab Fellowship

C. Wrenn Ball will receive a $15,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival. Previous winners include Logan Kibens’s Operator, Michael Almereyda’s Experimenter and Marjorie Prime, and Rob Meyer’s A Birder's Guide to Everything. 

Katie Wright (U.S.A.) / C. Wrenn Ball (Writer) — Just as the Wright Brothers are about to capitalize on the invention of their airplane, Orville is badly injured in a public crash, and sister Katie unexpectedly emerges to lead their business. Fighting resistance from businessmen, society, and even her own brothers, she strives to keep the family together and claim her place as part of their legacy. Based on the forgotten true story.

Hailing from North Carolina, C. Wrenn Ball exchanged life in the Southeast for work as an assistant on network television. He directed web series pilots in Los Angeles before completing an MFA at USC's John Wells Division of Writing for Screen and Television. Obsessed by the twang and rhythm of life, Ball is constantly merging his Southern sensibilities with feature and television writing.

Sundance Institute / Sloan Episodic Storytelling Grant

John Lopez will receive an $11,000 cash award from the Alfred P. Sloan Foundation at this year’s Sundance Film Festival.

Untitled J.P. Morgan Project (U.S.A.) / John Lopez (Writer, Creator) — A look at the family drama and professional innovations of American financier J.P. Morgan as the 20th century dawns and the country he helped build transforms radically.

A Los Angeles native, John Lopez has covered film and the arts for Grantland, Vanity Fair online and Bloomberg Business Week. His short Plan B, starring Randall Park and Rosa Salazar, was a finalist in the NBC Short Cuts Film festival; he also directed segments for NBC’s 2014 Actor’s Showcase and served as associate producer on Hossein Amini’s film The Two Faces of January. In 2015, John was selected as a fellow for the 2015 Sundance Episodic Lab with his pilot Crude. Most recently, John has written for Netflix’s upcoming crime drama Seven Seconds and CBS All Access’s upcoming period drama Strange Angel, and he has just completed a mini-room for AMC’s Silent History. 
 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. The Festival is a program of the non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Google Pixel 2, Grey Goose Vodka, High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors - Los Angeles Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Boyhood, Swiss Army Man, Manchester By the Sea, Brooklyn, Little Miss Sunshine, Life, Animated, Sonita, 20 Feet From Stardom, Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

About the Sloan Foundation
The New York-based Alfred P. Sloan Foundation, founded in 1934, is a non-profit philanthropy that makes grants for original research and education in science, technology, and economic performance. Sloan's program in Public Understanding of Science and Technology, directed by Doron Weber, supports books, radio, film, television, theater and new media to reach a wide, non-specialized audience and to bridge the two cultures of science and the humanities.

Sloan's Film Program encourages filmmakers to create more realistic and compelling stories about science and technology and to challenge existing stereotypes about scientists and engineers in the popular imagination. Over the past two decades, Sloan has partnered with some of the top film schools in the country - including AFI, Carnegie Mellon, Columbia, NYU, UCLA and USC - and established annual awards in screenwriting and film production, along with an annual best-of-the-best Student Grand Jury Prize administered by the Tribeca Film Institute. The Foundation also supports screenplay development programs with the Sundance Institute, Tribeca Film Institute, the San Francisco Film Society, the Black List, and Film Independent’s Producing Lab and Fast Track program and has helped develop such film projects as Ben Lewin’s The Catcher Was a Spy premiering this year at Sundance, Morten Tyldum’s The Imitation Game, Matthew Brown’s The Man Who Knew Infinity, and Michael Almereyda’s Experimenter. The Foundation has also supported theatrical documentaries such as the recently released BOMBSHELL: The Hedy Lamarr Story, Particle Fever, and Jacques Perrin’s Oceans.

The Foundation has an active theater program and commissions about twenty science plays each year from the Ensemble Studio Theatre, Manhattan Theatre Club, and the National Theatre, as well as supporting select productions across the country and abroad. Recent grants have supported Lucy Kirkwood’s Mosquitoes, recently at the National Theatre in London, Nick Payne’s Constellations, Lucas Hnath’s Isaac’s Eye, and Anna Ziegler’s Photograph 51. The Foundation’s book program includes early support for Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, the highest grossing Oscar-nominated film of 2017 and the recipient of the Sloan Science in Cinema Prize at the San Francisco Film Society in December 2016.

 

 
 
 

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Shorts Awards Announced at 2018 Sundance Film Festival, Matria Wins Grand Jury Prize

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(L-R) Matria, Credit: Lucia C. Pan; Hair Wolf, Credit: Charlotte Hornsby; Would You Look At Her, Credit: Courtesy of Sundance Institute.

Winners of the 2018 Sundance Film Festival jury prizes in short filmmaking were announced today by Sundance Institute at a ceremony in Park City, Utah. The Short Film Grand Jury Prize, awarded to one film in the program of 69 shorts selected from 8,740 submissions, went toMatria, written and directed by Álvaro Gago.

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Faced with the challenges presented by her daily routine, Ramona tries to take refuge in her relationship with her daughter and granddaughter.

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Full video of the ceremony is at youtube.com/sff. The Short Film program is presented by YouTube, as part of their ongoing support for emerging storytellers, unique voices and independent artists. 2018 marks the sixth year YouTube has been the official sponsor of the Sundance Film Festival Shorts program.

This year's Short Film jurors are Cherien Dabis, Shirley Manson and Chris Ware.

Short Film awards winners in previous years include And so we put goldfish in the pool. by Makato Nagahisa, Thunder Road by Jim Cummings, World of Tomorrow by Don Hertzfeldt, SMILF by Frankie Shaw, Of God and Dogs by Abounaddara Collective, Gregory Go Boom by Janicza Bravo, The Whistle by Grzegorz Zariczny, Whiplash by Damien Chazelle, FISHING WITHOUT NETS by Cutter Hodierne, The Tsunami and the Cherry Blossom by Lucy Walker and The Arm by Brie Larson, Sarah Ramos and Jessie Ennis.

The short film program at the Festival is the centerpiece of Sundance Institute’s year-round efforts to support short filmmaking. Select Festival short films are presented as a traveling program in over 70 cities in the U.S. and Canada each year, one of the few theatrical releases of short films in North America. Short films and filmmakers also take part in regional Master Classes geared towards supporting emerging shorts-makers in cities around the country.

2018 Sundance Film Festival Short Film Jury Awards: 

The Short Film Grand Jury Prize was awarded to:Matria/ Spain (Director and screenwriter: Álvaro Gago) — Faced with a challenging daily routine, Ramona tries to take refuge in her relationships with her daughter and granddaughter.

The Short Film Jury Award: U.S. Fiction was presented to: Hair Wolf / U.S.A. (Director and screenwriter: Mariama Diallo) — In a black hair salon in gentrifying Brooklyn, the local residents fend off a strange new monster: white women intent on sucking the lifeblood from black culture.

The Short Film Jury Award: International Fiction was presented to: Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski) — A hard-headed tomboy spots the unlikely solution to all her problems in an all-male religious ritual.

The Short Film Jury Award: Non-fiction was presented to: The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze) — Gela sells secondhand clothes and household items in places where money is potatoes. 

The Short Film Jury Award: Animation was presented to: GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton) — Sugar was the engine of the slave trade that brought millions of Africans to America. Glucose is sweet, marketable and easy to consume, but its surface satisfaction is a thin coating on the pain of many disenfranchised people.

A Special Jury Award was presented to: Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila) — Faced with an emergency situation, a group of young Black and Latino friends carefully weigh the pros and cons of calling the police.

A Special Jury Award was presented to: Fauve / Canada (Director and screenwriter: Jérémy Comte) — Set in a surface mine, two boys sink into a seemingly innocent power game, with Mother Nature as the sole observer.

A Special Jury Award was presented to: For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis) — A trans girl cares for her Italian grandmother. She assumes that her Nonna disapproves of her – but instead discovers a tender bond in their shared vulnerability.
 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Google Pixel 2, Grey Goose Vodka, High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors - Los Angeles Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

 

 

PALMARES du festival de L’Alpe d’Huez,

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21e FESTIVAL INTERNATIONAL DU FILM DE COMEDIE DE L’ALPE D’HUEZ, EN ISERE

 

PALMARES 2018

 

Le Jury présidé cette année par le comédien Franck Dubosc, accompagné de

Audrey Dana, Arnaud Ducret, Reem Kherici & Christophe Lambert a remis les prix suivants :

 

GRAND PRIX - OCS DU FESTIVAL DE L’ALPE D’HUEZ 2018

LA FINALE de Robin Sykes (1er film)

Avec Thierry Lhermitte & Rayane Bensetti

Sortie le 14 février 2018  

 

 

PRIX DU PUBLIC - PREMIERE / CLUSTERS

LARGUÉES d’Eloïse Lang

Avec Miou-Miou, Camille Cottin & Camille Chamoux

Sortie le 18 avril 2018 

 

PRIX  DU JURY - HIVENTY

LE DOUDOU de Julien Hervé & Philippe Mechelen (1er film)

Avec Kad Merad & Malik Bentalha

Sortie le 20 juin 2018 

 

 

PRIX D’INTERPRETATION FEMININE

Camille Cottin dans LARGUÉES d’Eloïse Lang

Sortie le 18 avril 2018   

 

PRIX D’INTERPRETATION MASCULINE

Thierry Lhermitte dans LA FINALE de Robin Sykes

Avec Thierry Lhermitte & Rayane Bensetti

Sortie le 14 février 2018 

 

 

PRIX DU COURT METRAGE - OCS

ARTEM SILENDIde Frank Ychou

 

PRIX COMEDIE UNIFRANCE DU FESTIVAL DE L’ALPE D’HUEZ

UniFrance et le Festival de l’Alpe d’Huez s’associent pour créer le Prix Comédie UniFrance,

récompensant chaque année la Comédie Française ayant réalisé le plus d’entrées à l’étranger.

LePrix Comédie UniFrance a été remis au réalisateur Hugo Gélin pour DEMAIN TOUT COMMENCE avec Omar Sy.

 

 

@Festivalpedhuez #FAH2018         festival-alpedhuez.com

 

San Francisco Silent Film Festival Awards

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Garbo! Sherlock Holmes! More treasures to come!

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SFSFF 2018 AWARD

Every year SFSFF recognizes a person or institution committed to the preservation and exhibition of silent films. We are thrilled to announce that the 2018 SAN FRANCISCO SILENT FILM FESTIVAL AWARD will go to Jon Wengström and the Swedish Film Institute. SFI has long been a leader in the preservation and restoration of classic cinema and has made Swedish film heritage accessible to the world. The late 1910s and early 1920s are often referred to as the Golden Age of Swedish silent cinema, and through the years SFSFF has benefitted by SFI's fine collection. Silent-era masterpieces like Sjöström's The Outlaw and His Wife, Dreyer's The Parson's Widow, and Stiller's The Blizzard have dazzled San Francisco audiences in gorgeous prints from the Swedish Film Institute, and this year's treasure will be SFI's beautiful new photochemical restoration of The Saga of Gösta Berling—featuring Greta Garbo in her first starring role! SFI's Jon Wengström, curator of archival film collections, will be at the festival to accept the award.

 

 

HAPPY BIRTHDAY, SHERLOCK HOLMES

Today just happens to be the birthday of Arthur Conan Doyle's brilliant detective Sherlock Holmes, and it has put us in the mood to divulge an important clue about SFSFF 2018. Okay, so you know our methods... we'll just come out and spill the beans. SFSFF is in the process of restoring a recently unearthed German version of The Hound of the Baskervilles which will have its world premiere at SFSFF 2018. The BAKER STREET CIRCLE is convening. Join the festivities!

 

 

UPCOMING EVENTS and OFFERS

Cecil B. DeMille's THE KING OF KINGS (1927) in a new restoration! Organist Dorothy Papadakos will accompany at Grace Cathedral on March 24! TICKETS on sale now.

 

The 2018 San Francisco Silent Film Festival comes to the Castro Theatre for five glorious days May 30–June 3. We've leaked several titles, but the complete schedule of 23 programs will be announced in late March. Rest assured, you won't want to miss a thing! We're extending our heavily discounted HOLIDAY SPECIAL pass to the 23rd SFSFF until Martin Luther King Jr. Day on January 15. Don't miss out!

 

 

AROUND THE BAY...

BAMPFA has a wonderful lecture/screening series starting January 17: IN FOCUS: EISENSTEIN AND HIS CONTEMPORARIES. The first program is Evgenii Bauer's 1916 A Life for a Life accompanied by Bruce Loeb on piano, with a lecture by Anne Nesbet. Definitely worth the BART ride across the Bay!

 
 
 
 
 
 

 

 

 

 

Sundance 18 Top Prizes Go To The Miseducation of Cameron Post, Kailash, Of Fathers and Sons, and Butterflies

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(L-R) Of Fathers and Sons,  Credit: Kahtan Hasson and Talal Derki; The Miseducation of Cameron Post, Credit: Jeong Park;
Kailash, Credit: Derk Doneen.

After 10 days and 123 feature films, the 2018 Sundance Film Festival’s Awards Ceremony took place tonight, with host Jason Mantzoukas emceeing and jurors presenting 28 prizes for feature filmmaking in Park City, Utah. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to The Miseducation of Cameron Post (U.S. Dramatic), Kailash (U.S. Documentary), Of Fathers and Sons (World Cinema Documentary) and Butterflies (World Cinema Dramatic). 

"From the beginning, the purpose of the Sundance Film Festival has been to support artists and their stories," said Sundance Institute President and Founder Robert Redford, "and this year, our mission seemed especially relevant. Supporting independent voices, and listening to the stories they tell, has never been more necessary."

"The scope and scale of this year's Festival -- films, events, conversations -- were invigorating," said Keri Putnam, the Institute's Executive Director. "I can't wait to see how our incredible community will leverage these ten days of connection and inspiration to make art and change in the coming year."

“This Festival has been extraordinary," said John Cooper, Sundance Film Festival Director. "It’s been a pleasure to stand shoulder-to-shoulder with these artists, and to see their work charm, challenge and galvanize its first audiences.”

The awards ceremony marked the culmination of the 2018 Festival, where 123 feature-length and 69 short films — selected from 13,468 submissions — were showcased in Park City, Salt Lake City and Sundance, Utah, alongside work in the new Indie Episodic category, panels, music and New Frontier. The ceremony was live-streamed; video is available at youtube.com/sff

This year’s jurors, invited in recognition of their accomplishments in the arts, technical craft and visionary storytelling, deliberated extensively before presenting awards from the stage; this year’s jurors were Barbara Chai, Simon Chinn, Chaz Ebert, Ezra Edelman, Matt Holzman, Rachel Morrison, Jada Pinkett Smith, Octavia Spencer, Michael Stuhlbarg, Joe Swanberg, Hanaa Issa, Ruben Östlund, Michael J. Werner, Joslyn Barnes, Billy Luther, Paulina Suarez, and Ru Paul Charles. A new award voted on by audiences, Festival Favorite, will be announced in the coming days.

Feature film award winners in previous years include: I don’t feel at home in this world anymore., Weiner, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.

2018 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS

The U.S. Grand Jury Prize: Documentary was presented by Simon Chin to:
Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible.

The U.S. Grand Jury Prize: Dramatic was presented to:

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The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth's acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle.

The World Cinema Grand Jury Prize: Documentary was presented by Joselyn Barnes to: 
Of Fathers and Sons / Germany, Syria, Lebanon, Qatar (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. 

The World Cinema Grand Jury Prize: Dramatic was presented by Ruben Ostlund to: 
Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. 

The Audience Award: U.S. Documentary, Presented by Acura was presented to: 
The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing's devastating consequences, captured by Cindy's brother, follows her and her family over the course of ten years.

The Audience Award: U.S. Dramatic, Presented by Acura was presented to:
Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. 

The Audience Award: World Cinema Documentary was presented to: 
This Is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producers: Lindsey Megrue, Alexandra Shiva) — This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. 

The Audience Award: World Cinema Dramatic was presented to:
The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. 

The Audience Award: NEXT, Presented by Adobe was presented to:
Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. 

The Directing Award: U.S. Documentary was presented by Ezra Edelman to:
Alexandria Bombach for her film On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Hayley Pappas, Brock Williams) — Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people's good intentions.

The Directing Award: U.S. Dramatic was presented to: 
Sara Colangelo, for her film The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Talia Kleinhendler, Osnat Handelsman-Keren, Maggie Gyllenhaal, Celine Rattray, Trudie Styler) — When a Staten Island kindergarten teacher discovers what may be a gifted five year-old student in her class, she becomes fascinated and obsessed with the child-- spiraling downward on a dangerous and desperate path in order to nurture his talent. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. 

The Directing Award: World Cinema Documentary was presented by Paulina Suarez to: 
Sandi Tan, for her film Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

The Directing Award: World Cinema Dramatic was presented by Michael J. Werner to: 
Ísold Uggadóttir, for her film And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson.

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented to: 
Christina Choe, for her film NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo.

A U.S. Documentary Special Jury Award for Creative Vision was presented by Matt Holzman to: 
Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming. 

A U.S. Documentary Special Jury Award for Social Impact was presented by Chaz Ebert to: 
Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. 

A U.S. Documentary Special Jury Award for Storytelling was presented by Chaz Ebert to: 
Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives - and could transform our understanding of human nature forever.

A U.S. Documentary Special Jury Award for Breakthrough Filmmaking was presented by Barbara Chai to:
Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.

A U.S. Dramatic Special Jury Award for Outstanding First Feature was presented by Jada Pinkett Smith to:
Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan.

A U.S. Dramatic Special Jury Award for Excellence in Filmmaking was presented by Michael Stulhbarg to:
I Think We're Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning.

A U.S. Dramatic Special Jury Award for Achievement in Acting was presented by Michael Stulhbarg to:
Benjamin Dickey, for BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton.

A World Cinema Documentary Special Jury Award was presented by Billy Luther to: 
Stephen Loveridge and M.I.A., for MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. 

A World Cinema Documentary Special Jury Award for Editing was presented by Paulina Suarez to: 
Editors Maxim Pozdorovkin and Matvey Kulakov, for Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender, Charlotte Cook) — The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. 

A World Cinema Documentary Special Jury Award for Cinematography was presented by Billy Luther to: 
Cinematographers Maxim Arbugaev and Peter Indergand, for Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down.

A World Cinema Dramatic Special Jury Award for Screenwriting was presented by Michael J. Werner to: 
Screenwriters Julio Chavezmontes and Sebastián Hofmann, for Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. 

A World Cinema Dramatic Special Jury Award for Acting was presented by Hanaa Issa to: 
Valeria Bertuccelli, for The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo "Puma" Goity, Darío Grandinetti. 

A World Cinema Dramatic Special Jury Award for Ensemble Acting was presented by Hanaa Issa to: 
Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl.

The NEXT Innovator Prize was announced as a tie, and was presented by juror RuPaul Charles to two films:

Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel.

We the Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel.

The following awards were presented at separate ceremonies at the Festival:

SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City on January 23. The Short Film Grand Jury Prize was awarded to: Matria / Spain (Director and screenwriter: Director and screenwriter: Álvaro Gago). The Short Film Jury Award: U.S. Fiction was presented to: Hair Wolf / U.S.A. (Director and screenwriter: Director and screenwriter: Mariama Diallo). The Short Film Jury Award: International Fiction was presented to: Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski). The Short Film Jury Award: Nonfiction was presented to: The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze). The Short Film Jury Award: Animation was presented to: GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton). Three Special Jury Awards without designation were presented to: Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila), Fauve / Canada (Director and screenwriter: Jérémy Comte) and For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis).

The Short Film jurors were Cherien Dabis, Shirley Manson and Chris Ware. The Short Film program is presented by YouTube. 

SUNDANCE INSTITUTE OPEN BORDERS FELLOWSHIP PRESENTED BY NETFLIX
The recipients of Sundance Institute Open Borders Fellowship presented by Netflix, announced January 26, are three of the most exciting emerging filmmakers from the world cinema stage working in both narrative and nonfiction. The recipients are:

Of Fathers and Sons (Syria) / Talal Derki 
Untitled (India) / Chaitanya Tamhane 
Night On Fire (Mexico) / Tatiana Huezo

The Sundance Institute / NHK Award was presented to: His House (United Kingdom) / Remi Weekes. 

SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE
The 2018 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Aneesh Chaganty and Sev Ohanian’s Search. The filmmakers received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation. 

SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS
Sev Ohanian received the 2018 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival. 
 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. The Festival is a program of the non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Google Pixel 2, Grey Goose Vodka, High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors - Los Angeles Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

 

 

 

 


Sundance 2018 Awards Show Video

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After 10 days and 123 feature films, the 2018 Sundance Film Festival’s Awards Ceremony took place tonight, with host Jason Mantzoukas emceeing and jurors presenting 28 prizes for feature filmmaking in Park City, Utah. Honorees, named in total below, represent new achievements in global independent storytelling. Bold, intimate, and humanizing stories prevailed across categories, with Grand Jury Prizes awarded to The Miseducation of Cameron Post (U.S. Dramatic), Kailash (U.S. Documentary), Of Fathers and Sons (World Cinema Documentary) and Butterflies (World Cinema Dramatic). 

"From the beginning, the purpose of the Sundance Film Festival has been to support artists and their stories," said Sundance Institute President and Founder Robert Redford, "and this year, our mission seemed especially relevant. Supporting independent voices, and listening to the stories they tell, has never been more necessary."

"The scope and scale of this year's Festival -- films, events, conversations -- were invigorating," said Keri Putnam, the Institute's Executive Director. "I can't wait to see how our incredible community will leverage these ten days of connection and inspiration to make art and change in the coming year."

“This Festival has been extraordinary," said John Cooper, Sundance Film Festival Director. "It’s been a pleasure to stand shoulder-to-shoulder with these artists, and to see their work charm, challenge and galvanize its first audiences.”

The awards ceremony marked the culmination of the 2018 Festival, where 123 feature-length and 69 short films — selected from 13,468 submissions — were showcased in Park City, Salt Lake City and Sundance, Utah, alongside work in the new Indie Episodic category, panels, music and New Frontier. The ceremony was live-streamed; video is available at youtube.com/sff

This year’s jurors, invited in recognition of their accomplishments in the arts, technical craft and visionary storytelling, deliberated extensively before presenting awards from the stage; this year’s jurors were Barbara Chai, Simon Chinn, Chaz Ebert, Ezra Edelman, Matt Holzman, Rachel Morrison, Jada Pinkett Smith, Octavia Spencer, Michael Stuhlbarg, Joe Swanberg, Hanaa Issa, Ruben Östlund, Michael J. Werner, Joslyn Barnes, Billy Luther, Paulina Suarez, and Ru Paul Charles. A new award voted on by audiences, Festival Favorite, will be announced in the coming days.

Feature film award winners in previous years include: I don’t feel at home in this world anymore., Weiner, Whiplash, Fruitvale Station, Beasts of the Southern Wild, Twenty Feet from Stardom, Searching for Sugarman, The Square, Me and Earl and the Dying Girl, Cartel Land, The Wolf Pack, The Diary of a Teenage Girl, Dope, Dear White People, The Cove and Man on Wire.

2018 SUNDANCE FILM FESTIVAL FEATURE FILM AWARDS

The U.S. Grand Jury Prize: Documentary was presented by Simon Chin to:
Kailash / U.S.A. (Director: Derek Doneen, Producers: Davis Guggenheim, Sarah Anthony) — As a young man, Kailash Satyarthi promised himself that he would end child slavery in his lifetime. In the decades since, he has rescued more than eighty thousand children and built a global movement. This intimate and suspenseful film follows one man’s journey to do what many believed was impossible.

The U.S. Grand Jury Prize: Dramatic was presented to:

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The Miseducation of Cameron Post / U.S.A. (Director: Desiree Akhavan, Screenwriters: Desiree Akhavan, Cecilia Frugiuele, Producers: Cecilia Frugiuele, Jonathan Montepare, Michael B. Clark, Alex Turtletaub) — 1993: after being caught having sex with the prom queen, a girl is forced into a gay conversion therapy center. Based on Emily Danforth's acclaimed and controversial coming-of-age novel. Cast: Chloë Grace Moretz, Sasha Lane, Forrest Goodluck, John Gallagher Jr., Jennifer Ehle.

The World Cinema Grand Jury Prize: Documentary was presented by Joselyn Barnes to: 
Of Fathers and Sons / Germany, Syria, Lebanon, Qatar (Director: Talal Derki, Producers: Ansgar Frerich, Eva Kemme, Tobias N. Siebert, Hans Robert Eisenhauer) — Talal Derki returns to his homeland where he gains the trust of a radical Islamist family, sharing their daily life for over two years. His camera focuses on Osama and his younger brother Ayman, providing an extremely rare insight into what it means to grow up in an Islamic Caliphate. 

The World Cinema Grand Jury Prize: Dramatic was presented by Ruben Ostlund to: 
Butterflies / Turkey (Director and screenwriter: Tolga Karaçelik, Producers: Tolga Karaçelik, Diloy Gülün, Metin  Anter) — In the Turkish village of Hasanlar, three siblings who neither know each other nor anything about their late father, wait to bury his body. As they start to find out more about their father and about each other, they also start to know more about themselves. 

The Audience Award: U.S. Documentary, Presented by Acura was presented to: 
The Sentence / U.S.A. (Director: Rudy Valdez, Producers: Sam Bisbee, Jackie Kelman Bisbee) — Cindy Shank, mother of three, is serving a 15-year sentence in federal prison for her tangential involvement with a Michigan drug ring years earlier. This intimate portrait of mandatory minimum drug sentencing's devastating consequences, captured by Cindy's brother, follows her and her family over the course of ten years.

The Audience Award: U.S. Dramatic, Presented by Acura was presented to:
Burden / U.S.A. (Director and screenwriter: Andrew Heckler, Producers: Robbie Brenner, Jincheng, Bill Kenwright) — After opening a KKK shop, Klansman Michael Burden falls in love with a single mom who forces him to confront his senseless hatred. After leaving the Klan and with nowhere to turn, Burden is taken in by an African-American reverend, and learns tolerance through their combined love and faith. Cast: Garrett Hedlund, Forest Whitaker, Andrea Riseborough, Tom Wilkinson, Usher Raymond. 

The Audience Award: World Cinema Documentary was presented to: 
This Is Home / U.S.A., Jordan (Director: Alexandra Shiva, Producers: Lindsey Megrue, Alexandra Shiva) — This is an intimate portrait of four Syrian families arriving in Baltimore, Maryland and struggling to find their footing. With eight months to become self-sufficient, they must forge ahead to rebuild their lives. When the travel ban adds further complications, their strength and resilience are put to the test. 

The Audience Award: World Cinema Dramatic was presented to:
The Guilty / Denmark (Director: Gustav Möller, Screenwriters: Gustav Möller, Emil Nygaard Albertsen, Producer: Lina Flint) — Alarm dispatcher Asger Holm answers an emergency call from a kidnapped woman; after a sudden disconnection, the search for the woman and her kidnapper begins. With the phone as his only tool, Asger enters a race against time to solve a crime that is far bigger than he first thought. Cast: Jakob Cedergren, Jessica Dinnage, Johan Olsen, Omar Shargawi. 

The Audience Award: NEXT, Presented by Adobe was presented to:
Search / U.S.A. (Director: Aneesh Chaganty, Screenwriters: Aneesh Chaganty, Sev Ohanian, Producers: Timur Bekmambetov, Sev Ohanian, Adam Sidman, Natalie Qasabian) — After his 16-year-old daughter goes missing, a desperate father breaks into her laptop to look for clues to find her. A thriller that unfolds entirely on computer screens. Cast: John Cho, Debra Messing. 

The Directing Award: U.S. Documentary was presented by Ezra Edelman to:
Alexandria Bombach for her film On Her Shoulders / U.S.A. (Director: Alexandria Bombach, Producers: Hayley Pappas, Brock Williams) — Nadia Murad, a 23-year-old Yazidi, survived genocide and sexual slavery committed by ISIS. Repeating her story to the world, this ordinary girl finds herself thrust onto the international stage as the voice of her people. Away from the podium, she must navigate bureaucracy, fame and people's good intentions.

The Directing Award: U.S. Dramatic was presented to: 
Sara Colangelo, for her film The Kindergarten Teacher / U.S.A. (Director and screenwriter: Sara Colangelo, Producers: Talia Kleinhendler, Osnat Handelsman-Keren, Maggie Gyllenhaal, Celine Rattray, Trudie Styler) — When a Staten Island kindergarten teacher discovers what may be a gifted five year-old student in her class, she becomes fascinated and obsessed with the child-- spiraling downward on a dangerous and desperate path in order to nurture his talent. Cast: Maggie Gyllenhaal, Parker Sevak, Rosa Salazar, Anna Barynishikov, Michael Chernus, Gael Garcia Bernal. 

The Directing Award: World Cinema Documentary was presented by Paulina Suarez to: 
Sandi Tan, for her film Shirkers / U.S.A. (Director and screenwriter: Sandi Tan, Producers: Sandi Tan, Jessica Levin, Maya Rudolph) — In 1992, teenager Sandi Tan shot Singapore's first indie road movie with her enigmatic American mentor Georges – who then vanished with all the footage. Twenty years later, the 16mm film is recovered, sending Tan, now a novelist in Los Angeles, on a personal odyssey in search of Georges' vanishing footprints.

The Directing Award: World Cinema Dramatic was presented by Michael J. Werner to: 
Ísold Uggadóttir, for her film And Breathe Normally / Iceland, Sweden, Belgium (Director and screenwriter: Ísold Uggadóttir, Producers: Skúli Malmquist, Diana Elbaum, Annika Hellström, Lilja Ósk Snorradóttir, Inga Lind Karlsdóttir) — At the edge of Iceland’s Reykjanes peninsula, two women’s lives will intersect – for a brief moment – while trapped in circumstances unforeseen. Between a struggling Icelandic mother and an asylum seeker from Guinea-Bissau, a delicate bond will form as both strategize to get their lives back on track. Cast: Kristín Thóra Haraldsdóttir, Babetida Sadjo, Patrik Nökkvi Pétursson.

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented to: 
Christina Choe, for her film NANCY / U.S.A. (Director and screenwriter: Christina Choe, Producers: Amy Lo, Michelle Cameron, Andrea Riseborough) — Blurring lines between fact and fiction, Nancy becomes increasingly convinced she was kidnapped as a child. When she meets a couple whose daughter went missing thirty years ago, reasonable doubts give way to willful belief – and the power of emotion threatens to overcome all rationality. Cast: Andrea Riseborough, J. Smith-Cameron, Steve Buscemi, Ann Dowd, John Leguizamo.

A U.S. Documentary Special Jury Award for Creative Vision was presented by Matt Holzman to: 
Hale County This Morning, This Evening / U.S.A. (Director: RaMell Ross, Screenwriter: Maya Krinsky, Producers: Joslyn Barnes, RaMell Ross, Su Kim) — Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming. 

A U.S. Documentary Special Jury Award for Social Impact was presented by Chaz Ebert to: 
Crime + Punishment / U.S.A. (Director: Stephen Maing) — Over four years of unprecedented access, the story of a brave group of black and Latino whistleblower cops and one unrelenting private investigator who, amidst a landmark lawsuit, risk everything to expose illegal quota practices and their impact on young minorities. 

A U.S. Documentary Special Jury Award for Storytelling was presented by Chaz Ebert to: 
Three Identical Strangers / U.S.A. (Director: Tim Wardle, Producer: Becky Read) — New York,1980: three complete strangers accidentally discover that they're identical triplets, separated at birth. The 19-year-olds’ joyous reunion catapults them to international fame, but also unlocks an extraordinary and disturbing secret that goes beyond their own lives - and could transform our understanding of human nature forever.

A U.S. Documentary Special Jury Award for Breakthrough Filmmaking was presented by Barbara Chai to:
Minding the Gap / U.S.A. (Director: Bing Liu, Producer: Diane Quon) — Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.

A U.S. Dramatic Special Jury Award for Outstanding First Feature was presented by Jada Pinkett Smith to:
Monsters and Men / U.S.A. (Director and screenwriter: Reinaldo Marcus Green, Producers: Elizabeth Lodge Stepp, Josh Penn, Eddie Vaisman, Julia Lebedev, Luca Borghese) — This interwoven narrative explores the aftermath of a police killing of a black man. The film is told through the eyes of the bystander who filmed the act, an African-American police officer and a high-school baseball phenom inspired to take a stand. Cast: John David Washington, Anthony Ramos, Kelvin Harrison Jr., Chanté Adams, Nicole Beharie, Rob Morgan.

A U.S. Dramatic Special Jury Award for Excellence in Filmmaking was presented by Michael Stulhbarg to:
I Think We're Alone Now / U.S.A. (Director: Reed Morano, Screenwriter: Mike Makowsky, Producers: Fred Berger, Brian Kavanaugh-Jones, Fernando Loureiro, Roberto Vasconcellos, Peter Dinklage, Mike Makowsky) — The apocalypse proves a blessing in disguise for one lucky recluse – until a second survivor arrives with the threat of companionship. Cast: Peter Dinklage, Elle Fanning.

A U.S. Dramatic Special Jury Award for Achievement in Acting was presented by Michael Stulhbarg to:
Benjamin Dickey, for BLAZE / U.S.A. (Director: Ethan Hawke, Screenwriters: Ethan Hawke, Sybil Rosen, Producers: Jake Seal, John Sloss, Ryan Hawke, Ethan Hawke) — A reimagining of the life and times of Blaze Foley, the unsung songwriting legend of the Texas Outlaw Music movement; he gave up paradise for the sake of a song. Cast: Benjamin Dickey, Alia Shawkat, Josh Hamilton, Charlie Sexton.

A World Cinema Documentary Special Jury Award was presented by Billy Luther to: 
Stephen Loveridge and M.I.A., for MATANGI / MAYA / M.I.A. / Sri Lanka, United Kingdom, U.S.A. (Director: Stephen Loveridge, Producers: Lori Cheatle, Andrew Goldman, Paul Mezey) — Drawn from a never before seen cache of personal footage spanning decades, this is an intimate portrait of the Sri Lankan artist and musician who continues to shatter conventions. 

A World Cinema Documentary Special Jury Award for Editing was presented by Paulina Suarez to: 
Editors Maxim Pozdorovkin and Matvey Kulakov, for Our New President / Russia, U.S.A. (Director: Maxim Pozdorovkin, Producers: Maxim Pozdorovkin, Joe Bender, Charlotte Cook) — The story of Donald Trump's election told entirely through Russian propaganda. By turns horrifying and hilarious, the film is a satirical portrait of Russian media that reveals an empire of fake news and the tactics of modern-day information warfare. 

A World Cinema Documentary Special Jury Award for Cinematography was presented by Billy Luther to: 
Cinematographers Maxim Arbugaev and Peter Indergand, for Genesis 2.0 / Switzerland (Directors: Christian Frei, Maxim Arbugaev, Producer: Christian Frei) — On the remote New Siberian Islands in the Arctic Ocean, hunters search for tusks of extinct mammoths. When they discover a surprisingly well-preserved mammoth carcass, its resurrection will be the first manifestation of the next great technological revolution: genetics. It may well turn our world upside down.

A World Cinema Dramatic Special Jury Award for Screenwriting was presented by Michael J. Werner to: 
Screenwriters Julio Chavezmontes and Sebastián Hofmann, for Time Share (Tiempo Compartido) / Mexico, Netherlands (Director: Sebastián Hofmann, Screenwriters: Julio Chavezmontes, Sebastián Hofmann, Producer: Julio Chavezmontes) — Two haunted family men join forces in a destructive crusade to rescue their families from a tropical paradise, after becoming convinced that an American timeshare conglomerate has a sinister plan to take their loved ones away. 

A World Cinema Dramatic Special Jury Award for Acting was presented by Hanaa Issa to: 
Valeria Bertuccelli, for The Queen of Fear / Argentina, Denmark (Directors: Valeria Bertuccelli, Fabiana Tiscornia, Screenwriter: Valeria Bertuccelli, Producers: Benjamin Domenech, Santiago Gallelli, Matias Roveda, Juan Vera, Juan Pablo Galli, Christian Faillace) — Only one month left until the premiere of The Golden Time, the long-awaited solo show by acclaimed actress Robertina. Far from focused on the preparations for this new production, Robertina lives in a state of continuous anxiety that turns her privileged life into an absurd and tumultuous landscape. Cast: Valeria Bertuccelli, Diego Velázquez, Gabriel Eduardo "Puma" Goity, Darío Grandinetti. 

A World Cinema Dramatic Special Jury Award for Ensemble Acting was presented by Hanaa Issa to: 
Dead Pigs / China (Director and screenwriter: Cathy Yan, Producers: Clarissa Zhang, Jane Zheng, Zhangke Jia, Mick Aniceto, Amy Aniceto) — A bumbling pig farmer, a feisty salon owner, a sensitive busboy, an expat architect and a disenchanted rich girl converge and collide as thousands of dead pigs float down the river towards a rapidly-modernizing Shanghai, China. Based on true events. Cast: Vivian Wu, Haoyu Yang, Mason Lee, Meng Li, David Rysdahl.

The NEXT Innovator Prize was announced as a tie, and was presented by juror RuPaul Charles to two films:

Night Comes On / U.S.A. (Director: Jordana Spiro, Screenwriters: Jordana Spiro, Angelica Nwandu, Producers: Jonathan Montepare, Alvaro R. Valente, Danielle Renfrew Behrens) — Angel LaMere is released from juvenile detention on the eve of her 18th birthday. Haunted by her past, she embarks on a journey with her 10 year-old sister that could destroy their future. Cast: Dominique Fishback, Tatum Hall, John Earl Jelks, Max Casella, James McDaniel.

We the Animals / U.S.A. (Director: Jeremiah Zagar, Screenwriters: Daniel Kitrosser, Jeremiah Zagar, Producers: Jeremy Yaches, Christina D. King, Andrew Goldman, Paul Mezey) — Us three, us brothers, us kings. Manny, Joel and Jonah tear their way through childhood and push against the volatile love of their parents. As Manny and Joel grow into versions of their father and Ma dreams of escape, Jonah, the youngest, embraces an imagined world all his own. Cast: Raul Castillo, Sheila Vand, Evan Rosado, Isaiah Kristian, Josiah Gabriel.

The following awards were presented at separate ceremonies at the Festival:

SHORT FILM AWARDS:
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City on January 23. The Short Film Grand Jury Prize was awarded to: Matria / Spain (Director and screenwriter: Director and screenwriter: Álvaro Gago). The Short Film Jury Award: U.S. Fiction was presented to: Hair Wolf / U.S.A. (Director and screenwriter: Director and screenwriter: Mariama Diallo). The Short Film Jury Award: International Fiction was presented to: Would You Look at Her / Macedonia (Director and screenwriter: Goran Stolevski). The Short Film Jury Award: Nonfiction was presented to: The Trader (Sovdagari) / Georgia (Director: Tamta Gabrichidze). The Short Film Jury Award: Animation was presented to: GLUCOSE / U.S.A. (Director and screenwriter: Jeron Braxton). Three Special Jury Awards without designation were presented to: Emergency / U.S.A. (Director: Carey Williams, Screenwriter: K.D. Dávila), Fauve / Canada (Director and screenwriter: Jérémy Comte) and For Nonna Anna / Canada (Director and screenwriter: Luis De Filippis).

The Short Film jurors were Cherien Dabis, Shirley Manson and Chris Ware. The Short Film program is presented by YouTube. 

SUNDANCE INSTITUTE OPEN BORDERS FELLOWSHIP PRESENTED BY NETFLIX
The recipients of Sundance Institute Open Borders Fellowship presented by Netflix, announced January 26, are three of the most exciting emerging filmmakers from the world cinema stage working in both narrative and nonfiction. The recipients are:

Of Fathers and Sons (Syria) / Talal Derki 
Untitled (India) / Chaitanya Tamhane 
Night On Fire (Mexico) / Tatiana Huezo

The Sundance Institute / NHK Award was presented to: His House (United Kingdom) / Remi Weekes. 

SUNDANCE INSTITUTE | ALFRED P. SLOAN FEATURE FILM PRIZE
The 2018 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Aneesh Chaganty and Sev Ohanian’s Search. The filmmakers received a $20,000 cash award from Sundance Institute with support from the Alfred P. Sloan Foundation. 

SUNDANCE INSTITUTE | AMAZON STUDIOS PRODUCERS AWARDS
Sev Ohanian received the 2018 Sundance Institute | Amazon Studios Producers Awards. The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space, and grants money (via the Sundance Institute Feature Film Program and Documentary Film Program) to emerging producers of films at the Sundance Film Festival. 
 

The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. The Festival is a program of the non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Google Pixel 2, Grey Goose Vodka, High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors - Los Angeles Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on FacebookInstagramTwitter and YouTube.

 

RainbowBiz, Cor Blimey and Stanwell School named winners at Iris Community and Education Awards 2018

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RainbowBiz, a social enterprise based in Flintshire, were the winners of Leadership Award at the second annual Iris Community and Education Short Film Awards. The other winners were PLUS by Stanwell School, Penarth, which took the Best Education Short Film Award and Côr Blimey by South Wales Gay Men's Chorus, who took the Best Community Short Film Award at a packed ceremony at Cineworld in Llandudno Junction.

 

The awards celebrate the achievements of organisations across Wales, including schools, workplaces and community groups, who over the past year have worked with Iris to make a short film exploring LGBT+ issues.

 

The Awards show was presented by popular singer and presenter Elin Fflur and was the final event of Iris on the Move, a three-day celebration of LGBT film. Festival highlights included the Education Day attended by Ysgol Tryfan (Bangor) and Ysgol Eirias from Colwyn Bay, a selection of films celebrating love to coincide with Dydd Santes Dwynwen and a screening of God’s Own Country which is nominated for Best British feature at the BAFTA Film Awards.

 

The first award of the evening for Best Community Film was presented by Assembly Member Suzy Davies to Côr Blimey by South Wales Gay Men's Chorus, which covers the choir's successful journey to to compete at the Cornwall International Male Choral Festival.

 

The Community Jury said:

"Côr Blimey was the whole package - re-watchable, engaging, and enjoyable for a very wide audience. It could even change attitudes."

 

The Best Education Film award was presented by Assembly Member Hannah Blythyn to the film PLUS by Stanwell School.

 

The Education Jury said:

"We were impressed with the originality of the content and the energy in its delivery. It brought out details of members of the community that are not usually covered and the use of humour was very effective."

 

The final award of the evening, the Leadership Award, was presented by Assembly Member Adam Price to RainbowBiz.

Member of the Leadership Jury, Iris Patron Katie White said, "The Iris Leadership Award is aimed at a group or organisation which not only produces an interesting, informative and memorable LGBTQ+ film. It is an award that recognises how the completed project has and will be encouraged to be discussed, shared and showcased, and ultimately lead to future successful LGBTQ+ initiatives. This in turn would support and promote its members, including new members who are sure to be recruited by their warmth, enthusiasm and inclusive nature."

 

The audience were also shown the two-award winning short films from the 2017 Iris Prize Festival in Cardiff. Mikael Bundsen from Sweden was interviewed after the screening of his film Mother Knows Best, when he explained he will be returning to Wales later in the year to use his £30,000 prize to make a new short film. Also in attendance was Best British winner Dionne Edwards from London who spoke after the screening about her winning film We Love Moses.

 

You can view most of the films by visiting the Iris Prize page on You Tube.

 

Andrew Pierce, Iris Prize Chair, commented:

“It is important that Iris engages with audiences across the UK and this commitment to North Wales is the beginning of an ambitious plan to share LGBT stories with communities across the UK. I’m delighted that during 2018 Iris on the Move will also be visiting: Manchester in February, Newcastle in March and Brighton in May and June.”

 

The six secondary schools competing for the Education Award were: Ysgol Dyffryn Aman, Ammanford; Ysgol Stanwell School, Penarth; Ysgol Tryfan, Bangor; Eastern High School, Cardiff; Lewis School Pengam, Bargoed and Ysgol Gyfun Emlyn, Castell Newydd Emlyn.

 

The films were judged by:

 

·         Rhiannon Hughes – Director of Wicked Cymru, Youth Film Festival

·         Graham Cantwell – Lily Director, Winner of Iris Prize Youth Jury Award

·         Paula Johnson – North Wales Police Enfys

·         Alex Polanski - Bangor University LGBT+ Society

 

There were seven short films competing for the Iris Community Short Film Award, the groups responsible for the films are: Office of National Statistics, Wales Audit Office, RainbowBiz, Shelter Cymru, South Wales Gay Men’s Chorus, Swansea People First, Glitter Cymru.

 

The films were judged by:

 

·         Mike Jones - Changing Attitude Trawsnewid Agwedd Cymru

·         Jenny-Anne Bishop – Unique Transgender Network

·         David Holloway – Bearable Director

·         Dionne Edwards – We Love Moses Director, Best British Winner

 

The main festival sponsors are: The Michael Bishop Foundation, Welsh Government, BFI, Ffilm Cymru Wales, Pinewood Studios Group, Cardiff University, For Cardiff, Gorilla Group, Co-op Respect and Cineworld. The festival also works in partnership with BAFTA Cymru, Pride Cymru and Stonewall Cymru. Iris on the Move is also funded by Film Hub Wales. The Iris Prize Outreach work is funded by the Big Lottery Fund Wales.
 

V Feroz awards winners

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The 5th Feroz Awards - handed by the Spanish Association of Film Journalists (AICE) – gave director Carla Simón´s first movie Summer 1993 the Best Drama Award, but also won the award for Best Director, Best Screenplay and David Verdaguer got Best Supporting Actor. With this win Summer 1993 heads to the Goya Awards ceremony due this coming Satuday with a huge impulse over other candidates.

                      

 

List of Feroz Awards 2018:

Best Drama
Summer 1993 Carla Simón

Best Comedy
Holy Camp! – Javier Ambrossi and Javier Calvo

Best Director
Carla Simón – Summer 1993

Best Actress 
Nathalie Poza – Can't Say Goodbye

Best Actor 
Javier Gutiérrez – The Motive (Spain/Mexico)

Best Supporting Actress
Adelfa Calvo – The Motive

Best Supporting Actor
David Verdaguer – Summer 1993

Best Screenplay
Carla Simón – Summer 1993

Best Documentary
La Chana – Lucija Stojevic (Iceland/Spain/USA)

Best Original Score
Giant  Pascal Gaigne

Best Trailer
Alberto Gutiérrez – Holy Camp!

Best Poster
Iñaki Villuendas – Giant

Special Feroz Award
Life and Nothing More – Antonio Méndez Esparza (Spain/USA)

Honorary Feroz Award
Verónica Forqué

 

Science Fair wins the first-ever Festival Favorite Award, selected by audience votes from the 123 films in Sundance

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Credit: Science Fair, Photo by Pete Alton.

Sundance Institute today announced Science Fair as the winner of the first-ever Festival Favorite Award, selected by audience votes from the 123 feature films screened at the  2018 Sundance Film Festival, which took place in Park City, Salt Lake City and Sundance, Utah, January 18-28. The Festival Favorite Award is the 29th and final recognition bestowed on this year’s Features, including juried prizes and category-specific Audience Awards; others were announced at a ceremony in Park City on January 27 and a full list is available here.

Science Fair, which had its world premiere at the 2018 Festival, follows nine high school students from around the globe as they navigate rivalries, setbacks, and of course, hormones, on their journey to compete at the international science fair. As they face off against 1,700 of the smartest, quirkiest teens from 78 different countries, only one will be named Best in Fair. The film was directed by Cristina Costantini and Darren Foster, and produced by Cristina Costantini, Darren Foster, Jeffrey. The film was directed by Cristina Costantini and Darren Foster, and produced by Cristina Costantini, Darren Foster, Jeffrey Plunkett and Fusion.  

John Cooper, Director, Sundance Film Festival, said “Audiences responded to the hope in this film, and how it thoughtfully depicted a rising generation of innovators. The film was so engaging and inspiring that we felt it would delight audiences and be a strong contender for this award.”

Ballots distributed at each screening were counted as part of the Festival Favorite Award determination. Runners-up for the Festival Favorite, as ballots were counted, included: 

Believer / U.S.A. (Director: Don Argott, Producers: Heather Parry, Sheena M. Joyce, Robert Reynolds) — Imagine Dragons’ Mormon frontman Dan Reynolds is taking on a new mission to explore how the church treats its LGBTQ members. With the rising suicide rate amongst teens in the state of Utah, his concern with the church’s policies sends him on an unexpected path for acceptance and change. World Premiere

Won't You Be My Neighbor? / U.S.A. (Director: Morgan Neville, Producers: Caryn Capotosto, Nicholas Ma) — Fred Rogers used puppets and play to explore complex social issues: race, disability, equality and tragedy, helping form the American concept of childhood. He spoke directly to children and they responded enthusiastically. Yet today, his impact is unclear. Have we lived up to Fred's ideal of good neighbors? World Premiere. SALT LAKE CITY OPENING NIGHT FILM

Other strong-showing audience favorites included: 

Assassination Nation / U.S.A. (Director and screenwriter: Sam Levinson, Producers: David S. Goyer, Anita Gou, Kevin Turen, Aaron L. Gilbert, Matthew J. Malek) — This is a one-thousand-percent true story about how the quiet, all-American town of Salem absolutely lost its mind. Cast: Odessa Young, Suki Waterhouse, Hari Nef, Abra, Bill Skårsgard, Bella Thorne. World Premiere

Hearts Beat Loud / U.S.A. (Director: Brett Haley, Screenwriters: Brett Haley, Marc Basch, Producers: Houston King, Sam Bisbee, Sam Slater) — In Red Hook, Brooklyn, a father and daughter become an unlikely songwriting duo in the last summer before she leaves for college. Cast: Nick Offerman, Kiersey Clemons, Ted Danson, Sasha Lane, Blythe Danner, Toni Collette. World Premiere. CLOSING NIGHT FILM

Juliet, Naked / United Kingdom (Director: Jesse Peretz, Screenwriters: Tamara Jenkins, Jim Taylor, Phil Alden Robinson, Evgenia Peretz, Producers: Judd Apatow, Barry Mendel, Albert Berger, Ron Yerxa, Jeffrey Soros) — Annie is the long-suffering girlfriend of Duncan, an obsessive fan of obscure rocker Tucker Crowe. When the acoustic demo of Tucker's celebrated record from 25 years ago surfaces, its release leads to an encounter with the elusive rocker himself. Based on the novel by Nick Hornby. Cast: Rose Byrne, Ethan Hawke, Chris O'Dowd. World Premiere

What They Had / U.S.A. (Director and screenwriter: Elizabeth Chomko, Producers: Keith Kjarval, Bill Holderman, Albert Berger, Ron Yerxa, Alex Saks, Andrew Duncan)— Bridget returns home to Chicago at her brother’s urging to deal with her mother’s Alzheimer’s and her father’s reluctance to let go of their life together. Cast: Hilary Swank, Michael Shannon, Blythe Danner, Robert Forster. World Premiere

The 2019 Sundance Film Festival will take place January 24-February 3, 2019.


The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Boyhood, Beasts of the Southern Wild, Fruitvale Station, Whiplash, Brooklyn, Twenty Feet from Stardom, Life Itself, The Cove, The End of the Tour, Blackfish, Me and Earl and the Dying Girl, Dope, Little Miss Sunshine, sex, lies, and videotape, Reservoir Dogs, Hedwig and the Angry Inch, An Inconvenient Truth, Precious and Napoleon Dynamite. The Festival is a program of the non-profit Sundance Institute®. The Festival is a program of the non-profit Sundance Institute®. 2018 Festival sponsors include: Presenting Sponsors – Acura, SundanceTV, and Chase Sapphire®; Leadership Sponsors – Adobe, Amazon Studios, AT&T, DIRECTV, Dropbox, Omnicom, Stella Artois® and YouTube; Sustaining Sponsors – Canada Goose, Canon U.S.A., Inc., Dell, Francis Ford Coppola Winery, GEICO, Google Pixel 2, Grey Goose Vodka, High West Distillery, IMDbPro, Lyft, Unity Technologies and the University of Utah Health; Media Sponsors - Los Angeles Times, The New York Times and Variety. Sundance Institute recognizes critical support from the Utah Governor's Office of Economic Development, and the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. Look for the Official Partner seal at their venues at the Festival. sundance.org/festival

Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute's signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern Wild, Fruitvale Station, Sin Nombre, The Invisible War, The Square, Dirty Wars, Spring Awakening, A Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.

 

 

 

 
 
 

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IFFR presents 47th edition award winners

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From left to right: festival director Bero Beyer with Tiger Award winner Cai Chengjie (filmmaker) and Jiao Feng (producer/cinematographer)


 

The Widowed Witch by Cai Chengjie wins Hivos Tiger Award 2018


During the Awards Ceremony on Friday 2 February, International Film Festival Rotterdam (IFFR) announced the winner of the Hivos Tiger Competition 2018: The Widowed Witch by Cai Chengjie won the prestigious prize. Rami Alayan was awarded the Special Jury Award for exceptional artistic achievement for his screenplay of The Reports on Sarah and Saleem. Gustav Möller’s The Guilty was the audience favourite, and therefore winner of the IFFR Audience Award. The Bright Future Award was picked up by Tiago Melo for his film Azougue Nazaré.

This year’s VPRO Big Screen Award went to Nina by Olga Chajdas; the film therefore will be broadcast on Dutch TV and released in Dutch theatres. All Hubert Bals Fund-supported films screening at IFFR 2018 were eligible for the Hubert Bals Fund Audience Award. This year, the award was won by The Reports on Sarah and Saleem by Muayad Alayan.

 

In congratulating all winners, Festival Director Bero Beyer said: “We’re very happy that the strong winners represent the bold spirit of the festival’s entire programming. They are filmmakers, both emerging and established, who use their talent to deliver a new view on our world. As diverse as they are, there seems to be a common thread: the beautiful and human thread of cinema!”

 

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Clockwise: The Widowed Witch, The Reports on Sarah and Saleem, Nina, Azougue Nazaré

Two new awards were presented in 2018. Newsreel 63 – The Train of Shadows by Nika Autor won the Found Footage Award and Joy in People by Oscar Hudson won the Voices Short Audience Award.

Two awards from critics’ organisations were presented. The FIPRESCI Award went to Balekempa by Ere Gowda. The KNF Award, given by the Circle of Dutch Film Journalists, was won by Zama by Lucrecia Martel. 

Nervous Translation by Shireen Seno won the NETPAC Award for best Asian film and the winner of the IFFR Youth Jury Award is The Guilty by Gustav Möller.

 

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Clockwise: Joy in People, Newsreel 63 – The Train of Shadows, Balekempa, Nervous Translation, Zama, Nervous Translation, The Guilty
 

 

Complete list of award winners and jury reports

 

Hivos Tiger Competition
The Hivos Tiger Award is IFFR’s main, most prestigious award and includes a cash prize of €40,000 to be divided between filmmaker and producer. The Tiger jury also chooses an outstanding artistic achievement within the Tiger competition to receive a Special Jury Award worth €10,000.
Winner Hivos Tiger Award: The Widowed Witch by Cai Chengjie
Jury report: “This year’s Hivos Tiger Award winner is a film of epic dimensions with a narrative that is greater than one person or moment. It takes a feminist viewpoint with a strong central character, who refuses to be a victim. The struggle of her journey is framed in an emotional way that depicts her complexity, while never becoming sentimental, and the film even contains a laconic sense of humour. Its bold vision, created by a lyrical layering of cinematographic elements, makes this film stand out.”
Winner Special Jury Award: the screenplay of The Reports on Sarah and Saleem written by Rami Alayan (dir. Muayad Alayan)
Jury report: “This well-crafted screenplay shows us four humans, each with their own flaws and desires, who have to face the consequences of their actions in a complicated, divided world. The screenplay intertwines the personal and the political and manages to balance a complex plot with convincing characters. This proves to be the basis for a strong film by a talented director and an excellent cast.”
Jury: Anthea Kennedy, Paula Astorga, Job ter Burg, Valeska Grisebach and Kim Kyungmook.

Bright Future Award
Filmmakers presenting the world or international premiere of their first feature-length film in the Bright Future Main Programme are eligible for the Bright Future Award worth €10,000.
Winner: Azougue Nazaré by Tiago Melo
Jury report: “For its singular vision, electrifying cinematic language, depiction of the explosive coexistence between good and evil, and for its ability to incorporate supernatural elements in an almost anthropological portrait of a small community, we proudly present the Bright Future Award to Tiago Melo for his film Azougue Nazaré.”
Special mention: “What begins as a personal quest gradually transforms into a reflection on loneliness, belonging, and existential homecoming. For this reason, the jury felt compelled to give a special mention to Malene Choi Jensen’s The Return.”
Jury: Ania Trzebiatowska, Nathalie Alonse Casale and Ryan Krivoshey.

VPRO Big Screen Award
The winner of the VPRO Big Screen Award is chosen by an audience jury of five enthusiastic film-lovers. The film wins a guaranteed release in Dutch theatres and will be broadcast on Dutch public television channel NPO 2. Of the €30,000 in prize money, €15,000 is spent on the winning film’s theatrical release and €15,000 goes towards the production of the filmmaker’s next project.
Winner: Nina by Olga Chajdas
Jury report: “It was a close call and we'd like to give a special mention to the runner-up, The Guilty by Gustav Möller. But another film ultimately connected with us in a more instinctive way. The winning film is a universal story about love, identity and hope. It's about internalising society's expectations and struggling to break free and be true to yourself. The story avoids easy solutions and gives us a somewhat idealised version of the world, thereby avoiding the stereotypical struggles and making it a more personal experience. It's also visually beautiful with lingering and intimate shots and gives us wonderful performances by the main actors.”
Jury: Miriam van den Brink, Nazanin Hedayati, Jasper Jacobs, Mees van Rooij and Tessa Verrijp.

 

IFFR Audience Award
Using tear-to-vote slips, visitors can rate the films they’ve watched. The film with the highest rating at the end of the festival wins the IFFR Audience Award, worth €10,000.
Winner: The Guilty by Gustav Möller

Hubert Bals Fund Audience Award
The highest-rated film supported by the Hubert Bals Fund wins the Hubert Bals Fund Audience Award, worth €10,000.
Winner: The Reports on Sarah and Saleem by Muayad Alayan

Voices Short Audience Award
The new Voices Short Audience Award is for narrative-driven short films from the festival’s Voices section. IFFR 2018 has screened five different Voices Short compilations, totalling over 20 films from 18 countries. The audience chose the winner (prize money €2,500) using voting cards after each screening.
Winner: Joy in People by Oscar Hudson

FIPRESCI Award
The FIPRESCI Award is given to the filmmaker of the best film among all the world premieres in Bright Future (excluding the Hivos Tiger Competition), by the jury of the Fédération Internationale de la Presse Cinématographique (FIPRESCI).
Winner: Balekempa by Ere Gowda
Jury report: “For its subtle and delightful portrayal of a universal theme against the background of a rich local culture.”
Jury: Beáta-Hajnalka Berecki, Andrea Crozzoli, Paul Van Es, Fahmim Ferdous, Tara Judah, Paige Lim, Flavio Lira, Wilfred Okiche, Eithne Mary O’Neill and Héctor Oyarzún Galaz.

KNF Award
The KNF Award is given to the best Dutch, or Dutch co-produced, feature film that is selected for IFFR 2018, as awarded by a jury from the Circle of Dutch Film Journalists.
Winner: Zama by Lucrecia Martel
Jury report: “This bold project illustrates how co-producing can allow an immensely gifted filmmaker to enter different territory, just as the film itself transports the audience to an alien world. Without signposts or hand-holding, viewers are challenged to use all their senses in order to navigate this foreign land. The filmmaker’s sensory approach to cinema also poses a challenge to us critics; we’ve been struggling to find words that do justice to a film that ultimately can only be experienced.”
Jury: Elise van Dam, Hedwig van Driel, Fritz de Jong, Sasja Koetsier and Sabeth Snijders.

NETPAC Award
The NETPAC Award is presented to the best Asian feature film world premiering at IFFR by a jury from the Network for the Promotion of Asian Cinema.
Winner: Nervous Translation by Shireen Seno
Jury report: “For its singularly original representation of childhood that beautifully captures a unique view of the world – one that is full of contradictory interactions, introspection, social and political dissonance, and disquietude. With this film, the director has succeeded in creating an unforgettable cinematic universe.”
Jury: Susanna Harutyunyan, Sonali Joshi and Andrei Vasilenko.

IFFR Youth Jury Award
The film that makes the biggest impression on this jury of young people is awarded the IFFR Youth Jury Award.
Winner: The Guilty by Gustav Möller
Jury report: “This film captivated us from beginning to end and was able to make the audience aware of its own preconceived notions of reality. The director deliberately withholds information from the audience, thereby creating uncertainty which leaves room for imagination. The film is a masterclass in suspense; it managed to keep our eyes glued to the screen throughout the entire film. Furthermore, we believe that this film will be attractive to a younger audience, as it is a good introduction into arthouse cinema.”
Jury: Borah Spoorenberg, Jan van der Meer, Lana Kujundzic, Noah Bos, Rahab Ahmend and Tsania Hisbaron.

Found Footage Award
The new Found Footage Award is granted to a filmmaker who has made outstanding use of archive material. The award, worth €2,500, is supported by the Netherlands Institute for Sound and Vision.
Winner: Newsreel 63 – The Train of Shadows by Nika Autor
Jury report: “This film convincingly introduces a new critical paradigm in which every new image questions the entire history of film as a medium and its role within society. It does so through brilliant use of the train as a rich metaphor for human aspiration and technological advancement, connecting the first Lumière film all the way through to the current practice of shooting smartphone footage to document refugees on their quest for a better life.”
Jury: Nicole Brenez, Maarten Brinkerink and John Goff.

 

 

 

International Film Festival Rotterdam (IFFR) – one of the largest cultural events in the Netherlands, and one of the biggest audience-oriented film festivals in the world – offers a high quality line-up of fiction and documentary feature films, short films, exhibitions, performances, masterclasses and talkshows. IFFR actively supports new and adventurous filmmaking talent through numerous industry initiatives including co-production market CineMart, through the BoostNL and Propellor initiatives, its Hubert Bals Fund and Rotterdam Lab. IFFR takes place from Wednesday 24 January to Sunday 4 February 2018. More information can be found at IFFR.com.

 

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